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Terwijl duistere krachten het op haar hebben voorzien, probeert een elfjarig schaakwonder uit te vinden of de verdwijning van haar moeder iets te maken heeft met de jacht op een kostbaar schaakspel.
This is a biography of Thomas Jefferson at leisure, enjoying two of his passions--wine and travel. Twelve of the sixteen chapters cover Jefferson's five years in France where he served as our minister and traveled through France, England, Germany, Italy and Holland. "Passions" was selected by Robert M. Parker, Jr. as "1995 Wine Book of the Year," and was the winner of the 1995 "Veuve Clicquot Wine Book of the Year" competition. It is a marvelous account of America's first wine connoisseur and gourmet.--Amazon.com.
Over the past century, luxury has been increasingly celebrated in the sense that it is no longer a privilege (or attitude) of the European elite or America’s leisure class. It has become more ubiquitous and now, practically everyone can experience luxury, even luxury in architecture. Focusing on various contexts within Western Europe, Latin America and the United States, this book traces the myths and application of luxury within architecture, interiors and designed landscapes. Spanning from antiquity to the modern era, it sets out six historical categories of luxury - Sybaritic, Lucullan, architectural excess, rustic, neoEuropean and modern - and relates these to the built and unbuilt environment, taking different cultural contexts and historical periods into consideration. It studies some of the ethical questions raised by the nature of luxury in architecture and discusses whether architectural luxury is an unqualified benefit or something which should only be present within strict limits. The author argues how the ideas of permissible and impermissible luxury have informed architecture and how these notions of ethical approval have changed from one context to another. Providing voluptuous settings for the nobles and the leisure class, luxury took the form of not only grand palaces, but also follies, country and suburban houses, private or public entertainment venues and ornate skyscrapers with fast lifts. The Architecture of Luxury proposes that in Western societies the growth of the leisure classes and their desire for various settings for pleasure resulted in a constantly increasing level of ’luxury’ sought within everyday architecture.
John Soane (1753-1837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Darley places Soane's life and buildings side by side, and her insights into this complex man and his turbulent life add a great deal to the understanding of his extraordinary work. 235 illustrations, 75 in color.
Allan Braham's comprehensive treatment of this brilliant and complex period introduces the reader to the major buildings, architects, and architectural patrons of the day. At the same time, it explores the broader determinants of architectural production: the rapid economic expansion of Paris and the main provincial centers and the increasing demand for improved public amenities--theaters, schools, markets, and hospitals. This generously illustrated book provides a vivid commentary on society and manners in pre-Revolutionary France.
Why are people so interested in what they and others throw away? This book shows how this interest in what we discard is far from new - it is integral to how we make, build and describe our lived environment. As this wide-ranging new study reveals, waste has been a polarizing topic for millennia and has been treated as a rich resource by artists, writers, philosophers and architects. Drawing on the works of Giorgio Agamben, T.S. Eliot, Jacques Derrida, Martin Heidegger, James Joyce, Bruno Latour and many others, Waste: A Philosophy of Things investigates the complexities of waste in sculpture, literature and architecture. It traces a new philosophy of things from the ancient to the modern and will be of interest to those working in cultural and literary studies, archaeology, architecture and continental philosophy.
This handsomely illustrated picture book provides a remarkable glimpse of the Paris Jefferson knew—Paris on the eve of the French Revolution. The houses, gardens, bookshops, and landmarks of the time are brought to life through commentary and drawings, paintings, and maps. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Charting the Plantation Landscape from Natchez to New Orleans examines the hidden histories behind one of the nineteenth-century South’s most famous maps: Norman’s Chart of the Lower Mississippi River, created by surveyor Marie Adrien Persac before the Civil War and used for decades to guide the pilots of river vessels. Beyond its purely cartographic function, Persac’s map depicted a world of accomplishment and prosperity, while concealing the enslaved and exploited laborers whose work powered the plantations Persac drew. In this collection, contributors from a variety of disciplines consider the histories that Persac’s map omitted, exploring plantations not as sites of ease and plenty, but as complex legal, political, and medical landscapes. Essays by Laura Ewen Blokker and Suzanne Turner consider the built and designed landscapes of plantations as they were structured by the logics and logistics of both slavery and the effort to present a façade of serenity and wealth. William Horne and Charles D. Chamberlain III delve into the political activity of formerly enslaved people and slaveholders respectively, while Christopher Willoughby explores the ways the plantation health system was defined by the agro-industrial environment. Jochen Wierich examines artistic depictions of plantations from the antebellum years through the twentieth century, and Christopher Morris uses the famed Uncle Sam Plantation to explain how plantations have been memorialized, remembered, and preserved. With keen insight into the human cost of the idealized version of the agrarian South depicted in Persac’s map, Charting the Plantation Landscape encourages us to see with new eyes and form new definitions of what constitutes the plantation landscape.
“A heart-wrenching, beautiful, darkly comic, deeply necessary tale that stuns again and againwith razor-sharp prose and glittering wit.” —Téa Obreht, author of The Tiger’s Wife “A dark, intoxicating morality tale . . . A world of excess and decadence and the price paid by some—but by no means all . . . Seductive and provocative.” —Garth Stein, author of A Sudden Light and The Art of Racing in the Rain In the spellbinding new novel from #1 New York Times bestselling author Robert Goolrick, 1980s Manhattan shimmers like the mirage it was, as money, power, and invincibility seduce a group of young Wall Street turks. Together they reach the pinnacle, achieving the kind of wealth that grants them access to anything--and anyone. Until, one by one, they fall. The Fall of Princes takes readers on a journey that is both starkly revealing and dazzlingly entertaining. “Each chapter is haunting and compulsively readable, written in a bold, brash voice that aims for over-the-top and miraculously sticks the landing.” —Entertainment Weekly “While [Goolrick] describes a way of life that may never be possible again, he also manages to convey its beautiful, tragic appeal in an unforgettable rush of prose . . . Irresistible, bittersweet.” —The Boston Globe “Compelling, wholly seductive.” —Booklist “Brilliantly well done.” —New York Daily News “A vivid writer with a penchant for electric scenes.” —Minneapolis Star Tribune “While The Fall of Princes patrols territory marked by Tom Wolfe,Jay McInerney and Michael Lewis, Goolrick writes with an immediacyand precision that make this world feel as if it is all his own . . . Painfully beautiful.” —The Washington Post
In 1920s France the far-right peasantry wanted an authoritarian and agrarian society. This study examines their singular lack of success and the enduring French perception of themselves as a peasant nation.