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This magnificent book is a combination of legendary old-timer Native American Indian Artifact Collectors followed by present day curators who have graciously worked with us to document these outstanding artifacts and photograph some of the most outstanding specimens in their collections. This book has a new featured Masterpieces section including some of the most exquisite artifacts discovered today. We are highly selective as to which authentic artifacts we choose to showcase in our books. Be prepared to view some of the most jaw dropping artifacts in private hands today, we are honored to bring these outstanding artifacts to life. Thank you all for your continued interest in Prehistoric Native American Artifacts.
Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.
The only book of its kind to examine cave art throughout Africa. The paintings and engravings discovered in African caves are amazing works of art that hold clues to understanding the history of humankind.
Examines the art of prehistoric times, including painting, reliefs, sculpture, and pottery that has been found in Africa, the Pacific, and the Americas.
Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.
The noted archaeologist explores the varieties of prehistoric cave art across the world and offers surprising insights into its purpose and meaning. What drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the likenesses of lions, bison, horses, and aurochs as they flickered by firelight? Was it a creative impulse, a spiritual dawn, a shamanistic conception of the world? In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to the “why” of Paleolithic art. Discussing sites and surveys across the world, Clottes offers personal reflections on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—and what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal surprising insights into how we think, why we create, why we believe, and who we are
Art history recognizes the fact that the discovery of the first Western European prehistoric ornate caves of Altamira (Spain), one hundred years ago, the Lascaux caves in 1940 (France) and the Chauvet one in 1994 (France), gave birth to a period of wonder and questionning about the function of these images, some of which are more than 30 000 years old. Recent research across the 5 continents shows that these figurative and symbolic expressions reminiscent of ritualistic practices, play an important part in the life of certain human groups, because they partake in the mythical birth of these groups apparently fascinated by animals which they fight until death comes, and fascinated by the life created by women. Prehistoric Art showcases more than 150 absolutely stunning photographs of rocks and caves covered with prehistoric paintings, along with a very informative text. -- from back cover.