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This series contains poetry and prose anthologies composed of writers from across the English-speaking world. Parts of Songs of Ourselves Volume 2 are set for study in Cambridge IGCSE®, O Level and Cambridge International AS & A Level Literature in English syllabuses. Following on from the popular Songs of Ourselves 1, the anthology includes work from over 100 poets, combining famous names - such as William Blake, Emily Dickinson and Les Murray - with lesser-known voices. This helps students to create fresh and interesting contrasts as they explore themes that range from nature to war.
First published in 1982, this book describes a new kind of prison architecture that developed in the late eighteenth and early nineteenth centuries. The book concentrates on architecture, but places it in the context of contemporary penal practice and contemporary thought. Beginning with an exploration on the eighteenth-century prisons before reform, the book goes on to consider two earlier kinds of imprisonment that were modified by eighteenth-century reformers. The theory and practice of prison design is covered in detail. The later parts of the book deals with alliance between architecture and reform, and with the connection between the utilitarian architecture of the reformed prisons and academic neo-classicism. The overall aim of the book is to show the profound change that was being wrought in the nature of architecture, which was exemplified in the reformed prisons. Architecture, one emblem of the social order, was now one of its fundamental instruments.
"The story of a real-life girl in early eighteenth-century America called Ocean-born Mary due to her birth at sea, and her youth and experiences in coastal New Hampshire"--
Mary Austin was one of the first to recognize that Native American myths and culture were in danger of being eroded and lost. She then took upon herself the duty of tracking down American Indian songs and poems, saying that she was not giving a translation of the original but what she preferred to call a "re-expression" which she referred to as "reëxpressions." It was her belief that the life and environment of the person who made up the words was an important part of understanding the rhythm and meaning of the work. She considered tribal dancing an essential part of the sung or spoken words and her extensive research led first to lectures and later to the publication of "The American Rhythm." It was her work in this field that resulted in Austin being named an Associate in Native American Literature by the School of American Research in Santa Fe, New Mexico.
John Middleton Murry was an English writer. He wrote reviews on literature, social issues, politics, and religion during his lifetime. The Jesus who is presented in these pages is simply the Jesus who is real to me-the Jesus in whose real existence I can, and in whom I do, believe. Because I desired to present him clearly, I have not only excluded, without warning or apology, incidents in the familiar story which I hold to be apocryphal, but I have put aside many sayings and incidents which I believe to be wholly authentic, because to include them would obscure the narrative. My aim has been simply to establish a point of view from which the profound and astonishing unity of the life and teaching of Jesus can be grasped, and my hope is that those who can accept this point of view will find that the authentic sayings and incidents which I have omitted will fall naturally into place without exposition of mine.