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Yippie-i-oh! Saddle up for the first in a spin-off series starring favorite characters from Kate DiCamillo’s New York Times best-selling Mercy Watson books. Leroy Ninker has a hat, a lasso, and boots. What he doesn’t have is a horse – until he meets Maybelline, that is, and then it’s love at first sight. Maybelline loves spaghetti and sweet nothings, and she loves Leroy, too. But when Leroy forgets the third and final rule of caring for Maybelline, disaster ensues. Can Leroy wrestle fate to the ground, rescue the horse of his heart, and lasso loneliness for good? Join Leroy, Maybelline, and a cast of familiar characters – Stella, Frank, Mrs. Watson, and everyone’s favorite porcine wonder, Mercy – for some hilarious and heartfelt horsing around on Deckawoo Drive.
"A superlative selection of Neiman's finest work is highlighted by the artist's notes on the people, places and events he has painted--from chic society beauties, superstars and big business wheeler-dealers to Bowery rejects, poolroom hustlers and sidewalk hustlers. Neiman’s art transcends all class distinctions to capture the kaleidoscopic social scene."--Dust jacket flap.
This 1892 work was among the first novels published by an African-American woman. Its striking portrait of life during the Civil War and Reconstruction recounts a mixed-race woman's devotion to uplifting the black community.
National Bestseller Featuring a foreword by Billy Corgan “JT LeRoy’s masterful imagination, command of story, and easy sense of the mythological are a rare combination that demands attention.” — Toronto Star Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.
When Michael's aunt passes away, she leaves behind a letter that will change everything. It starts with Michael's grandfather Leroy, a black officer in World War I who charged into a battle zone not once but three times to save wounded men. His fellow soldiers insisted he deserved special commendations for his bravery but because of the racial barriers, he would go unacknowledged. Now it's up to Michael to change that. Inspired by the true story of Walter Tull, the first black officer in the British army, award-winning author Michael Morpurgo delivers a richly layered and memorable story of identity, history, and family.
Discusses media portrayals of black men who are outside the expected roles of stock characters and are thus, "illegible" to spectators.
The incredible story of Catherine Leroy, one of the few woman photographers during the Vietnam War, told by an award-winning journalist and children’s author From award-winning journalist and children’s book author Mary Cronk Farrell comes the inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war’s few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never traveled more than a few hundred miles from Paris before, Leroy left home at age 21 to travel to Vietnam and document the faces of war. Despite being told that women didn't belong in a “man’s world,” she was cool under fire, gravitated toward the thickest battles, went along on the soldiers’ slogs through the heat and mud of the jungle, crawled through rice paddies, and became the only official photojournalist to parachute into combat with American soldiers. Leroy took striking photos that gave America no choice but to look at the realities of war—showing what it did to people on both sides—from wounded soldiers to civilian casualties. Later, Leroy was gravely wounded from shrapnel, but that didn’t keep her down more than a month. When captured by the North Vietnamese in 1968, she talked herself free after photographing her captors, scoring a cover story in Life magazine. A recipient of the George Polk Award, one of the most prestigious awards in journalism, Leroy was one of the most well-known photographers in the world during her time, and her legacy of bravery and compassion endures today. Farrell interviewed people who knew Leroy, as well as military personnel and other journalists who covered the war. In addition to a foreword by Pulitzer Prize–winning journalist Peter Arnot, the book includes a preface, author’s note, endnotes, bibliography, timeline, and index.
Soon to be a major motion picture starring Kristen Stewart (as JT) and Laura Dern. The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT’s fans, mentors, and readers came to terms with the fact that the gay-male-ex-truck-stop-prostitute-turned literary-wunderkind was really a girl from San Francisco, whose sister-in-law wrote the books. Girl Boy Girl is the story of how Savannah Knoop led this bizarre double life for six years, trading a precarious existence as a college dropout for a life in which she was embraced by celebrities and artists—Carrie Fisher, Courtney Love, Mary Ellen Mark, Winona Ryder, Asia Argento, Sharon Olds, Gus Van Sant, Mike Pitt, Calvin Klein, and Shirley Manson, to name a few—and traveled the world. Telling her side of the story for the first time, Savannah reveals how being perceived as a boy gave her a sense of confidence and entitlement she never had before. Her love affair with Asia Argento is particularly wrenching, as they embark on an intimate relationship that causes more alienation than closeness. As Savannah and Laura struggle over control of the JT character, Savannah realizes the limits of the game - - and inadvertently finds herself through the adventure of being someone else.
LeRoy is best known as the "Birthplace of Jell-O," but few people know that in 1929 it had one of the finest private airports in the United States and was home to Amelia Earhart's airplane, the Friendship. In the 19th century, LeRoy was known for Igham University, one of the first colleges for women and the first to grant a four-year degree. First settled in 1797, LeRoy has produced patent medicines, salt, limestone, dynamite, plows, agricultural commodities, stoves, organs, insulators, and a myriad of other products. Located on the eastern edge of Genesee County and 30 miles southwest of Rochester, LeRoy originally depended on water power from the Oatka Creek and was soon serviced by several railroads. It was also a station on the Underground Railroad.
The relationship between race and capitalism is one of the most enduring and controversial historical debates. The concept of racial capitalism offers a way out of this impasse. Racial capitalism is not simply a permutation, phase, or stage in the larger history of capitalism—since the beginning of the Atlantic slave trade and the colonization of the Americas, capitalism, in both material and ideological senses, has been racial, deriving social and economic value from racial classification and stratification. Although Cedric J. Robinson popularized the term, racial capitalism has remained undertheorized for nearly four decades. Histories of Racial Capitalism brings together for the first time distinguished and rising scholars to consider the utility of the concept across historical settings. These scholars offer dynamic accounts of the relationship between social relations of exploitation and the racial terms through which they were organized, justified, and contested. Deploying an eclectic array of methods, their works range from indigenous mortgage foreclosures to the legacies of Atlantic-world maroons, from imperial expansion in the continental United States and beyond to the racial politics of municipal debt in the New South, from the ethical complexities of Latinx banking to the postcolonial dilemmas of extraction in the Caribbean. Throughout, the contributors consider and challenge how some claims about the history and nature of capitalism are universalized while others remain marginalized. By theorizing and testing the concept of racial capitalism in different historical circumstances, this book shows its analytical and political power for today’s scholars and activists.