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This inspiring book, Lawyers, Guns, and Money by Carol X. Vinzant, recounts the heroic efforts of Tom McDermott, a lawyer and victim of the infamous Colin Ferguson rampage on the Long Island Railroad, to take on the gun industry. He is among the leaders of an innovative and promising strategy to circumvent the NRA's political power and courts constrained by interpretations of the Second Amendment. Through civil action he hits the gun companies where it hurts most: the bottom line. Making insurance difficult for manufacturers to get, he has helped reduce the number of cheap hand guns, "Saturday Night Specials," often used in crime. This is a riveting account of tragedy turned into action, and how the law can be used to defend victims rather than enrich corporations.
Biography of legendary singer-songwriter Warren Zevon, spanning his nomadic youth and early recording career to his substance abuse, final album, and posthumous Grammy Awards As is the case with so many musicians, the life of Warren Zevon was blessed with talent and opportunity yet also beset by tragedy and setbacks. Raised mostly by his mother with an occasional cameo from his gangster father, Warren had an affinity and talent for music at an early age. Taking to the piano and guitar almost instantly, he began imitating and soon creating songs at every opportunity. After an impromptu performance in the right place at the right time, a record deal landed on the lap of a teenager who was eager to set out on his own and make a name for himself. But of course, where fame is concerned, things are never quite so simple. Drawing on original interviews with those closest to Zevon, including Crystal Zevon, Jackson Browne, Mitch Albom, Danny Goldberg, Barney Hoskyns, and Merle Ginsberg, Nothing's Bad Luck tells the story of one of rock's greatest talents. Journalist C.M. Kushins not only examines Zevon's troubled personal life and sophisticated, ever-changing musical style, but emphasizes the moments in which the two are inseparable, and ultimately paints Zevon as a hot-headed, literary, compelling, musical genius worthy of the same tier as that of Bob Dylan and Neil Young. In Nothing's Bad Luck, Kushins at last gives Warren Zevon the serious, in-depth biographical treatment he deserves, making the life of this complex subject accessible to fans old and new for the very first time.
Examines the culture of violence, providing answers to the most commonly heard arguments on gun control.
When Warren Zevon died in 2003, he left behind a rich catalog of dark, witty rock 'n' roll classics, including "Lawyers, Guns and Money," "Excitable Boy," and the immortal "Werewolves of London." He also left behind a fanatical cult following and veritable rock opera of drugs, women, celebrity, genius, and epic bad behavior. As Warren once said, "I got to be Jim Morrison a lot longer than he did." Narrated by his former wife and longtime co-conspirator, Crystal Zevon, this intimate and unusual oral history draws on interviews with Bruce Springsteen, Stephen King, Bonnie Raitt, and numerous others who fell under Warren's mischievous spell. Told in the words and images of the friends, lovers, and legends who knew him best, I'll Sleep When I'm Dead captures Warren Zevon in all his turbulent glory.
From classics like “Werewolves of London,” “Excitable Boy,” and “Roland the Headless Thompson Gunner” to lesser-known gems across a career spanning nearly four decades, the songs of Warren Zevon are rich with crime and intrigue and suspense—guns and gunners, assassins and drug dealers, a supernatural serial killer, and a heap of hapless losers along the way too. In Lawyers, Guns, and Money, fifteen fantastic writers—avid fans of Zevon’s genius—offer fresh spins on his discography with tales that span the mystery genre: caper, espionage, noir, paranormal, private eye, and more. With new stories by Gray Basnight, William Boyle, Dana Cameron, Libby Cudmore, Hilary Davidson, Steve Liskow, Nick Mamatas, Paul D. Marks, matthew quinn martin, Josh Pachter, Charles Salzberg, Laura Ellen Scott, Alex Segura, Kevin Burton Smith, and Brian Thornton, Zevon’s wry lyrics and unforgettable characters serve as the inspiration for dark crimes and dirty deeds – just the way he liked them.
The dangerous legal loopholes facing an innocent person after a self-defense shooting are described, with solutions proposed. Calling 911 after surviving a criminal assault negates your right to remain silent, your right to have an attorney present during questioning, and compromises your 5th Amendment guarantee against self incrimination, all into a police voice recorder while you¿re still traumatized and shaking from adrenaline. Proposed solutions include changes to law and criminal procedure, suggested behavior on the phone at the scene, and the model used by police after an officer-involved shooting, along with the controversial ¿Adnarim¿ statement.
Warren Zevon was one of the most original songwriters to emerge from the prolific 1970s Los Angeles music scene. Beyond his most familiar song—the rollicking 1978 hit “Werewolves of London”—Zevon’s smart, often satirical songbook is rich with cinematic, literary, and comic qualities; dark narratives; complex characters; popular culture references; and tender, romantic ballads of parting and longing. Warren Zevon: Desperado of Los Angeles is the first book-length, critical exploration of one of popular music’s most talented and tormented antiheroes. George Plasketes provides a comprehensive chronicle of Zevon’s 40-year, 20-record career and his enduring cultural significance. Beginning with Zevon’s classical training and encounters as a youth with composers Robert Craft and Igor Stravinsky, Plasketes surveys Zevon’s initiation into the 1960s through the Everly Brothers, the Turtles, and the film Midnight Cowboy. Plasketes then follows Zevon from his debut album with Asylum Records in 1976, produced by mentor Jackson Browne, through his successes and struggles from a Top Ten album to record label limbo during the 1980s, through a variety of music projects in the 1990s, including soundtracks and scores, culminating with a striking trio of albums in the early 2000s. Despite his reckless lifestyle and personal demons, Zevon made friends and alliances with talk show host David Letterman and such literary figures as Hunter S. Thompson and Carl Hiaasen. It was only after his death in 2003 that Zevon received Grammy recognition for his work. Throughout this book, Plasketes explores the musical, cinematic, and literary influences that shaped Zevon’s distinctive style and songwriting themes and continue to make Zevon’s work a telling portrait of Los Angeles and American culture.