Download Free Le Onde Del Mio Volto The Waves Of My Face Book in PDF and EPUB Free Download. You can read online Le Onde Del Mio Volto The Waves Of My Face and write the review.

Mi chiamo Fabio Masala sono nato a Cagliari l’11 maggio 1980. Ho conseguito il titolo di scuola media superiore nel 1999. Vivo a Sassari e sono divorziato. Lavoro per l'azienda MULTISS, da qualche anno, all'età di trentasei anni sono stato tragicamente colpito da una malattia, la leucemia, che mi ha tenuto lontano dalla vita quotidiana per molto tempo. Inizia un percorso di cambiamento tecnico culturale, a prescindere dall'evoluzione della vita, ho deciso di intraprendere un lungo viaggio culturale e spirituale per adattarmi al cambiamento della vita. Creare un nuovo IO, una nuova persona con nuovi obiettivi da raggiungere. Durante questo viaggio ho conosciuto nella solitudine la lettura e la scrittura. Ho iniziato a scrivere per vivere, adesso continuo a scrivere per passione. Ringrazio la casa editrice Aletti e Giuseppe Aletti che mi hanno dato la possibilità di partecipare a diversi concorsi internazionali, progetti culturali, al video corso di scrittura poetica, alla Mastermind e conoscere il professore Hafez Haidar, con il quale ho condiviso, con grande stima, diversi progetti culturali importanti. th My name is Fabio Masala, I was born in Cagliari on May 11 , 1980. In 1999, I ended my studies in an upper secondary school. I live in Sassari, and I am divorced. I have been working for MULTISS for a few years. When I was 36, I have been tragically diagnosed with an illness, leukemia, which kept me away from daily life for a long time. I have started a journey of technical-cultural transformation, regardless of the evolution of life. I have decided to take up a long cultural and spiritual journey, to adapt to life's transformation. Create a new “I”, a new person with new goals to reach. During this journey, in the solitude, I came across reading and writing. I started writing to live, now I keep writing for passion. I thank the publishing company Aletti and Giuseppe Aletti, that have given me the possibility to participate in different international contests, cultural projects, video-course of poetic writing, the Mastermind. I thank Professor Hafez Haidar with whom I have shared with great esteem some important cultural projects.
Publisher description
Reprint of the original, first published in 1875.
In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe. This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies.