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Vue d'ensemble de l'oeuvre et de la carrière de ce célèbre photographe montréalais du siècle dernier. Photographe talentueux, il a excellé dans la photographie de paysages : on lui doit de belles images de la construction du pont Victoria. Il est aussi connu pour ses portraits intimistes de personnalités montréalaises bien en vue. Homme d'affaires avisé, il a établi sept studios au Canada et aux Etats-Unis. Les photographies figurant à ce catalogue appartiennent aux Archives photographiques Notman du Musée McCord.
This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.
Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries.
Au cours des deux derniers siècles, la Banque de Montréal s’est trouvée au cœur du développement économique et financier du Canada. Publié à l’occasion du bicentenaire de la première banque canadienne, Un destin plus grand que soi puise dans l’iconographie de cette institution financière pour raconter son histoire de ses origines jusqu’à nos jours. Retraçant le passé de la Banque de Montréal grâce à des images d’objets, de ses dirigeants, de documents essentiels et de publicités aujourd’hui tombées dans l’oubli, Laurence B. Mussio illustre son émergence progressive. En dévoilant petit à petit sa perception de sa direction, sa culture, la communauté, ses triomphes et ses difficultés, il offre un aperçu de la personnalité de cette banque, de ses innovations, de ses technologies, de ses projets d’édification de la nation et de son héritage architectural. La mosaïque qui en résulte jette un éclairage unique sur l’expérience vécue par la Banque de Montréal au fil des ans. Si chacun des éléments visuels évoque un épisode particulier aussi divertissant qu’extraordinaire, collectivement, ces objets révèlent une histoire beaucoup plus complète. De la lecture de ce livre se dégage l’image d’une banque qui a façonné l’univers canadien et nord-américain tout en se laissant modeler par lui. À partir d’une gamme incroyablement vaste de documents, Un destin plus grand que soi célèbre l’évolution d’une banque et la manière dont elle a laissé sa marque.
Catalog of an exhibition at McCord Museum from November 4, 2016-April 17, 2017.
Documents the unlikely friendship between Buffalo Bill Cody and Sitting Bull, tracing the events of their brief but important collaboration during Cody's 1880s Wild West Show, the impact of Little Big Horn, and Sitting Bull's assassination in 1890.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Photography, one of the most influential inventions of the nineteenth century, has been shaped by Canadian innovators. Among them are two Quebec men who have flown beneath the radar in studies of the history of photography: the Smeaton brothers. Out of the Studio documents the life, oeuvre, and achievement of Charles Smeaton and his younger brother, John. Launched by the opening of their “photographic gallery” in 1861, they developed a reputation in Quebec for images of contemporaneous people, places, and events taken in challenging outdoor settings. Smeaton pictures of the aftermath of the Great Fire of Quebec in 1866 helped bring an understanding of the disaster to an international audience; images featuring the gold mining industry were displayed at the Exposition universelle in Paris the following year. When Charles travelled to Europe in 1866, he accomplished a feat previously thought impossible, taking the first successful photographs in the Roman catacombs. John moved to Montreal in 1869, where he worked for newspapers and developed techniques for the direct transfer of photographs into print without the necessity of intermediary engravings. Out of the Studio is the first comprehensive biographical study detailing the innovation and imagination of the Smeaton brothers and their legacy of images across two continents.