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Critics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
"Alice L. Hutchinson sets Kenneth Anger's work within the social and artistic context of the twentieth century - from the bohemian world of Cocteau in Paris in the 1940s and 50s to the psychedelic London in the late 60s to Anger's hometown of Hollywood, made infamous in his Hollywood Babylon books. With many new reproductions, this book provides an essential introduction to one of the pioneers of independent filmmaking." "Alongside the text by Hutchinson, this publication consolidates English and French texts as well as interviews by Anger, alongside commentaries on his work by Stan Brakhage, Anais Nin, Samson De Brier, Jonas Mekas and Carolee Schneemann."--Jacket.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
Known worldwide for his bestselling Hollywood Babylon books, Kenneth Anger is an underground filmmaker whose tremendous influence has been acknowledged by directors as diverse as Steven Spielberg, Martin Scorsese, and Dennis Hopper. As the father and most highly regarded member of American cinema's avant-garde, Anger made three films now considered masterpieces: Fireworks, Scorpio Rising, and Lucifer Rising. More than forty years later his aesthetic ripple is still being felt in contemporary mediums such as rock videos. Beginning with Anger's life as a child actor in Hollywood (he was featured in A Midsummer Night's Dream with Mickey Rooney), Bill Landis's biography takes the reader on a wild journey from the beginning of the underground film movement in the United States and Europe through the equally underground gay world of the '40s and '50s to the '60s in London and San Francisco, when Anger was at his peak of fame, and up to the present.
The final title in the Queer Film Classics series, on Kenneth Anger's remarkable 1963 film about a gay biker gang.
The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. Fashion Film is the first detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this ground-breaking book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising and documentary film-making, right up to today's visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows. Examining collaborations between fashion designers and pioneering image-makers such as Guy Bourdin, Jean-Paul Goode, William Klein and Nick Knight, the book highlights the critical tension between the fashion film conceived as a creative endeavour and as commercial enterprise. Fashion Film also includes a parallel focus on factual representations of fashion through the recent rise of documentary fashion film that goes behind the scenes to follow the processes and personalities involved in making fashion. Accessible and well-illustrated, Fashion Film will appeal to students and scholars of fashion, film, media, photography, celebrity, sociology and cultural studies.
Film d'avant-garde mythique réalisé par Germaine Dulac sur un scénario d'Artaud, La coquille et le clergyman suscita un scandale surréaliste mémorable lors de sa sortie en 1928. A partir d'éléments portant sur le tournage, la personnalité des initiateurs et les prises de position du groupe surréaliste, les auteurs éclairent la fameuse querelle et rendent justice à Germaine Dulac.