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WWII brought the world to its knees, as nations scrambled to fight and defend against strengthening foes and common enemies. But beyond the battlefield, a secret war was being fought. A race to develop weapons of fear that would provide ultimate power to those who possessed them. Born from this pursuit would be two of the most serious and deadly creations ever known to man. The United States would develop the Atomic bomb, the pinnacle of nuclear science. While in Japan, a rogue military Doctor designed a killer plague, hell-bent on destroying his enemies.
Battlefields have traditionally been considered places where the spirits of the dead linger, and popular culture brings those thoughts to life. Supernatural tales of war told in print, on screen, and in other media depict angels, demons, and legions of the undead fighting against—or alongside—human soldiers. Ghostly war ships and phantom aircraft carry on their never-to-be-completed missions, and the spirits—sometimes corpses—of dead soldiers return to confront the enemies who killed them, comrades who betrayed them, or leaders who sacrificed them. In Horrors of War: The Undead on the Battlefield, Cynthia J. Miller and A. Bowdoin Van Riper have assembled essays that explore the meaning and significance of these tales. Among the questions that the volume seeks to answer are: How do supernatural stories engage with cultural attitudes toward war? In what ways do these stories reflect or challenge the popular memories of particular wars? How do they ask us to think again about battlefield heroism, military ethics, and the politics of sacrifice? Divided into four sections, chapters examine undead war stories in film (Carol for Another Christmas, The Devil’s Backbone), television (The Twilight Zone), literature (The Bloody Red Baron, Devils of D-Day), comics (Weird War Tales, The Haunted Tank), graphic novels (The War of the Trenches), and gaming (Call of Duty: World at War). Featuring contributions from a diverse group of international scholars, these essays address such themes as monstrous enemies and enemies made monstrous, legacies and memories of war, and the war dead who refuse to rest. Drawing together stories from across wars, branches of service, and generations of soldiers—and featuring more than fifty illustrations—Horrors of War will be of interest to scholars of film, popular culture, military history, and cultural history.
An enlightening look at the importance of war gods and their myths to the ancient Romans. This book redresses the relative lack of work published on the role of war in classical myth and legend. At the same time it debunks the popular view that the Romans had little mythology of their own and idly borrowed and adapted Greek myth to suit their own ends. While this is true to some extent, War in Roman Myth and Legend clearly demonstrates a rich and meaningful independent mythology at work in Roman culture. The book opens by addressing how the Romans did adopt and adapt Greek myths to fashion the beginnings of Roman history; it goes on to discuss the Roman gods of war and the ubiquity of war in Roman society and politics and how this was reflected in the Aeneas Foundation Myth, the Romulus and Remus Foundation Myth, and the legends associated with the founding of Rome. Also discussed are warlike women in Roman epic; Trojan heroes; and the use of mythology by Roman poets other than Virgil. The Theban Legion and the vision of Constantine myths conclude the journey.
The epic battle between humankind and their godlike rulers finally ignites in the masterful follow-up to Age of Myth and Age of Swords. The alliance of humans and renegade Fhrey is fragile—and about to be tested as never before. Persephone keeps the human clans from turning on one another through her iron will and a compassionate heart. The arrogant Fhrey are barely held in check by their leader, Nyphron, who seeks to advance his own nefarious agenda through a loveless marriage that will result in the betrayal of the person Persephone loves most: Raithe, the God Killer. As the Fhrey overlords marshal their army and sorcerers to crush the rebellion, old loyalties will be challenged while fresh conspiracies will threaten to undo all that Persephone has accomplished. In the darkest hour, when hope is all but lost, new heroes will rise . . . but at what terrible cost? Magic, fantasy, and mythology collide in Michael J. Sullivan’s Legends of the First Empire series: AGE OF MYTH • AGE OF SWORDS • AGE OF WAR
When a rich developer is found dead in his trailer, it's up to P. M. Mayer to find out who--or what--sent him to the big sleep. Only to do that, Mayer must navigate through a city where the paranormal rules the night, and those who enter don't always make it out alive.
