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Leo Castelli reigned for decades as America’s most influential art dealer. Now Annie Cohen-Solal, author of the hugely acclaimed Sartre: A Life (“an intimate portrait of the man that possesses all the detail and resonance of fiction”—Michiko Kakutani, The New York Times), recounts his incalculably influential and astonishing life in Leo and His Circle. After emigrating to New York in 1941, Castelli would not open a gallery for sixteen years, when he had reached the age of fifty. But as the first to exhibit the then-unknown Jasper Johns, Castelli emerged as a tastemaker overnight and fast came to champion a virtual Who’s Who of twentieth-century masters: Rauschenberg, Lichtenstein, Warhol, and Twombly, to name a few. The secret of Leo’s success? Personal devotion to the artists, his “heroes”: by putting young talents on stipend and seeking placement in the ideal collection rather than with the top bidder, he transformed the way business was done, multiplying the capital, both cultural and financial, of those he represented. His enterprise, which by 1980 had expanded to an impressive network of satellite galleries in Europe and three locations in New York, thus became the unrivaled commercial institution in American art, producing a generation of acolytes, among them Mary Boone, Jeffrey Deitch, Larry Gagosian, and Tony Shafrazi. Leo and His Circle brilliantly narrates the course of one man’s power and influence. But Castelli had another secret, too: his life as an Italian Jew. Annie Cohen-Solal traces a family whose fortunes rose and fell for centuries before the Castellis fled European fascism. Never hidden but also never discussed, this experience would form the core of a guarded but magnetic character possessed of unfailing old-world charm and a refusal to look backward—traits that ensured Castelli’s visionary precedence in every major new movement from Pop to Conceptual and by which he fostered the worldwide enthusiasm for American contemporary art that is his greatest legacy. Drawing on her friendship with the subject, as well as an uncanny knack for archival excavation, Annie Cohen-Solal gives us in full the elegant, shrewd, irresistible, and enigmatic figure at the very center of postwar American art, bringing an utterly new understanding of its evolution.
Beloved picture book creator and four-time Caldecott Honor-winner Leo Lionni's very first story for children, and a New York Times Best Illustrated Book of the Year. Little Blue and Little Yellow are best friends, but one day they can’t find each other. When they finally do, they give each other such a big hug that they turn green! How they find their true colors again concludes a wonderfully satisfying story told with colorful pieces of torn paper and very few words. Leo Lionni launched his children’s book career in 1959 with Little Blue and Little Yellow, and this 50th-anniversary edition, complete with Lionni’s own explanation of how the book came to be, is sure to resonate with children today.
A remarkable life and a remarkable voice emerge from the journals, letters, and memoirs of Leo Lerman: writer, critic, editor at Condé Nast, and man about town at the center of New York’s artistic and social circles from the 1940s until his death in 1994. Lerman’s contributions to the world of the arts were large and varied: he wrote on theater, dance, music, art, books, and movies for publications as diverse as Mademoiselle and The New York Times. He was features editor at Vogue and editor in chief of Vanity Fair. He launched careers and trends, exposing the American public to new talents, fashions, and ideas. He was a legendary party host as well, counting Marlene Dietrich, Maria Callas, and Truman Capote among his intimates, and celebrities like Cary Grant, Jackie Onassis, Isak Dinesen, and Margot Fonteyn as part of his larger circle. But his personal accounts and correspondence reveal him also as having an unusually rich and complex private life, mourning the cultivated émigré world of 1930s and 1940s New York City, reflecting on being Jewish and an openly homosexual man, and intimately evoking his two most important lifelong relationships. From a man whose literary icon was Marcel Proust comes an unparalleled social and emotional history. With eloquence, insight, and wit, he filled his journals and letters with acute assessments, gossip, and priceless anecdotes while inimitably recording both our larger cultural history and his own moving private story.
A volume of political essays and social commentary, providing an alternative to the slant of much political journalism. John Leo offers his views of what is going on in law, education, advertising, television, the news media, language and various liberation movements in the USA.
