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The Indiscreet Jewels ( or The Indiscreet Toys, or The Talking Jewels, French: Les bijoux indiscrets) is the first novel by Denis Diderot, published anonymously in 1748. It is an allegory that portrays Louis XV as the sultan Mangogul of the Congo who owns a magic ring that makes women's genitals ("jewels") talk. Sultan Mangogul of Congo is bored of court life and suspects his mistress Mirzoza of infidelity. Happily for him, a genie presents him with a magical ring with unique properties. When the ring is rubbed and pointed at the genitals of any woman in the vicinity, the genitals ("discreet jewels") begin speaking of their past amorous experiences to the confusion and consternation of their owner. In the book, the Sultan uses the ring in this manner about thirty times--usually at a dinner or a social meeting; on these occasions, the Sultan is typically visible to the woman. However, since the ring has the additional property of making its owner invisible when required, a few of the sexual experiences recounted are through direct observation with the Sultan making himself invisible and placing his person in the unsuspecting woman's boudoir.
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Diderot (1713-84) was a French philosopher, art critic and writer and a prominent figure during the Enlightenment who is best-known as co-founder, chief editor and contributor to the Encyclopede, published in France between 1751-72. This, his first novel published anonymously in 1748, is an allegory portraying Louis XV as a Sultan of the Congo who owns a magic ring that makes women's genitals ("discreet jewels") talk to reveal their past amorous experiences. Interspersed with the bawdy tales are several digressions into philosophy, music and literature.
Campy, bitchy, outrageous, and quite a bit more than over the top, Abby Zinzo describes himself as “a cross between Auntie Mame and Louis the Sun King.” Abby has lived a life dedicated to pleasure, and nothing has given him more pleasure than owning, wearing, or merely contemplating the lustrous objects with which women and men have always adorned themselves. In this sexy, funny book that is part novel and part thesis on jewelry, Abby sits down to record everything he has learned over a lifetime, planning to leave this story along with his collection of valuable stones to his beloved niece, Zeem. He recounts the history of famous gems–like the fabulous Koh-i-Noor and the brilliant blue Hope diamond–and regales us with naughty tales of the women who made the beautiful jewelry their own, including Coco Chanel, the Duchess of Windsor, and Elizabeth Taylor. He also narrates his own sensational life, from Harvard undergraduate to dancer in a notorious Paris drag cabaret to his twilight as a man for whom gender is just another glittering ornament. Sharp, fascinating, and sparkling with its own inner fire, Jewelry Talks is precious gem in and of itself.
The great eighteenth-century French thinker Denis Diderot (1713–84) once compared himself to a weathervane, by which he meant that his mind was in constant motion. In an extraordinarily diverse career he produced novels, plays, art criticism, works of philosophy and poetics, and also reflected on music and opera. Perhaps most famously, he ensured the publication of the Encyclopédie, which has often been credited with hastening the onset of the French Revolution. Known as one of the three greatest philosophes of the Enlightenment, Diderot rejected the Christian ideas in which he had been raised. Instead, he became an atheist and a determinist. His radical questioning of received ideas and established religion led to a brief imprisonment, and for that reason, no doubt, some of his subsequent works were written for posterity. This collection of essays celebrates the life and work of this extraordinary figure as we approach the tercentenary of his birth.
Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.