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Damned Women charts the previously unexplored literary territory of the place of lesbians in the French novel. Beginning with the early depictions of lesbians as "decadent monsters" by nineteenth-century male authors such as Diderot, Balzac, and Gautier, Jennifer Waelti-Walters shows how later, little-known female writers struggled to free lesbian characters from imposed stereotypes.
Based on original research, this monograph is the first to portray the fascinating life of Bernhard Pollack (1865-1928), a pioneer neurohistologist, ophthalmologist, and world-class pianist. In doing so, it revives important scientists and musicians of fin-du-si cle Berlin. Pollack wrote the first standard reference on the staining methods for the nervous system (1897). Born into a Prussian-Jewish family, he received his piano education from Moritz Moszkowski and his pathology education from Carl Weigert. Pollack worked at the Institutes of W. Waldeyer (anatomy), E. Mendel (neuropsychiatry), Nobel laureate R. Koch (infectious diseases), and the Eye Clinic of P. Silex, before becoming Professor of Ophthalmology at Friedrich-Wilhelms-Universit t in 1919. English translations of two articles by Pollack, on musical memory and on Moszkowski, are included. The book also chronicles the founding by Pollack of the Berliner rzte-Orchester, who in 2011 celebrate their centennial.
Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).