Alexandre Kojève (1902–1968) was an important and provocative thinker. Born in Russia, he spent most of his life in France. His interpretation of Hegel and his notorious declaration that history had come to an end exerted great influence on French thinkers and writers such as Raymond Aron, Georges Bataille, Maurice Merleau-Ponty, Jacques Lacan, and Raymond Queneau. An unorthodox Marxist, he was a critic of Martin Heidegger and interlocutor of Leo Strauss who played a significant role in establishing the European Economic Community; a polyglot with many unusual interests, he wrote works, mostly unpublished in his lifetime, on quantum physics, the problem of the infinite, Buddhism, atheism, and Vassily Kandinsky’s paintings. In The Black Circle, Jeff Love reinterprets Kojève’s works, showing him to be an essential thinker who challenged modern society and its valuation of individuality, self-interest, and freedom from death. Emphasizing Kojève’s neglected Russian roots, The Black Circle puts him in the context of the late-nineteenth- and early-twentieth-century Russian debates over the proper ends of human life. Love explores notions of perfection, freedom, and finality in Kojève’s account of Hegel and his neglected later works, clarifying Kojève’s emancipatory thinking and the meaning of the oft-misinterpreted “end of history.” Combining intellectual history, close textual analysis, and philosophy, The Black Circle reveals Kojève’s thought as a profound critique of capitalist individualism and a timely meditation on human freedom.
In order to unlock his family’s past and how he became an orphan, Leo will need every skill and invention he has—even if his inventions don’t always work. This middle-school adventure mystery is perfect for puzzle solvers, as Leodiscovers a series of tunnels below his school filled with clues, riddles andpuzzles to solveabout his identity and his family. A “lifer” at the secluded Academy of Florence, Leo has never met his parents ... or anyone in his family for that matter. His current “family” is his mechanical monkey and robot lion, who along with his charming best friend and fellow lifer, Savvy, only get him into trouble. But after Leo’s latest experiment goes catastrophically wrong, he finds a mysterious clue that opens an underground maze—one that seems to have been created for him to solve. Leo hopes the tunnels will help him discover the identities of his parents and the reason he’s an orphan in the first place. Instead, he finds that his past and possibly even his future is somehow linked to the innovative Wynn Toys company, whose genius president mysteriously disappeared years before. Leo must use his creativity and scientific know-how to revive the toy company, oust its dastardly leader, and discover the fate of his real family. LEO, Inventor Extraordinaire: Is perfect for kids 8 to 12 who enjoy action, adventure, humor, and mystery Is likeThe DaVinci Codefor kids, with robots, wacky inventions, and puzzles to solve Contains almost 60 pieces of original black and white artwork Encourages imagination and the development of STEAM skills LEO, Inventor Extraordinaire is a Northern Lights Book Awards Winner in the Middle Grade Fiction category for 2021 -- The Northern Lights Book Awards
The gorgeous, Caldecott Honor-winning tale of a very clever fish by beloved picture book creator Leo Lionni. Deep in the sea lives a happy school of fish. Their watery world is full of wonders, but there is also danger, and the little fish are afraid to come out of hiding . . . until Swimmy comes along. Swimmy shows his friends how—with ingenuity and team work—they can overcome any danger. Winner of the 1964 Caldecott Honor, this beloved tale of a brave little fish has been a favorite to generations of readers. To celebrate Swimmy's fiftieth anniversary, we are issuing a handsome special edition hardcover that includes a bonus poster.
Well-known names such as Albert Einstein, Enrico Fermi, J. Robert Oppenheimer, and Edward Teller are usually those that surround the creation of the atom bomb. One name that is rarely mentioned is Leo Szilard, known in scientific circles as “father of the atom bomb.” The man who first developed the idea of harnessing energy from nuclear chain reactions, he is curiously buried with barely a trace in the history of this well-known and controversial topic. Born in Hungary and educated in Berlin, he escaped Hitler’s Germany in 1933 and that first year developed his concept of nuclear chain reactions. In order to prevent Nazi scientists from stealing his ideas, he kept his theories secret, until he and Albert Einstein pressed the US government to research atomic reactions and designed the first nuclear reactor. Though he started his career out lobbying for civilian control of atomic energy, he concluded it with founding, in 1962, the first political action committee for arms control, the Council for a Livable World. Besides his career in atomic energy, he also studied biology and sparked ideas that won others the Nobel Prize. The Salk Institute for Biological Studies in La Jolla, California, where Szilard spent his final days, was developed from his concepts to blend science and social issues.