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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
In the autumn of 1647, soldiers and officers of Oliver Cromwell's New Model Army held discussions near London on the constitution and future of England. Would there be a king and lords, or not? Would suffrage be limited to property holders? Would democratic changes lead to anarchy? Three generations of scholars examine the debates in their multiple contexts: the debates themselves, the nature and history of the text that has come down to us, the army's immediate concerns, the role of Leveller and other democratic ideas, the wider ramifications for politics and gender, and the place of the debates and the Levellers in later historical consciousness. The debates receive here their most sustained and varied scrutiny, resulting in a much richer appreciation of the very words reported to have been spoken by Oliver Cromwell, Henry Ireton, Thomas Rainborough, and the others, during those three tense and exhilarating days.
This book is composed of a selection of papers presented at a conference in Cambridge in December 2005. Cultural history is a relatively new sub-discipline. Over the past few decades, it has become increasingly apparent that a new generation of historians has emerged. These scholars have become concerned with research, sources and questions traditionally beyond the scope of the discipline of history. Indeed, recent monographs in history have demonstrated a growing awareness of the cultural imagination in analyses of patterns of change and continuity in the past. Such a movement has also encouraged the development of new networks between different disciplines in the Arts and Social Sciences. The authors of these chapters come from a wide range of academic backgrounds. While all are concerned with crucial issues of the past, they represent a substantial variety of disciplines. In addition to the historians are those trained and working in literary studies, art history, design, music and science. As early-career scholars, the research they present is cutting edge: these contributions represent the very latest trends in cultural studies and demonstrate the attempts of new researchers to answer the most current and challenging questions that are being proposed in this field.