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Les Norton is back! Les figured by tossing $50,000 into the Gull's movie he'd become the next Sam Goldwyn. Only someone put a bomb on the film set. And who gets the blame Now Norton's a fugitive from the law, desperate to prove his innocence. Satanists, drug dealers, nutty poets, blabbermouth disc jockeys - everybody between Sydney, the Blue Mountains and South Australia wants a piece of Les Norton. So what are Norton's chances of clearing his name and coming up smelling of roses VFO. But rely on Les to come up smelling of something. 'the king of popular fiction'. the Australian ∗ Bob Barrett is one of Australia's top contemporary writers and the author of 16 novels including You Wouldn't Be Dead for Quids, the Wind and the Monkey, Mud Crab Boogie and Goodoo Goodoo ∗ Leaving Bondi is the eagerly awaited next instalment in the Les Norton adventure series ∗ Strong fan base in both female and male markets ∗ thrills, spills, sex and humour - all the much-loved trademarks are back in abundance. Les Norton is back!Les figured by tossing $50,000 into the Gull's movie he'd become the next Sam Goldwyn. Only someone put a bomb on the film set. And who gets the blame? Now Norton's a fugitive from the law, desperate to prove his innocence.Satanists, drug dealers, nutty poets, blabbermouth disc jockeys - everybody between Sydney, the Blue Mountains and South Australia wants a piece of Les Norton.So what are Norton's chances of clearing his name and coming up smelling of roses? VFO. But rely on Les to come up smelling of something.'the king of popular fiction'. the Australian* Bob Barrett is one of Australia's top contemporary writers and theauthor of 16 novels including You Wouldn't Be Dead for Quids, the Wind and the Monkey, Mud Crab Boogie and Goodoo Goodoo* Leaving Bondi is the eagerly awaited next instalment in the Les Norton adventure series* Strong fan base in both female and male markets* thrills, spills, sex and humour - all the much-loved trademarks are back in abundance.
Recent crime fiction increasingly transcends national boundaries, with investigators operating across countries and continents. Frequently, the detective is a migrant or comes from a transcultural background. To solve the crime, the investigator is called upon to decipher the meaning(s) hidden in clues and testimonies that require transcultural forms of understanding. For the reader, the investigation discloses new interpretive methods and processes of social investigation, often challenging facile interpretations of the postcolonial world order. Under the rubric 'postcolonial postmortems', this collection of essays seeks to explore the tropes, issues and themes that characterise this emergent form of crime fiction. But what does the 'postcolonial' bring to the genre apart from the well-known, and valid, discourses of resistance, subversion and ethnicity? And why 'postmortems'? A dissection and medical examination of a body to determine the cause of death, the 'postmortem' of the postcolonial not only alludes to the investigation of the victim's remains, but also to the body of the individual text and its contexts. This collection interrogates literary concepts of postcoloniality and crime from transcultural perspectives in the attempt to offer new critical impulses to the study of crime fiction and postcolonial literatures. International scholars offer insights into the 'postcolonial postmortems' of a wide range of texts by authors from Africa, South Asia, the Asian and African Diaspora, and Australia, including Robert G. Barrett, Unity Dow, Wessel Ebersohn, Romesh Gunesekera, Kazuo Ishiguro, Sujata Massey, Alexander McCall Smith and Michael Ondaatje.
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Robert ‘Bobby’ Talay was a runner of immense talent and a great ambassador for athletes everywhere and it is with this in mind that I have written this story. This is not a biography of Bobby’s life, instead it is an insight into his passion for athletics and the spirit in which he competed. And as a gesture to Bobby’s memory half of the profits of this book will be donated to Little Athletics N.S.W.
The ever popular and thoroughly entertaining Aussie Slang Dictionary is back to help you decipher and speak the true local language. Full of dazzling definitions from true-blue Aussies, you'll never be lost for words with this collection of colourful sayings. From 'aerial ping-pong' (AFL) to 'on the wrong tram' (to be following the wrong train of thought) and finishing up with some 'verbal diarrhoea' (never-ending blather), your mind will be brimming with useful (and not so useful!) sayings for your next run-in with a true Aussie character.
