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Articles, notes, generalizations, paradoxes, miscellaneous in mathematics, linguistics, and education.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
The book is structured in two parts as follows:- in the first part, the theory of paradoxism through its first six published worldwidemanifestos (1983-2010);- in the second part, the paradoxism collected from the international (English, French,Spanish/Arabic, and Romanian) folklore in images and paradoxist situations.PARADOXISM is an avant-garde movement in literature, art, philosophy, science, based onexcessive use of antitheses, antinomies, contradictions, parables, odds, anti-clichés, deviations of senses,against-the-grain speech, nonsense, paraphrases, oxymorons, inversions, digressions, paradoxes,semiparadoxes, etc. in creations.It was set up and led by the writer Florentin Smarandache since 1980's, who said: "The goal is toenlargement of the artistic sphere through non-artistic elements. But especially the counter-time,counter-sense creation. Also, to experiment."
Applications of Paradoxism in Science (information fusion, cybernetics, robotics, airspace, medicine, military, logics, set theory, probability and statistics, geometry, multispace and multistructure theory, transdisciplinarity, physics) at NASA, NATO, University of Berkeley, etc., also in Philosophy, Linguistics, Arts…
This is a collection of linguistic-mathematical approaches to Romanian rebus, poetical and juridical texts, and proposes fancies, recreational math problems, and paradoxes. We study the frequencies of letters, syllables, vowels in various poetry, grill definitions in rebus, and rebus rules. We also compare the scientific language, lyrical language, and puzzles’ language, and compute the Shannon entropy and Onicescu informational energy.
This volume includes author¿s paradoxist experiments in linguistics from a literary point of view. One devises various methods that deviate and alter the classical form of some linguistic expressions.Eleven linguistic categories are presented (Murphy¿s laws, the clichés, homonyms, tautologies, proverbs, metagrams, translations, definitions, figures of paradoxism, monorhymes, and abbreviations), which afterwards are respectively turned into their corresponding Florentin¿s laws, clichés, homonyms, etc. and exemplified.
The author of these lines is confronted with two assertions. The first one: who is Florentin Smarandache? The second: the poet bas no biography; his poetry is his biography.