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A trilogy of stories that shatter the myths of stereotypical islands of paradise. In Promises, during the late 1960s, the ketch, Mercy, sinks during a sea storm off Culebra near the Virgin Islands. Ciara Malloy assumes custody of her drowned fiancé’s son and learns a devastating secret about the boy that changes her life forever. In Adrift, in the late 1990s, underwater photographer Lillian Avery gets caught in a rip current and swept out to sea off Kauai in Hawaii. In facing death, she finds a way to leave a message behind. Years later, in Reunion, the two former neighbors from Puerto Rico reunite on Kauai. A hurricane wreaks island-wide havoc. Ciara is missing, presumed dead. Among the rubble, Lillian finds Ciara’s memoirs; a life history that threatens to expose tightly held secrets about the boy since the sinking of the Mercy.
Since he was first elected in 1999, Venezuelan President Hugo Chávez Frías has reshaped a frail but nonetheless pluralistic democracy into a semi-authoritarian regime—an outcome achieved with spectacularly high oil income and widespread electoral support. This eye-opening book illuminates one of the most sweeping and unexpected political transformations in contemporary Latin America. Based on more than fifteen years' experience in researching and writing about Venezuela, Javier Corrales and Michael Penfold have crafted a comprehensive account of how the Chávez regime has revamped the nation, with a particular focus on its political transformation. Throughout, they take issue with conventional explanations. First, they argue persuasively that liberal democracy as an institution was not to blame for the rise of chavismo. Second, they assert that the nation's economic ailments were not caused by neoliberalism. Instead they blame other factors, including a dependence on oil, which caused macroeconomic volatility; political party fragmentation, which triggered infighting; government mismanagement of the banking crisis, which led to more centralization of power; and the Asian crisis of 1997, which devastated Venezuela's economy at the same time that Chávez ran for president. It is perhaps on the role of oil that the authors take greatest issue with prevailing opinion. They do not dispute that dependence on oil can generate political and economic distortions—the "resource curse" or "paradox of plenty" arguments—but they counter that oil alone fails to explain Chávez's rise. Instead they single out a weak framework of checks and balances that allowed the executive branch to extract oil rents and distribute them to the populace. The real culprit behind Chávez's success, they write, was the asymmetry of political power.
"This new and expanded edition of Dragon in the Tropics—the widely acclaimed account of how president Hugo Chávez (1999–2013) revamped Venezuela’s political economy—examines the electoral decline of Chavismo after Chavez’s death and the policies adopted by his successor, Nicolás Maduro, to cope with the economic chaos inherited from previous radical populist policies. Corrales and Penfold argue that Maduro has had to struggle with the inherent contradictions of a large and heterogeneous social coalition, a declining oil sector, the strength of entrenched military interests, and fewer resources to appease international allies, which have strenghtened the autocratic features of an already consolidated hybrid regime. In examining the new political realities of Venezuela, the authors offer lessons on the dynamics of succession in hybrid regimes. This book is a must-read for scholars and analysts of Latin America. "
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
The tropics are the source of many of our familiar fruits, vegetables, oils, and spice, as well as such commodities as rubber and wood. Moreover, other tropical fruits and vegetables are being introduced into our markets to offer variety to our diet. Now, as tropical forests are increasingly threatened, we face a double-fold crisis: not only the loss of the plants but also rich pools of potentially useful genes. Wild populations of crop plants harbor genes that can improve the productivity and disease resistance of cultivated crops, many of which are vital to developing economies and to global commerce. Eight chapters of this book are devoted to a variety of tropical crops—beverages, fruit, starch, oil, resins, fuelwood, fodder, spices, timber, and nuts—the history of their domestication, their uses today, and the known extent of their gene pools, both domesticated and wild. Drawing on broad research, the authors also consider conservation strategies such as parks and reserves, corporate holdings, gene banks and tissue culture collections, and debt-for-nature swaps. They stress the need for a sensitive balance between conservation and the economic well-being of local populations. If economic growth is part of the conservation effort, local populations and governments will be more strongly motivated to save their natural resources. Distinctly practical and soundly informative, this book provides insight into the overwhelming abundance of tropical forests, an unsettling sense of what we may lose if they are destroyed, and a deep appreciation for the delicate relationships between tropical forest plants and people around the world.
