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Howard Fineman is one of our best-known and most trusted political journalists. Mixing vivid scenes and figures from the campaign trail with forays into four hundred years of American history, Fineman shows that every debate, from our nation’s founding to the present day, is rooted in one of thirteen arguments that–thankfully–defy resolution. It is the very process of never-ending argument, Fineman explains, that defines us, inspires us, and keeps us free. At a time when most public disagreement seems shrill and meaningless, Fineman makes a cogent case for nurturing the real American dialogue. Shouting is not arguing, Fineman notes, but often hot-button topics, media “cross-fires,” and blogs reflect the deepest currents in American life. In an enlightening book that cuts through the din and makes sense of the headlines, Fineman captures the essential issues that have always compelled healthy and heated debate–and must continue to do so in order for us to prosper in the twenty-first century. The Thirteen American Arguments run the gamut, from issues of individual identity to our country’s role in the world, including: • Who is a Person? The Declaration of Independence says “everyone,” but it took a Civil War and the Civil Rights and other movements to make that a reality. Presently, what about human embryos and “unlawful enemy combatants?” • Who is an American? Only a nation of immigrants could argue so much about who should become one. There is currently added urgency when terrorists are at large in the world and twelve million “undocumented” aliens are in the country. • The Role of Faith. No country is more legally secular yet more avowedly prayerful. From Thomas Jefferson to Terri Schiavo, we can never quite decide where God fits in government. • Presidential Power. In a democracy, leadership is all the more difficult — and, paradoxically, all the more essential. From George Washington to George W. Bush, we have always asked: How much power should a president have? • America in the World. Uniquely, we perpetually ask ourselves whether we have a moral obligation to change the world—or, alternatively, whether we must try to change it to survive in it. Whether it’s the environment, international trade, interpreting law, Congress vs. the president, or reformers vs. elites, these are the issues that galvanized the Founding Fathers and should still inspire our leaders, thinkers, and citizens. If we cease to argue about these things, we cease to be. “Argument is strength, not weakness,” says Fineman. “As long as we argue, there is hope, and as long as there is hope, we will argue.”
The 7th edition is authored by Dean Emeritus Charles W. Gamble, Professor Emeritus Robert J. Goodwin, and Terrence W. McCarthy. Judges at all levels and lawyers alike depend on McElroy's Alabama Evidence as the complete and final authority regarding Alabama evidence issues. This 3-volume set is a must-have research tool for members of the State Bar.
Secrets of master guitarists, revealed in conversation. Guitar Talk offers interviews with many of the most creative guitarists of our time. This new book presents these conversations, between Joel Harrison and Nels Cline, Pat Metheny, Fred Frith, Bill Frisell, Julian Lage, Elliott Sharp, Michael Gregory Jackson, Ben Monder, Anthony Pirog, Henry Kaiser, Mike and Leni Stern, Vernon Reid, Mary Halvorson, Nguyên Le, Rez Abbasi, Ava Mendoza, Liberty Ellman, Brandon Ross, Wayne Krantz, Dave Fiuczynski, Wolfgang Muthspiel, Miles Okazaki, Sheryl Bailey, Rafiq Bhatia, and Ralph Towner—twenty-seven great guitarists in all. An enormous range of approaches and sounds exist in the modern guitar. The instrument can howl, scrape, scratch, scream, sing, pluck, and soothe. What stands out in this book is not so much the instrument itself, rather the wonderful and idiosyncratic personalities of these bold souls, their sometimes wild, often zigzagging, and ultimately profound journeys toward beauty, meaning, and excellence in their work. We find out that jazz icon Bill Frisell won a high school band contest playing R&B tunes, beating out future members of Earth Wind and Fire. We learn which of Nels Cline's compositions he wishes to have played at his funeral. Michael Gregory Jackson recounts painful episodes of racism as he stretched between the chasm of avant jazz, rock, and blues in the 1980s. Many more revelations, amusements, and philosophies abound.
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.
Family Law the Ground for Divorce
Winner of the ASCAP Foundation Deems Taylor/Virgil Thomson Book Award in Pop Music 2022 Catholic Media Association honorable mention in biography 2022 Association of Catholic Publishers second place award for Biography Winner of the 2022 Jazz Journalists Association Award for Biography/Autobiography of the Year In Mary Lou Williams: Music for the Soul, Deanna Witkowski brings a fresh perspective to the life and music of the legendary jazz pianist-composer Mary Lou Williams (1910-81). As a fellow jazz pianist-composer, adult convert to Catholicism, and liturgical composer, Witkowski offers unique insight gleaned from a twenty-year journey with Williams as her chosen musical and spiritual mentor. Viewing Williams’s musical and corporal acts of mercy as part of a singular effort to create community no matter the context, Witkowski examines how Williams created networks of support and friendship through her decades long letter correspondence with various women religious, her charitable work, and her tireless efforts to perform jazz in churches, community centers, concert halls, and schools. Throughout this fascinating story told with equal amounts of deep love and scholarly research, Witkowski illumines Williams’s passionate mantra that “jazz is healing to the soul.”