“In my madness I bought the ticket. I took the ride. I needed to live. I needed to suffer. I had to go.” —Rob Binkley Rob Binkley is a young Silicon Valley entrepreneur who has it all at twenty-seven: a thriving business, beautiful girlfriend, and great life. But something is missing. Despite his success, Rob fantasizes about shedding the shackles of his American Dream to live wild and free like his hero Hunter S. Thompson. As Rob’s world begins to fall apart, a visit from his Zen madman of a best friend, Brian, convinces him to hatch an escape plan and follow his bliss for authentic life experiences. Will he find the meaning of life while backpacking through twenty-three countries, or will he and Brian go mad wallowing in the extreme debauchery the world has to offer? A tribute to gonzo beat literature, Let’s Go Mad is the amazing true story of their year abroad backpacking across the globe on a sideways search in all the wrong places, with all the wrong people, at all the wrong times. After Brian’s lust for life inspires Rob to embrace his inner lunatic, pushing the limits of sanity (and their friendship) into one merry blur—they come to realize there’s more to life than mere mad experience. They must have a “personal renaissance” or die trying.
“Visually horrifying and yet strangely affecting...An original way of looking at things, reminiscent of The Reader and is certainly just as harrowing.” Broo Doherty (Literary Critic) Otto Brandt is not Otto Brandt. He is Ernst Frick, a former Nazi War Criminal. With his stolen identity, he flees Europe in search of a new life in Australia, where he secures highly paid engineering work on the Snowy Mountains scheme and buys a run-down farm. He soon meets the locals who welcome him into their community.But their trusting friendship makes Brandt’s deception unbearable. Worse is to come when, to his horror, he finds that his new Shangri La is haunted by terrifying spectres and images from his Nazi past. He is at breaking point when he receives a desperate plea for help from Alan Gilbert, a vulnerable boy he had taught to swim on the long sea voyage to Australia. Alan is a victim of the infamous scheme to relocate homeless British children to Australia. Brandt drives to a remote Catholic mission and is outraged to find that a brutalised, starving Alan has been sexually abused. After a violent altercation with Alan’s tormentor, he brings the boy back to live with him on the farm.His legal adoption of Alan, aided by his friends, Peggy and Milo, give Brandt a raison d’etre. Before the war, Peggy had worked at the London Library, collecting ‘orphaned leaves’, the lost pages from rare books and restoring them to their rightful volumes. When she compares these orphaned leaves with the gaps and secrets in people’s lives, Brandt retreats into a darkening void of guilt and shame. He accepts that remorse for his crimes will never be enough. How could “owning up” be reconciled with his new responsibilities to Alan, and a community which has come to accept him as one of its own?
A baffling murder case sends a detective from southern England to sunny Australia—and into a disturbing criminal past—in this gripping crime thriller. When Detective Inspector David Coates is tasked with finding the killer of a woman found naked and strangled in a bin in East Sussex, he has no idea what he is about to face. With little to go on, he hopes the hummingbird tattoo on the victim’s abdomen will help solve the mystery of her identity. Meanwhile, on the other side of the world, Georgina Shaw, a minor celebrity, receives a message from one of her followers who calls himself Elf Man . . . When DI Coates discovers that the DNA on the dead woman’s body belongs to Arthur Peebles, a man who went to prison for murder sixteen years earlier, the investigation is thrown into question. As Elf Man closes in on Georgina, DI Coates realises that the key to the case lies in Australia. Is there a link between Elf Man and the body in the bin? Could Arthur Peebles, now a free man, be up to his old tricks?
Les Murray's Collected Poems displays the full range of his poetic art. This volume contains all the poems he wants to preserve, apart from the verse novel Fredy Neptune, from his first book The Ilex Tree (1965) to Poems the Size of Photographs (2002). In tracing Murray's artistic development, it shows an ever-changing power, grace and humour, as well as great versatility and formal mastery. "He is, quite simply, the one by whom language lives." - Joseph Brodsky "There is no poetry in the English language now so rooted in its sacredness, so broad-leafed in its pleasures and yet so intimate and conversational." - Derek Walcott