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In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.
In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.
An out of practice wizard-turned-courier must save a young witch—and the world—in this urban fantasy mystery for fans of Jim Butcher and Benedict Jacka. Five years removed from a life as an apprentice to a group of heroes who battled supernatural evils, the once-promising student Janzen Robinson has become a package courier. He now works the daily grind, passing time at a hole-in-the-wall bar and living in a tiny, run-down apartment on the south side of Cleveland, Ohio. Then from the ancient recesses of unyielding darkness known as the Abyss, a creature has been summoned: a Stalker, a predator whose real name must never be spoken. It’s a bastardization of the natural order, a formidable blend of dark magic and primal tenacity. Its mission? To end the life of a fiery, emerging young witch. Thrust into the role of protector, a position once reserved for those he’d lost years ago, the out-of-practice “Artificer” is forced to confront his painful past while facing an unstoppable monster hell-bent on destruction. Janzen must keep one step ahead of the beast as he journeys through Cleveland’s magical underbelly to uncover why it’s been brought to our world. He will need to rely on old friends, a quiet stranger, and his own questionable wits to reach the other side of this nightmare—that just might cost him his life and, quite possibly, the world itself. “A modern fantasy with a touch of noir, a dash of detective thriller, and a sprinkling of humor throughout.”—Steve Jackson, New York Times–bestselling author of Monster
"Men who inherit great wealth are respected, but women who do the same are ridiculed. In The Silver Swan, Sallie Bingham rescues Doris Duke from this gendered prison and shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem A bold portrait of Doris Duke, the defiant and notorious tobacco heiress who was perhaps the greatest modern woman philanthropist In The Silver Swan, Sallie Bingham chronicles one of the great underexplored lives of the twentieth century and the very archetype of the modern woman. “Don’t touch that girl, she’ll burn your fingers,” FBI director J. Edgar Hoover once said about Doris Duke, the inheritor of James Buchanan Duke’s billion-dollar tobacco fortune. During her lifetime, she would be blamed for scorching many, including her mother and various ex-lovers. She established her first foundation when she was twenty-one; cultivated friendships with the likes of Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. This is also the story of the great houses she inhabited, including the classically proportioned limestone mansion on Fifth Avenue, the sprawling Duke Farms in New Jersey, the Gilded Age mansion Rough Point in Newport, Shangri La in Honolulu, and Falcon’s Lair overlooking Beverly Hills. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. In 2012, when eight hundred linear feet of her personal papers were made available, Sallie Bingham set out to probe her identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham is especially interested in dissecting the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy.
For D. H. Lawrence the novel was the pinnacle, 'the one bright book of life', yet his non-fiction shows him at his most freewheeling and playful. This is a selection of his brilliantly varied essays, on subjects including art, morality, obscenity, songbirds, Italy, Thomas Hardy, the death of a porcupine in the Rocky Mountains and the narcissism of photographing ourselves. Arranged chronologically to illuminate the patterns of Lawrence's thought over time, and including many little-known pieces, they reveal a writer of enduring freshness and force.
Losing Lawrence explores the mystery surrounding the remains of D.H. Lawrence five years after his death. His widow, Frieda, has returned with his ashes from Europe to find her two friends ¿ and former rivals for his affection -- cleaning her house in time for the tasteful memorial service they have planned. But their plan runs counter to Frieda¿s. What follows is a series of plot twists as they struggle over the decision of how best to honor him. Added to the mix is a young, ambitious reporter trying to learn the truth about Lawrence that is buried between the innuendos and accusations leveled by the women against each other. Set in New Mexico in 1930, the play explores the complicated relationship of these three women as they attempt to hide a terrible secret in order to protect a famous writer¿s reputation.
When poet Doris Brett's fit, healthy, 59-year-old husband had a massive stroke, losing the ability to speak, they were thrown into a journey of discovery.A golfball-sized blood clot in Martin's brain was followed by a life-threatening heart condition. Later Brett learned that she carried the potentially deadly BRCA1 genetic mutation. As a psychologist, Brett was able to access and apply all the latest research on brain plasticity and neurotherapy and her husband confounded his doctors by making an exceptional recovery. In The Twelfth Raven, Brett calls on her poetic gifts to turn pain into art and provide a mesmerising exploration of life on the edge.