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Argentina's best-known writer during his lifetime, Leopoldo Lugones's work spans many literary styles and ideological positions. He was influential as a modernist poet, as a precursor of the avant-garde, and also as the poet of Argentine nature. His short stories (Las Fuerzas Extranas: 1906) were early examples of the fantastic in Latin American fiction and influenced Borges, Quiroga, and others They reflect an interest in the uncanny and inspired contemporary interest in animism and occultism because the protagonists of many the stories were scientists and doctors experimenting in the transmutation of thought. His prose works include La Guerra Gaucha (1905) and the essay El Payador (1916) in which he idealized the gaucho as a heroic figure, popular poet, and a symbol of Argentine identity. Lugones altered his political views many times, adopting radical anarchism, and later in life, fascism. He was therefore a controversial figure, both accalimed and scorned by his contemporaries. His adherence to the importance of literary form drew criticism from the new generation of writers, such as Borges, but Borges later stated in 1955 that "Lugones was and continues to be the greatest Argentine writer."
Argentina's best-known writer during his lifetime, Leopoldo Lugones's work spans many literary styles and ideological positions. He was influential as a modernist poet, as a precursor of the avant-garde, and also as the poet of Argentine nature. His short stories (Las Fuerzas Extranas: 1906) were early examples of the fantastic in Latin American fiction and influenced Borges, Quiroga, and others They reflect an interest in the uncanny and inspired contemporary interest in animism and occultism because the protagonists of many the stories were scientists and doctors experimenting in the transmutation of thought. His prose works include La Guerra Gaucha (1905) and the essay El Payador (1916) in which he idealized the gaucho as a heroic figure, popular poet, and a symbol of Argentine identity. Lugones altered his political views many times, adopting radical anarchism, and later in life, fascism. He was therefore a controversial figure, both accalimed and scorned by his contemporaries. His adherence to the importance of literary form drew criticism from the new generation of writers, such as Borges, but Borges later stated in 1955 that "Lugones was and continues to be the greatest Argentine writer."
Long considered a classic in Bolivia, Juan de la Rosa tells the story of a young boy's coming of age during the violent and tumultuous years of Bolivia's struggle for independence. Indeed, in this remarkable novel, Juan's search for his personal identity functions as an allegory of Bolivia's search for its identity as a nation. Set in the early 1800s, the novel is narrated by one of the last surviving Bolivian rebels, octogenarian Juan de la Rosa. Juan recreates his childhood in the rebellious town of Cochabamba, and with it a large cast of full bodied, Dickensian characters both heroic and malevolent. The larger cultural dislocations brought about by Bolivia's political upheaval are echoed in those experienced by Juan, whose mother's untimely death sets off a chain of unpredictable events that propel him into the fiery crucible of the South American Independence Movement. Outraged by Juan's outspokenness against Spanish rule and his awakening political consciousness, his loyalist guardians banish him to the countryside, where he witnesses firsthand the Spaniards' violent repression and rebels' valiant resistance that crystallize both his personal destiny and that of his country. In Sergio Gabriel Waisman's fluid translation, English readers have access to Juan de la Rosa for the very first time.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
This new bilingual selection brings together some two hundred poems, which makes it the largest collection of Borges' poetry ever assembled in English, and includes many works never previously translated.
Habeas Viscus focuses attention on the centrality of race to notions of the human. Alexander G. Weheliye develops a theory of "racializing assemblages," taking race as a set of sociopolitical processes that discipline humanity into full humans, not-quite-humans, and nonhumans. This disciplining, while not biological per se, frequently depends on anchoring political hierarchies in human flesh. The work of the black feminist scholars Hortense Spillers and Sylvia Wynter is vital to Weheliye's argument. Particularly significant are their contributions to the intellectual project of black studies vis-à-vis racialization and the category of the human in western modernity. Wynter and Spillers configure black studies as an endeavor to disrupt the governing conception of humanity as synonymous with white, western man. Weheliye posits black feminist theories of modern humanity as useful correctives to the "bare life and biopolitics discourse" exemplified by the works of Giorgio Agamben and Michel Foucault, which, Weheliye contends, vastly underestimate the conceptual and political significance of race in constructions of the human. Habeas Viscus reveals the pressing need to make the insights of black studies and black feminism foundational to the study of modern humanity.