Images of the Tropics critically examines Dutch colonial culture in the Netherlands Indies through the prism of landscape art. Susie Protschky contends that visual representations of nature and landscape were core elements of how Europeans understood the tropics, justified their territorial claims in the region, and understood their place both in imperial Europe and in colonized Asia during the nineteenth and early twentieth centuries. Her book thus makes a significant contribution to studies of empire, art and environment, as well as to histories of Indonesia and Europe. Surveying a rich visual culture developed over a period of some 350 years of Dutch colonial engagement with Indonesia Susie Protschky demonstrates how views of the archipelago’s environment were far from simple topographical souvenirs. Rather, this book reveals how images of the tropics visually articulated colonial attempts to legitimize and historicize what were in fact continually changing and contested claims to Dutch territorial sovereignty in the Indies. Further, colonial images of nature were routinely inflected with diverse cultural preoccupations, among them the constitution of gender, class and racial boundaries in Indies society; the tenor of sexual mores in the tropics; and the political role of religion in the archipelago. Landscape art thus indexed colonial views on a range of pressing social and political concerns.
From Africa to Asia and Latin America, the era of climate wars has begun. Extreme weather is breeding banditry, humanitarian crisis, and state failure. In Tropic of Chaos, investigative journalist Christian Parenti travels along the front lines of this gathering catastrophe--the belt of economically and politically battered postcolonial nations and war zones girding the planet's midlatitudes. Here he finds failed states amid climatic disasters. But he also reveals the unsettling presence of Western military forces and explains how they see an opportunity in the crisis to prepare for open-ended global counterinsurgency. Parenti argues that this incipient "climate fascism" -- a political hardening of wealthy states-- is bound to fail. The struggling states of the developing world cannot be allowed to collapse, as they will take other nations down as well. Instead, we must work to meet the challenge of climate-driven violence with a very different set of sustainable economic and development policies.
He's looking for forgiveness. She's looking for a fighting chance. Graham Long left his career-and his real name-behind to make a fresh start for himself at Shifting Sands. He's done with dueling, and wants nothing more than to quietly raise his strawberries and tend the lawns at the tropical shifters-only resort. A fight is the last thing he wants when his lion insists that his friend's bear shifter bridesmaid is his destined mate. But fiercely independent Alice Anders has a life of her own already. She's not going to turn her back on the people who need her and the job she loves just to run away to a tropical island paradise with a gorgeous gardener that makes her knees weak with one blue-eyed glance. She's not at the resort to find her own true love... and she's not there only as a bridesmaid, either. She's been given a fighting chance to save her family: all she has to do is uncover the shift form of the mysterious resort owner, Scarlet, for an equally mysterious man for whom money is no object. Between the secrets they're keeping and the answers they're searching for, it's a hard road to honesty, and harder road still to a happy ever after. Can Graham keep ahead of the enemies from his past? Will Alice figure out who he really is... and if she does, will she ever be able to forgive him for the things he's done and the secrets he's keeping from her? TROPICAL LION'S LEGACY is a steamy standalone paranormal shifter novel in the beloved Shifting Sands Resort series. For a hot (occasionally hilarious) and heartwarming happy ever after, one-click today! A bonus short story, REUNION, is exclusive to this book. Fans are raving about this unique series: ★★★★★ 'This whole series is full of humor, suspense and a wide variety of people/animals to keep you coming back for the next book.' ★★★★★ 'If only there was a resort like this I would book my one way ticket today!' ★★★★★ 'I really love this series. The characters are interesting and the stories are wonderful.' ★★★★★ 'One more great book in my favorite series. Can't wait for the next one.' ★★★★★ 'Can't wait to see what Zoe brings to the Shifting Sands Resort next!' ★★★★★ 'This is a Shifting Sands book, I knew it would be good.' ★★★★★ 'Man! This series has been SO fun!' ★★★★★ 'This series is a gem and I'm delighted to recommend it to others.'
The tropics provide the key to understanding much biological and Earth science. This is particularly true for the study of landforms, which in higher latitudes suffer great seasonal contrasts in process intensity and type, and which often in the past underwent the dramatic changes of glaciation and periglaciation. Yet studies in the tropics have shown that the legacy of past climate changes is much more dramatic than was formerly believed. This book, first published in 1985, brings together the variety of evidence about such environmental changes, over a variety of timescales, and sets it against the current knowledge of the nature of geomorphic processes in the tropics.