The Legend and the Land Battle is a humorous tale about a squirrel named Merle, a skunk named Hunk, and a bunny named Sonny. The mountain they live on has been enchanted so that no animal shall harm another. Go along with the boys as they interact with a story telling bear, and a couple rambunctious cubs full of quick-witted definitions. See what they learn about the area they live in and why it is so special. A legend and a riddle about a bald, badger with a heart on his rump leads to some very unusual treasure. Then see how the animals on the mountain convince the humans they do not want to build there. Cooter may be a little quirky, and wear a bikini top on his head, but the boys soon learn he's the guy in charge. This action pact story is sure to leave laughing.
Ghost Tribes takes place in a semi-fictional verisimilitude of the continent of Africa wherein which all the tribes are ruled by kings, smaller breakaway tribes are ruled by chiefs, and all are governed by the council of paramount—a legion of the noble tribes of the continent. The principal story follows the tale of Likando and the war of the brother kings. Likando is the Lozi tribe’s princess, heir-elect to the throne, and the only legitimate child of the Lozi king, Simasiku Lumeta. However, growing without the presence of her mother, and her father never having told her the story of who her mother is or where she is or if she is even alive today, causes her to begin searching for the truth against her father’s permission and/or consent. She stumbles upon darker truths that result in her to learn that her birth may not have been a result of love or mere chance, but a carefully considered and planned series of events. This leads the princess into taking courses of action that bring her tribe, family, and overall kingdom to the brink of near-extinction. The second part of the tale which begins eight years before the events of the first novel follows the story of Kaleya, the lost son of nothing who, after waking up alone in the jungle with no memory of his identity or his past prior, goes on a quest to discover the truth behind his stolen memories but entangles himself in a series of circumstances that result in him having to fight for his survival more often than not. The second part of the story simultaneously chronicles the Ghost of Africa, an enigma thought to be a demon that terrorizes tribes around a territory it claimed as its own three years before the events of the novel. Before the Ghost of Africa occupied the territory it occupies, there lived a thriving tribe with an organized structure and an army of possessed soldiers, ten thousand strong. However, when the Ghost of Africa first emerged, it led an army of exiled tribesmen-turned cannibal, who form the population referred to as the cannibals tribeless in the millions, against the growing tribe and thus, overwhelming its army and having the cannibals devour the raw flesh of the men, women, and children of the tribe. After wiping out of existence the tribe that existed in its territory prior, the demon goes on to fence that very territory with the skulls of the tribe’s populist on barbed wooden stakes in the hundreds of thousands all around that territory as a warning for anyone who ever dared to trespass. The first book in the series, The Ghost of Africa, opens with Likando, the heir-elect to the Lozi throne, preparing for the maturity ceremony who gets ambushed by a gang of purported ‘mixed-breeds’. This series of events leads her to come face-to-face with the Ghost of Africa.
Part of the Legend Classics seriesYet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.The Legend Classics series:Around the World in Eighty DaysThe Adventures of Huckleberry FinnThe Importance of Being EarnestAlice's Adventures in WonderlandThe MetamorphosisThe Railway ChildrenThe Hound of the BaskervillesFrankensteinWuthering HeightsThree Men in a BoatThe Time MachineLittle WomenAnne of Green GablesThe Jungle BookThe Yellow Wallpaper and Other StoriesDraculaA Study in ScarletLeaves of GrassThe Secret GardenThe War of the WorldsA Christmas CarolStrange Case of Dr Jekyll and Mr HydeHeart of DarknessThe Scarlet LetterThis Side of ParadiseOliver TwistThe Picture of Dorian GrayTreasure IslandThe Turn of the ScrewThe Adventures of Tom SawyerEmmaThe TrialA Selection of Short Stories by Edgar Allen PoeGrimm Fairy Tales