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In Left Turns in Brown Study Sandra Ruiz offers a poetic-theoretical inquiry into the interlacing forms of study and mourning. Drawing on Black and Brown activism and theory, Ruiz interweaves poetry, memoir, lyrical essay, and vignettes to examine study as an emancipatory practice. Proposing “brown study” as key for understanding how Brownness harbors loss and suffering along with the possibility for more abundant ways of living, Ruiz invites readers to turn left into the sounds, phrases, and principles of anticolonial ways of reading, writing, citing, and listening. In doing so, Ruiz engages with a panoply of hauntings, ghosts, and spectral presences, from deceased teachers, illiterate ancestors, and those lost to unnatural disasters to all those victims of institutional and colonial violence. Study is shared movement and Brownness lives in citation. Conceptual, poetic, and unconventional, this book is crucial for all those who theorize minoritarian literary aesthetics and think through utopia, queer possibility, and the entwinement of forms.
"Black, Brown, Yellow, and Left is unique. No other work deals in such detail with the complex relationships between racial nationalism and the radical left during the 1960's. A powerful and resonant achievement. Highly recommended!"—Howard Winant, author of The World is a Ghetto: Race and Democracy Since World War II "Laura Pulido has written an invaluable study of the development of the multiracial Third World Left in southern California. She engages black, brown, and yellow radical activisms together, demonstrating how each vision differed but contributed to a movement that was ultimately more than the sum of its parts. Pulido's powerful excavation of the Third World Left's historical past provides reasons to hope for a more just, antiracist left future."—Lisa Lowe, author of Immigrant Acts: On Asian American Cultural Politics " We so greatly needed this panorama of information and analysis. Finally we have an author putting the pieces together with commitment, enthusiasm and a view to the future."—Elizabeth (Betita) Martínez, activist and author of 500 Years of Chicano History/500 Años del Pueblo Chicano
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In long-ago 1999, the Dyslexia Institute and Plenum Press conceived a plan for two books which would gather the best of current knowledge and practice in dyslexia studies. This would benefit those—but not only those—many individuals who train with us, acquiring a postgraduate certificate and diploma with our higher education partner, the University of York. Since then, the century changed, the hinge of history creaked and Plenum was taken over by Kluwer Academic Publishers, but the first of the pair, Dyslexia in Practice, emerged quickly and on schedule (Townend and Turner, 2000). Written by staff and close associates of the Institute, its chapters were produced under close scrutiny and with the expedition of a command economy. To our delight, the book has seen a success which went beyond the dreams of its editors: it has been adopted by other courses similar to our own and is widely referred to. The same was never likely to be true of The Study of Dyslexia, which was envisaged as a theoretical companion volume written by authors and researchers of international repute. Nearly five years after the idea first took shape, this second volume now arrives to complete the enterprise, but it has been a very different project.
Narrated by Hewitt's great friend, journalist Colonel Brett, ‘The Chronicles of Martin Hewitt’ highlights one of the 19th Century's most popular detectives. In these six short stories, written by Arthur Morrison, Hewitt is called in to solve crimes and mysteries that have Scotland Yard scratching its head. From missing gold to a missing memory, Hewitt must use all his sleuthing skills to put the pieces of the various puzzles together. A must for fans of Conan Doyle's ‘Sherlock Holmes,’ and for anyone who likes their mysteries served up with a bit of class. Born in London's East End, Arthur Morrison (1863 – 1945) was a journalist and author. He began work at the age of 16 as an office boy for the London School Boy. Later, he progressed to journalism, first as a clerk for the ‘People’s Palace’ newspaper, and then as an editor for the ‘Evening Globe.’ His first published piece was a poem, submitted to ‘Cycling’ magazine. Later, he would serialise many of his major works, such as ‘Tales of Mean Streets’ and ‘Child of the Jago’ in the ‘National Observer’. Morrison's stories are characterised by his unflinching depictions of life in the East End. In addition, he wrote detective stories featuring the lawyer-cum-detective, Martin Hewitt. Hewitt was one of the 19th Century's most popular sleuths, only outshone by Conan Doyle's ‘Sherlock Holmes.’
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