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Articles on Indian motion picture actors and directors.
Translated by SUCHITRA IYER Tales of madness, mischief & mayhem Before the overly dramatic movies with technologically enhanced backgrounds, simpler times existed. A compulsively readable collection of memoirs and stories of Bollywood’s who’s who, The Legends of Bollywood includes enthralling stories of the stars of the yesteryear. From Amitabh Bachchan’s first screen test to Badruddin Jamaluddin Kazi’s baptism into Johnny Walker, and from Dharmendra’s journey from a tractor driver to a legendary actor to Dimple Kapadia’s iconic comeback into the industry, this book includes everything that’s good, bad, and fabulous in Bollywood. With never-before-seen pictures, it is a sensational book that narrates the tales behind celebrated births and lamented deaths, secret romances and controversial moments, booming films and unforeseen flops. Penned by a man who was a constant witness to these moments, these stories have been pulled from the archives of his myriad memories. Raaj Grover was the production-in-charge of the prestigious Ajanta Arts in Mumbai, which was owned by Sunil Dutt. Grover was an integral part of the Dutt family. During his days in the film industry, he also dabbled in filmmaking. A poet at heart, he is known for his witty take on life and his joie de vivre. He currently lives in the USA.
This book is a biography, Ajit Khan. a legend of Indian cinema. He was associated with the Indian Film Industry from 1946 to 1996. He started his career with Shah-e-Misr in 1946. Beqasoor, Nastik, Anandmath and Bada Bhai were some of his hit films in the 1950s where he starred in a lead role. His role as Durjan Singh, the Rajput lord in Moghul-e-Azam, brought him many accolades. In the late sixties he switched over to negative roles. His portrayal of Teja in Zanjeer, Shakal in Yadon Ki Baraat, Lion in Kalicharan are some of his most memorable roles. His style of dialogue delivery made him a favorite amongst the film fans and used extensively by many stand-up comedians. This book also commemorates his 100th birth anniversary (2022). It is an interesting book with many nostalgic photographs and anecdotes.
This work provides an introduction to the enormously successful world of Bollywood - the biggest film industry on the planet. It includes a selection of writings by some of the most prominent voices in Indian film writing and criticism.
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
A spectacular collection that celebrates Bollywood’s most enduring superstars Hindi cinema has wielded a hypnotic charm over viewers for close to a century, with its melodious music, colourful drama and lively plotlines. But at the heart of its mystique is the galaxy of stars who continue to mesmerize audiences. Bollywood’s Top 20 is a definitive collection of original essays, paying tribute to the biggest stars of all time—from Ashok Kumar, Dilip Kumar, Dev Anand, Raj Kapoor, Nargis and Madhubala to Rajesh Khanna, Amitabh Bachchan, Aamir Khan, Shah Rukh Khan, Kajol and Kareena Kapoor. Each piece offers unique insights into the struggles and triumphs, downfalls and scandals, and the inscrutable X factor of these talented actors that turned them into demigods and divas.
Hindi cinema has cast a seductive spell over its spectators for close to a century now. Visually arresting, dynamic in outlook and pulsating with life, Bollywood has entertained and enthralled moviegoers over the years with its melodious music, its colorful drama and its lively plotlines. At the very heart of the Bollywood mystique is the towering presence of its galaxy of stars demigods and divas who have shaped and defined popular cinema, and popular imagination, from one generation to the next. "Bollywood s Top 20 "is an exciting collection of brand new essays by renowned writers that pays tribute to Hindi popular cinema s biggest stars of all time from Ashok Kumar, Dilip Kumar, Dev Anand, Raj Kapoor, Nargis and Madhubala to Rajesh Khanna, Amitabh Bachchan, Aamir Khan, Shah Rukh Khan, Kajol and Kareena Kapoor who are indispensable to the Bollywood pantheon. Each piece offers unique insights into the lives of Bollywood s most exceptional legends their struggles and triumphs, downfalls and scandals, and the inscrutable x-factor that made them carve a niche for themselves in an industry bursting with talented professionals and desperate hopefuls."
Peppered with heartfelt accounts and charming anecdotes, Urdu film magazines were in great favour with the public from the 1930s through the 1990s – a considerable period of seven decades. Unfortunately, as Urdu got progressively marginalised in later years, these magazines were not archived, for the most part; leading to their inevitable disappearance from popular imagination. Tracking down these lost publications, Yasir Abbasi followed leads – some futile, some fruitful – to obscure towns and people's homes in a last-ditch effort to save valuable records of Indian cinema. As challenging as it was to locate faded issues and original texts, he managed to uncover and translate many fabulous memoirs covering a wide gamut of our favourite old artistes at their candid best. A gloom-laced piece on Meena Kumari by Nargis, a rollicking description by Raja Mehdi Ali Khan of an eventful evening with Manto (not to mention a mysterious woman and a house on fire), Jaidev writing about his chequered career, Balraj Sahni introspecting about the relevance of Hindi and Urdu in films – it's a rich mix of engrossing narratives brought back from oblivion.
The Indian cinema sells 2.9 billion movie tickets annually, the largest in the world. Yet, as an economic entity, the Indian movie industry remains small, with an annual revenue that is 5% of Hollywood's. This volume throws light on the history of Indian cinema and the circumstances that saw the birth of one of the world's great countercultures.