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This volume provides the prescribed passages for the IB Latin Syllabus with examinations 2019, 2020, 2021, and 2022. Volume III contains the passages for the Vergil, History, and Love Poetry portions of the syllabus. Special Features: Unadapted Latin text; Introduction to each author and to each poem or selections; Laitn text with same- and facing-page notes; Appendices on meter and on literary terms; Historical and literary timelines; Latin-to-English glossary.
This reader contains the prescribed passages for the Social Criticism and Villains portions of the IB Latin syllabus with examinations in 2019, 2020, 2021, and 2022. Same- and facing-page notes provide historical background, cultural context, and grammatical assistance. Introductions to each selection orient students to significant themes and events. The reader includes introductions to each author, appendices on meter and on literary terms, and a historical timeline. The prescribed passages for Vergil, History, and Love Poetry can be found in Lectiones Memorabiles: Volume III. Special Features: Introductions to Social Criticism and Villains; Unadapted Latin passages with same- and facing-page notes: Social Criticism: SL and HL: Horace, Epodes 7, 16; Horace, Satire 1.6; Martial, Epigrams 1.35, 1.41, 6.64, 10.10, 10.20, 12.61; HL Only: Horace, Carmina 1.2; Martial, Epigrams 11.6, 11.32, 11.56, 11.98; Villains: SL and HL: Vergil, Aeneid 10.689–768; Livy, Ab Urbe Condita 1.57–60; Sallust, Bellum Catilinae 1–9; HL Only: Livy, Ab Urbe Condita 3.44–48; Introductions for each author and for each selection; Metrical appendix; Appendix of rhetorical devices and figures of speech; Historical timeline; Family tree of the Tarquins; and Latin-to-English glossary
An exploration of the darker corners of ancient Rome to spotlight the strange sorcery of anonymous literature. From Banksy to Elena Ferrante to the unattributed parchments of ancient Rome, art without clear authorship fascinates and even offends us. Classical scholarship tends to treat this anonymity as a problem or game—a defect to be repaired or mystery to be solved. Author Unknown is the first book to consider anonymity as a site of literary interest rather than a gap that needs filling. We can tether each work to an identity, or we can stand back and ask how the absence of a name affects the meaning and experience of literature. Tom Geue turns to antiquity to show what the suppression or loss of a name can do for literature. Anonymity supported the illusion of Augustus’s sprawling puppet mastery (Res Gestae), controlled and destroyed the victims of a curse (Ovid’s Ibis), and created out of whole cloth a poetic persona and career (Phaedrus’s Fables). To assume these texts are missing something is to dismiss a source of their power and presume that ancient authors were as hungry for fame as today’s. In this original look at Latin literature, Geue asks us to work with anonymity rather than against it and to appreciate the continuing power of anonymity in our own time.
A vivid exploration of the many ways the classical world remains relevant today, this is a passionate justification of why we continue to read about and study the lives and works of the ancient Greeks and Romans. Challenging the way the phrase 'That's just ancient history' is used to dismiss something as being irrelevant, Greg and Alicia Aldrete demonstrate just how much ancient Greece and Rome have influenced and shaped our world today in ways both large and small. From the more commonly known influences on politics, law, literature and timekeeping through to the everyday rituals and routines we take for granted when we exercise, dine, marry and dress, we are rooted in the ancient world. Even the political upheaval, celebrity obsession and blurring of public and private boundaries that we see in current news betray ancient characteristics - now brought to the fore here in a new final chapter. If you have ever wondered how far exactly we still walk in the footsteps of the ancients or wanted to understand how study of the classical world can inform and explain our lives today, this is the book for you.
Extensively field-tested and fine-tuned over many years, and designed specifically for a one-year course, JC McKeown's Classical Latin: An Introductory Course offers a thorough, fascinating, and playful grounding in Latin that combines the traditional grammatical method with the reading approach. In addition to grammar, paradigms, and readings, each chapter includes a variety of extraordinarily well-crafted exercises that reinforce the grammar and morphology while encouraging the joy of linguistic and cultural discovery.
A selection of the work of ten poets with detailed introduction and linguistic, literary and cultural commentary suitable for upper-level undergraduates and graduate students, but also of interest to scholars. Includes some major pieces, such as the recently discovered Plataea elegy of Simonides and Telephus elegy of Archilochus.
Designed as an introduction to classical mythology for middle and high-school students, presents retellings of favorite myths, sidebar summaries, and review exercises with the answers at the back of the book.
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