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For a period of close to half a century, French grand opéra, as exemplified by the works of Giacomo Meyerbeer and his school, was the preferred form of music for the theatre in most of the civilized world. During the July Monarchy, French grand operas, with their plots drawn from historical events, tended to be received as metaphors for current political themes. Meyerbee’s Le Prophète illustrates the complex, contested nature of political meaning during this period. This opera was set in the context of the emerging liberal historiography pioneered by Jules Michelet, and reactions to it illustrate the manner in which audiences and critics constructed ‘meanings’ with reference to their personal and collective experience and memories, with grand opera occupying a central role at that time. Le Prophète was once one of the most famous of operas, performed over 500 times at the Paris Opéra, and given throughout the civilized world, in the days when opera was ever-present in society. The plot has been called absurd, based as it is on the history of the Anabaptists in Münster (1534-35). However, history is far stranger than fiction, and Eugene Scribe’s libretto provides a modification of the garish facts in the interests of a highly symbolic scenario based on a tragic Reformation episode, and exploring the implication of the role of religion, power and politics in the fate of humanity. The music is powerful, gripping, and torrential in its flow. Each act is beautifully structured, each set piece crafted to perfection, dominated by an overwhelming sound world of instrumental colours and disturbing harmony. The ballet plays a vital function as a countersign to the human deeds of darkness and despair that characterize the action. The Coronation Scene is fascinating, and overwhelming in its impact, one of opera’s greatest moments. This study examines the origins and creation of the opera, its dramaturgy and musical style, the history of its astonishing reception around the world until the 1930s. One of the special features of this book is the collection of iconography associated with the work and its interpretation by many of the greatest singers of the Golden Age of opera.
This third collective volume of the series The Presence of the Prophet explores the expressions of piety and devotion to the person of the Prophet and their individual and collective significance in early modern and modern times. The authors provide a rich collection of regional case studies on how the Prophet’s presence and aura are individually and collectively evoked in dreams, visions, and prayers, in the performance of poetry in his praise, in the devotion to relics related to him, and in the celebration of his birthday. They also highlight the role of the Prophetic figure in the identity formation of young Muslims and cover the controversies and compromises which nowadays shape the devotional practices centered on the Prophet. Contributors Nelly Amri, Emma Aubin-Boltanski, Sana Chavoshian, Rachida Chih, Vincent Geisser, Denis Gril, Mohamed Amine Hamidoune, David Jordan, Hanan Karam, Kai Kresse, Jamal Malik,Youssef Nouiouar, Luca Patrizi, Thomas Pierret, Stefan Reichmuth, Youssouf T. Sangaré, Besnik Sinani, Fabio Vicini and Ines Weinrich.
The three-volume series titled The Presence of the Prophet in Early Modern and Contemporary Islam, is the first attempt to explore the dynamics of the representation of the Prophet Muhammad in the course of Muslim history until the present. This first collective volume outlines his figure in the early Islamic tradition, and its later transformations until recent times that were shaped by Prophet-centered piety and politics. A variety of case studies offers a unique overview of the interplay of Sunnī amd Shīʿī doctrines with literature and arts in the formation of his image. They trace the integrative and conflictual qualities of a “Prophetic culture”, in which the Prophet of Islam continues his presence among the Muslim believers. Contributors Hiba Abid, Nelly Amri, Caterina Bori, Francesco Chiabotti, Rachida Chih, Adrien de Jarmy, Daniel De Smet, Mohamed Thami El Harrak, Brigitte Foulon, Denis Gril, Christiane Gruber, Tobias Heinzelmann, David Jordan, Pierre Lory, Catherine Mayeur-Jaouen, Samuela Pagani, Alexandre Papas, Michele Petrone, Stefan Reichmuth, Meryem Sebti, Dilek Sarmis, Matthieu Terrier, Jean-Jacques Thibon, Marc Toutant, Ruggiero Vimercati Sanseverino.
This second collective volume of the series The Presence of the Prophet explores the growing importance of the figure of the Prophet Muhammad for questions of authority and power in early modern and modern times. The authors provide a rich collection of case studies on how Muhammad’s material, spiritual, and genealogical heritage has been claimed for the foundation of Muslim empires, revolutionary movements, the formation of modern nation states and ideologies, as well as for communal mobilization and social reform. This novel comparative, and diachronic study, which is unique for its wide coverage of regional cases and perspectives, reveals diverse political representations of the Prophet in an increasingly globalised struggle over the control of his image between secularization and sacralization. Contributors Gianfranco Bria, Rachida Chih, Christoph Günther, Gottfried Hagen, Jan-Peter Hartung, David Jordan, Soraya Khodamoradi, Jamal Malik, Catherine Mayeur-Jaouen, Alix Philippon, Martin Riexinger, Stefan Reichmuth, Dilek Sarmis, Renaud Soler, Jaafar Ben El Haj Soulami, Florian Zemmin.
Volume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
This French-language book is the first to propose a scientific approach to the Aga Khan's religious thought, placing it in its proper perspective by revealing how the Aga Khan responded to contemporary challenges. It will be of interest to both students and scholars of history, orientalism and Islamic thought and cultures, and to anyone interested in South Asia or in the fundamental issues of religion and modernity.
Ce livret de Maulana Muhammad Ali, le célèbre traducteur du Saint Coran, est peut-être l'une des meilleures courtes présentations de son œuvre la Religion de l'Islam. En l'espace de trente-cinq pages, Maulana Muhammad Ali offre une rétrospective concise mais pourtant complète de l'Islam. Les sujets traités dans le livret incluent la signification du nom Islam et quelques-unes de ses caractéristiques distinctives telles que la croyance en tous les prophètes, l'Unité de l'Humanité et l'origine commune de toutes les religions révélées de Dieu. L'auteur fait un compte-rendu succinct mais minutieux des principes fondamentaux de l'Islam comme le concept d'Être Divin, de Révélation Divine, de Prophètes, de Vie après la Mort, le concept des Anges et du Diable, et la signification de la Croyance. Les institutions de la Prière, du Jeûne et du Pèlerinage (Hajj) sont présentées non comme de purs rituels, mais plutôt comme des actes significatifs d'adoration qui, faisant office de fondements pour des actes de bénéfice à l'humanité, favorisent le développement spirituel. L'importance de la Charité (Zakat) et sa signification sont soulignées, et de fausses idées sont dissipées quant aux sujets de préoccupations tels les Droits des Femmes, et la valeur du Jihad en Islam.