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This book studies the various definitions of animal nature proposed by nineteenth-century currents of thought in France. It is based on an examination of a number of key thinkers and writers, some well known (for example, Michelet and Lamartine), others largely forgotten (for example, Gleizes and Reynaud). At the centre of the book lies the idea that knowledge of animals is often knowledge of something else, that the primary referentiality is overlaid with additional levels of meaning. In nineteenth-century France thinking about animals (their future and their past) became a way of thinking about power relations in society, for example about the status of women and the problem of the labouring classes. This book analyses how animals as symbols externalize and mythologize human fears and wishes, but it also demonstrates that animals have an existence in and for themselves and are not simply useful counters functioning within discourse.
Providing a succinct overview of historical, present and future perspectives of cities and urbanism, this discerning book examines how the 21st century, regarded as the age of cities, is associated with the current crisis of democracy.
This is a masterful study of Tezcatlipoca, one of the greatest but least understood deities in the Mesoamerican pantheon. An enigmatic and melodramatic figure, 'the Lord of the Smoking Mirror' was both drunken seducer and mutilated transgressor and, although he severely punished those who violated pre-Columbian moral codes, he also received mortal confessions. A patron deity to kings and warriors as well as a protector of slaves, Tezcatlipoca often clashed in epic confrontation with his 'enemy brother' Quetzalcoatl, the famed 'Feathered Serpent'. Yet these powers of Mesoamerican mythology collaborated to create the world, and their common attributes hint toward a dual character. In a sophisticated and systematic tour through the sources and problems related to Tezcatlipoca's protean powers and shifting meanings, Olivier guides the reader skilfully through the symbolic names of this great god, from his representation on skins and stones to his relationship to ritual knives and other related deities. Drawing upon iconographic material, chronicles written in both Spanish and the native Nahuatl, and the rich contributions of ethnography, Mockeries and Metamorphoses of an Aztec God -- like the mirror of Tezcatlipoca in which the fates of mortals were reflected -- reveals an important but obscured portion of the cosmology of pre-Columbian Mexico.
Tezcatlipoca: Trickster and Supreme Deity brings archaeological evidence into the body of scholarship on “the lord of the smoking mirror,” one of the most important Aztec deities. While iconographic and textual resources from sixteenth-century chroniclers and codices have contributed greatly to the understanding of Aztec religious beliefs and practices, contributors to this volume demonstrate the diverse ways material evidence expands on these traditional sources. The interlocking complexities of Tezcatlipoca’s nature, multiple roles, and metaphorical attributes illustrate the extent to which his influence penetrated Aztec belief and social action across all levels of late Postclassic central Mexican culture. Tezcatlipoca examines the results of archaeological investigations—objects like obsidian mirrors, gold, bells, public stone monuments, and even a mosaic skull—and reveals new insights into the supreme deity of the Aztec pantheon and his role in Aztec culture.
Mestizo: a person of mixed blood; specifically, a person of mixed European and American Indian ancestry. Serge Gruzinski, the renowned historian of Latin America, offers a brilliant, original critique of colonization and globalization in The Mestizo Mind. Looking at the fifteenth-century colonization of Latin America, Gruzinski documents the mélange that resulted: colonized mating with colonizers; Indians joining the Catholic Church and colonial government; and Amerindian visualizations of Jesus and Perseus. These physical and cultural encounters created a new culture, a new individual, and a phenomenon we now call globalization. Revealing globalization's early origins, Gruzinski then fast forwards to the contemporary mélange seen in the films of Peter Greenaway and Wong Kar-Wai to argue that over 500 years of intermingling has produced the mestizo mind, a state of mixed thinking that we all possess. A masterful alchemy of history, anthropology, philosophy and visual analysis, The Mestizo Mind definitively conceptualizes the clash of civilizations in the style of Homi Bhabha, Gayatri Spivak and Anne McClintock.