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The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze
Published to accompany a traveling exhibition organized by the American Federation of Arts and the Musee du Louvre, this publication features an extraordinary selection of these works dating from the first century B.C. to the early fourth century A.D.-from the most famous to some with new significance resulting from new information. Themes such as religion, urbanism, war, imperial expansion, funerary practices, intellectual life, and family are vividly represented in mosaics, frescoes, bronze and terracotta statuettes, monumental sculptures, sarcophagi, reliefs, and glass and metal vessels. The catalogue also covers the careful procedures of cleaning and repair that took place during the collection's restoration. The resulting reincarnation of the Louvre's pieces transforms the contemporary view of early Roman public and private life, conveying a novel perspective and understanding of these ancient masterpieces. With comprehensive essays by a team of scholars on emperorship, citizenship, architecture, decorative arts, and religion, this title presents a complete picture of life in ancient Rome. AUTHOR: Daniel Roger and Cecile Giroire are curators in the Greek, Etruscan and Roman Antiquities Department of the Musee du Louvre. 185 colour plates
Italien - Römerzeit - Typologie - Gefässe.
Statues are among the most familiar remnants of classical art. Yet their prominence in ancient society is often ignored. In the Roman world statues were ubiquitous. Whether they were displayed as public honours or memorials, collected as works of art, dedicated to deities, venerated as gods, or violated as symbols of a defeated political regime, they were recognized individually and collectively as objects of enormous significance. By analysing ancient texts and images, Statues in Roman Society unravels the web of associations which surrounded Roman statues. Addressing all categories of statuary together for the first time, it illuminates them in ancient terms, explaining expectations of what statues were or ought to be and describing the Romans' uneasy relationship with 'the other population' in their midst.
The Pondera Online project aims to collect and study ancient and medieval weights. It is intended to fill a gap in the collection, standardization, and processing of the archaeological data, thanks to an open access database (https://pondera.uclouvain.be/).
Between 2007 and 2014, a Greek-American team investigated an impressive array of Early Roman to Early Byzantine buildings and burials on the Koutsongila Ridge at Kenchreai, the eastern port of ancient Corinth. This volume presents the project's final results, revealing abundant evidence not only for the history of activity in a transitional urban/suburban landscape, but also for the society, economy, and religion of local residents. Important structural and mortuary discoveries abound, including a district of lavish houses with exquisite mosaic pavement and an Early Christian Octagon. The large artifactual assemblage encompasses a variety of objects from pottery and lamps to glass, coins, and jewelry. Bones and teeth from over 200 individuals illustrate differences in health over time, while thousands of bones and shells from a variety of animals attest to diet and subsistence. This study paints a picture of a Corinthian community, small but prosperous and well connected, actively participating in an urban elite culture expressed through decorative art and monumental architecture.