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The book represents the culmination of a hugely successful heritage preservation project initiated by the Government of India’s Department of Science and Technology. It presents extensive research on the digital preservation of the history, mythology, art, architecture and culture of the world heritage site Hampi in Karnataka, the seat of the Vijayanagara dynasty in medieval India. Further, the book introduces readers to a range of techniques developed by Indian technical research groups for digitally preserving both the tangible and intangible cultural heritage of the region. These techniques are sufficiently generic to be applied in heritage preservation efforts for other historical sites around the world as well. Technological advances have made it possible to not only create digital archives of these heritage artifacts, but to also share these resources for people to view, explore, experience, and analyze. This book showcases how cutting-edge technology can be combined with cultural and historical research to digitize and preserve heritage. It is the consolidation of work conducted under the Indian Digital Heritage project, a unique initiative of the Department of Science & Technology (DST), Government of India. The project involved collaboration between researchers in the areas of Technology, Computer Science, Architecture and the Humanities for the digital documentation and interpretation of India’s tangible and intangible heritage. It highlights the art, architecture, and cultural legacy of the world heritage site of Hampi in Karnataka, the medieval capital of the 14th-16th century Vijayanagara dynasty. The contributors to this book are scientists and technology experts from prominent academic institutes in India such as the IITs (Indian Institutes of Technology), NIIT, and NID (National Institute of Design) working in collaboration with some of India’s top architects, art historians, anthropologists, heritage groups and multi-disciplinary cultural institutions such as the National Institute of Advanced Studies (NIAS). Their papers will introduce readers to cutting-edge technologies from research areas such as computer vision, 3D modeling and artificial intelligence as they are employed to preserve art and culture in the digital domain. The book is divided into four parts. Part 1 details efforts and techniques for modeling and representing the tangible heritage of Hampi, such as the reconstruction of damaged structures, realistic walk-throughs, and haptic rendering. Part 2 includes chapters detailing the analysis and digital restoration of artifacts such as mural paintings, inscriptions and sculptures, as well as mobile-based visual search for artifacts. Part 3 includes chapters on conjectural re-constructions of the architectural life, social life and traditions of Hampi. Lastly, Part 4 addresses the knowledge-based archiving and exploration of cultural heritage.
Zusammenfassung: This proceedings book explores future prospects of cultural, heritage, and religious tourism and how it can impact the socioeconomic complexity of a community and future developments. It includes chapters on contemporary digital age pilgrimage, digital interpretation as a management strategy, tourism in the era of digital communication, and the role of social media in conserving intangible cultural heritage. This book focuses on policies and mechanisms for heritage preservation. It includes cultural heritage tourism management, how the digitalization of data has impacted and further developed tourism, World Heritage classification in urban tourism destinations, cultural tourism products, and experiences. Moreover, it discusses the sustainable environment and geography in tourism. It covers topics such as ecotourism and rural sustainable development, heritage in socioeconomic sustainable development, and tourists' perceptions of tourism. Another part of the book explores the social and economic impacts of tourism. It includes chapters on cycling tourism along the Elbe, residents' perceptions of the socioeconomic benefits of restaurants, architecture of historical mosques, tourism as a driver of soft power, tourists' perceptions of service quality, tourism during the Covid-19 pandemic, gastronomic narratives in tourism, and residents' perceptions of festivals. Also, it pinpoints the focus on user interaction-based development. It includes chapters on the role of community-led initiatives in heritage revitalization and addressing connectivity issues between historical and natural touristic heritage sites. These research papers provide valuable insights into the multidimensional nature of cultural sustainable tourism, covering a wide range of topics and offering diverse perspectives on its development, management, and impact
Hidden away in the remote village of Lepakshi in the Rayalaseema region of Andhra Pradesh, merely a couple of hours drive from Bengaluru, is one of the most spectacular Vijayanagara temples. Unlike so many other religious monuments of the period that have suffered disfiguring additions, or have lost their original carvings and ceiling paintings, that at Lepakshi dedicated to Virabhadra, a fierce emanation of Shiva, is miraculously intact. Its architecture, sculptures and paintings showcase the finest artistic achievements in southern India during the first half of the sixteenth century.0While the remarkable qualities of Lepakshi have long been recognised, particularly its unique series of ceiling paintings, this volume is the first to provide the temple with a comprehensive description. It is authored by three eminent scholars: George Michell, who has focused on Vijayanagara temple architecture; Anna L. Dallapiccola, who has extensively researched the sculptural and painting traditions of southern India; and Brigitte Khan Majlis, an expert on Indian textile designs and techniques.

Report

India. Archæological Department. Southern Circle, Madras

Published: 1913

Total Pages: 92


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"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Thakur Vijayam: Spectrum of History, Culture and Archaeological Studies is a Commemoration Volume presented to Prof. Vijay Kumar Thakur was a renowned Historian in India, on his Eighty second birth anniversary (15th July 1941). These articles are in other way serve as garland of flowers to decor Prof. Vijay Kumar Thakur. A great scholar in History, Buddhism, Epigraphy, Archaeology, andCulture. There are more than 35 articles shedding light on History, Culture and Archaeological Studies. This prestigious volume contains a wide spectrum of research articles covering Archaeology, History, Art, Architecture, Epigraphy and Numismatics, Buddhism, Religion and Philosophy Tourism, Modern History and Economic history, Folklore, literature and culture, This volume was edited by Prof. Pedarapu Chenna Reddy who is already well-known for similar volumes in honour of Prof. B. Rama Raju, Dr. P. V. P. Sastry, Prof. R. Soma Reddy, Dr. I. K. Sarma, Dr. V. V. Krishna Sastry, Dr. Robert G. Bednarik, Prof. A. Sundara, Dr. Deme Raja Reddy, Dr. Annapareddy Venkateswara Reddy, Prof. K. V. Raman, Dr. Janumaddi Hanumath Sastry, Prof. K. Rajayyan, Prof. Alan Dundes, Prof. Bhakthavathsala Reddy, Prof. K. K. N. Kurup, Dr. A. K. V. S Reddy, Dr. Y. Gopala Reddy, Prof. M. L. K. Murty, Dr. M. D. Sampath, Prof. Katta Narasimha Reddy, Prof. Hampa Nagarajaiah etc.
‘Let Talakadu be covered by sand, let Malangi become a whirlpool and may the kings of Mysore not have any heirs.’ Is there any power behind the curse? Would you believe if people say that Narayanrao's ghost still calls for help, and the sound of “Kaka Mala Vachva” can be heard on full moon nights after his brutal murder 200 years ago? Is this an alien spacecraft or ancient buried site? Is it a deception of alien visiting our planet during the pre-historic era? Could this be an optical illusion? Maybe, the road goes downhill, but it seems going up or maybe, these hills have magnetic power and defy the law of gravity. To find out answers to all these questions, I travelled to some of the unexplored and unheard places. Did I find my answers? Are these just myths and rumours? Read Curiously Wandering – a journey of exploring the unexplored in twenty-three travel tales.