Domingo Faustino Sarmiento (1811-1888) was--and continues to be--one of the most important and controversial figures in Latin American history. Diplomat, statesman, educator, visionary, and president of Argentina from 1868 to 1874, he also produced two avowed masterpieces of Spanish prose--Facundo and Recuerdos de Provincia. He saw himself as the standard-bearer of European liberalism in Spanish America and the architect of a nation built on its ideals. Almost all of the great shapers of intellectual life in Latin America have had to reckon with his visions of culture and progress. First of its kind in English, this collection of 22 essays by preeminent interpreters of Latin American culture tackles the paradox of the Sarmiento legacy--his ambitious attempt to reshape Argentina into a modern, export economy society set against his unrivaled position at the center of Spanish American letters--and shows the ways in which the political and literary projects are inextricably linked. Since Sarmiento's legacy continues to define contemporary ideologies, this book is certain to provoke debates among students of Latin American history, politics, and culture. Domingo Faustino Sarmiento (1811-1888) was--and continues to be--one of the most important and controversial figures in Latin American history. Diplomat, statesman, educator, visionary, and president of Argentina from 1868 to 1874, he also produced two avowed masterpieces of Spanish prose--Facundo and Recuerdos de Provincia. He saw himself as the standard-bearer of European liberalism in Spanish America and the architect of a nation built on its ideals. Almost all of the great shapers of intellectual life in Latin America have had to reckon with his visions of culture and progress. First of its kind in English, this collection of 22 essays by preeminent interpreters of Latin American culture tackles the paradox of the Sarmiento legacy--his ambitious attempt to reshape Argentina into a modern, export economy society set against his unrivaled position at the center of Spanish American letters--and shows the ways in which the political and literary projects are inextricably linked. Since Sarmiento's legacy continues to define contemporary ideologies, this book is certain to provoke debates among students of Latin American history, politics, and culture.
A masterful psychological and political crime novel by Argentina's greatest living writer expands the genre of "paranoid fiction."
In this second edition of The Spirit of the Soil: Agriculture and Environmental Ethics, Paul B. Thompson reviews four worldviews that shape competing visions for agriculture. Productionists have sought increasing yields—to make two seeds grow where only one grew before—while traditional visions of good farming have stressed stewardship. These traditional visions have been challenged by two more worldviews: a call for a total cost accounting for farming and an advocacy for a holistic perspective. Thompson argues that an environmentally defensible systems approach must draw upon all four worldviews, recognizing their flaws and synthesizing their strengths in a new vision of sustainable agriculture. This classic 1995 study has been thoroughly revised and significantly expanded in its second edition with up-to-date examples of agriculture’s impact on the environment. These include extensive discussions of new pesticides and the effects of animal agriculture on climate and other areas of the environment. In addition, a new final chapter discusses sustainability, which has become a dominant idea within environmental studies and agrarian political philosophy.
Peruvian author Ricardo Palma (1838-1919) was one of the most popular and imitated writers in Latin America during the late nineteenth and early twentieth centuries. As head of the National Library in Lima, Palma had access to a rich source of historical books and manuscripts. His historical miscellanies, which he called "traditions," are witty anecdotes about conquerors, viceroys, corrupt and lovelorn friars, tragic loves and notorious characters. Humor, irony and word play characterize his collection of over five hundred traditions written between 1872 and 1906, whether describing violent deeds or amorous misadventures. Unlike many of his contemporaries in the second half of the nineteenth century, Palma did not write transparent didactic fictions and defend elite cultural forms. Rather, he reveled in ironic approaches to written sources, political authorities and church institutions as well as popular speech and knowledge. Both fiction and history, Palma's delightful Peruvian Traditions represents a hybrid literary form that constructs historical memory distinct from the dominant literary trends of the time.