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An updated account and comparison of the major traditions and tendencies in the French theatre from 1940-1990.
Synthesizing current understandings on the relationship between transport and land use, this timely Handbook proposes an agenda for research and practice that leads toward more human-centered communities within an increasingly urbanized world facing rapid technological change. Chapters explore the role of institutional policies and informal cultural contexts in influencing transport and land use systems, before examining the impacts of transportation and land use decisions across multiple areas, including equity, public health, climate, environment, and lifestyle preferences.
Focusing on early Renaissance Franco-Ottoman relations, this book fills a gap in studies of Ottoman representations by early modern European powers by addressing the Franco-Ottoman bond. In French Encounters with the Ottomans, Pascale Barthe examines the birth of the Franco-Ottoman rapprochement and the enthusiasm with which, before the age of absolutism, French kings and their subjects pursued exchanges-real or imagined-with those they referred to as the 'Turks.' Barthe calls into question the existence of an Orientalist discourse in the Renaissance, and examines early cross-cultural relations through the lenses of sixteenth-century French literary and cultural production. Informed by insights from historians, literary scholars, and art historians from around the world, this study underscores and challenges long-standing dichotomies (Christians vs. Muslims, West vs. East) as well as reductive periodizations (Middle Ages vs. Renaissance) and compartmentalization of disciplines. Grounded in close readings, it includes discussions of cultural production, specifically visual representations of space and customs. Barthe showcases diplomatic envoys, courtly poets, 'bourgeois', prominent fiction writers, and chroniclers, who all engaged eagerly with the 'Turks' and developed a multiplicity of responses to the Ottomans before the latter became both fashionable and neutralized, and their representation fixed.