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In Silicon Valley Imperialism, Erin McElroy maps the processes of gentrification, racial dispossession, and economic predation that drove the development of Silicon Valley in the San Francisco Bay Area and how that logic has become manifest in postsocialist Romania. Drawing on ethnographic fieldwork and archival research in Romania and the United States, McElroy exposes the mechanisms through which the appeal of Silicon Valley technocapitalism devours space and societies, displaces residents, and generates extreme income inequality in order to expand its reach. In Romania, dreams of privatization updated fascist and anti-Roma pasts and socialist-era underground computing practices. At the same time, McElroy accounts for the ways Romanians are resisting Silicon Valley capitalist logics, where anticapitalist and anti-imperialist activists and protesters build on socialist-era worldviews not to restore state socialism but rather to establish more just social formations. Attending to the violence of Silicon Valley imperialism, McElroy reveals technocapitalism as an ultimately unsustainable model of rapacious economic and geographic growth.
Includes treaties, genealogy of the tribe, and brief biographical sketches of individuals.
The primary reason for writing this book was to describe the difficult circumstances I have encountered in every endeavor that eventually ended my quest for success. Although I never failed in any challenge, the end was always predictable. I was always doomed to be the loser. My attempts to achieve success were always to follow clearly marked paths that numerous people before me had followed and found success. They achieved their goals. It never worked for me. In every endeavor I began with the full knowledge of how I was to proceed and operate until some unforeseen problem interfered. I thought that I was a success in the Race to the moon until that race was cancelled by a war. I was overcome by flood from a broken water main that destroyed my business. A sudden change in the law that at first protected my business and then later denied it. A sudden fire in an adjacent building destroyed the roof of my business. A change in how computers made life amazingly good was replaced by cell phones. It appeared that somehow I was not meant to be a success. My Reason Even before I was born my goal was to be born but that was quickly changed to mere survival. My mother attempted an early abortion by bathing in a tub that was filled with a laundry lye soap that was definitely a method used to kill the unborn child within her, but it ultimately failed, and I was born. Of course, I never knew about this even till much later in my life. I then began my life not knowing that every future opportunity was predestined to not come to fruition. I never understood that my path to success was under the path of my personal Dark Cloud. My first marriage was wonderful until several years later my wife learned of how she was born and the infamous circumstance that permitted her birth was enough to destroy everything two years later. Marvin Coren
Introduce a new generation of music enthusiasts to 17 legendary jazz artists who have enriched the world with their incredible talents. Dr. McCurdy's illuminating stories about the lives, times and music of these great jazz musicians span the entire twentieth century, from early New Orleans Jazz through the Golden Age of Swing plus the avant-garde and jazz fusion eras. Includes units on Louis Armstrong, James P. Johnson, Duke Ellington, Count Basie, Benny Goodman, Ella Fitzgerald, Billie Holiday, Charlie Parker, Dizzy Gillespie, Thelonius Monk, Miles Davis, Dave Brubeck, Clifford Brown, John Coltrane, Bill Evans, Charles Mingus and Herbie Hancock. Also available: Classroom Kit and Activity Sheets! The Activity Sheets are perfect for the classroom! 100% reproducible!
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Offers a guide to the shrines, graves, and memorabilia of jazz, blues, country, rhythm and blues, and rock musicians.