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Have money chase you, not you chasing it. Douglas Fairbanks reveals his time-tested formula for becoming famous in movies, marrying a Hollywood goddess and having stars as friends. This brief handbook was not written for the money, because he had more than enough, but to show you how to get the most out of life.
A grandchild’s observation, “Mom-mom, your belly is squishy…” A memory that seems to be on permanent leave… A heart that needs monitoring… A sandwich generation who deals with stinky laundry on one end and toe fungus on the other. A body likened to a leaky tent… Friends and family that keep you laughing and leaking… It’s all part of becoming a quinquagenarian—that magical, problematic age between fifty and sixty. Strength and dignity are her clothing, and she laughs at the time to come. (Proverbs 31:25 ESV) Although Lisa J. Radcliff has not felt particularly strong or dignified as she entered the quinquagenarian season, she has found it to be a time to laugh. The inevitable effects of aging, coupled with her natural klutziness, friends who find humor in everything, and knowing God is sovereign allowed her to laugh through the ups and downs of this season of life. Now Lisa is sharing those funny moments of her fifties in a new devotional, A Time to Laugh. It is sure to provide a smile, if not a full-on belly laugh, along with spiritual encouragement. If you’re in that same season of life, you’ll find Lisa’s stories familiar and comforting. You are not alone in wondering what has happened to your memory or your flat stomach. Why not laugh about it together? The highlight of this season for Lisa is her grandchildren. They never disappoint in the things they say, keeping their mom-mom laughing. Their quotes are sprinkled throughout the book with some being turned into heartwarming cartoons. Grandparents will relate to their precious voices, and those awaiting the “grand” season will laugh at the possibilities to come. In A Time to Laugh, Lisa J. Radcliff shares the funny side of this season through true stories of her changing body and mind, the lessons learned in over fifty years, the shenanigans of family and friends, and the antics of kids and grandkids. Even with all the issues that come in the quinquagenarian season of life, it can also be “a time to laugh.”
Laugh Lines: Caricaturing Painting in Nineteenth-Century France is the first major study of Salon caricature, a kind of graphic art criticism in which press artists drew comic versions of contemporary painting and sculpture for publication in widely consumed journals and albums. Salon caricature began with a few tentative lithographs in the 1840s and within a few decades, no Parisian exhibition could open without appearing in warped, incisive, and hilarious miniature in the pages of the illustrated press. This broad survey of Salon caricature examines little-known graphic artists and unpublished amateurs alongside major figures like Édouard Manet, puts anonymous jokesters in dialogue with the essays of Baudelaire, and holds up the material qualities of a 10-centime album to the most ambitious painting of the 19th-century. This archival study unearths colorful caricatures that have not been reproduced until now, drawing back the curtain on a robust culture of comedy around fine art and its reception in 19th-century France.
Limelight
R. K. Laxman immortalised the common man in his cartoons. Prem Janmejay's protagonist Radhelal is very similar to him. Like the average Indian, he does not understand much about the game of cricket but feels sad when the Indian team loses an international match and cheers up when it emerges victorious. Through him the satirist depicts the absurdity of cricket mania among those who look at the game more as a status symbol than anything else. Through Radhelal, the satirist takes a critical look at many of the things that trouble society, the overpowering effect of social media being one of them. However, Radhelal is not the only protagonist of this selection. Janmejay is careful to retain variety and therefore introduces a number of characters so that the perspective remains varied and the reader moves from one article to another, without complaining of monotony. The author confines his interest to urban topics, his favourites being politics and corruption. The language is simple; humour is conveyed through puns and skilful use of language.
Amid the variety of human experiences, the comic occupies a distinctive place. It is simultaneously ubiquitous, relative, and fragile. In this book, Peter L. Berger reflects on the nature of the comic and its relationship to other human experiences. Berger contends that the comic is an integral aspect of human life, yet one that must be approached and analyzed circumspectly and circuitously. Beginning with an exploration of the anatomy of the comic, Berger addresses humor in philosophy, physiology, psychology, and the social sciences before turning to a discussion of different types of comedy and finally suggesting a theology of the comic in terms of its relationship to folly, redemption, and transcendence. Along the way, the reader is treated to a variety of jokes on a variety of topics, with particular emphasis on humor and its relationship to religion. Originally published in 1997, the second edition includes a new preface reflecting on Berger’s work in the intervening years, particularly on the relationship between humor and modernity.
Frank E. Burdett is a survivor from seriousness. This is no laughing matter and only needs a simple explanation. Frank decided to divorce himself from all seriousness in an effort to gain control of his sense of humour. Once he attained his sense of humour he realised that the amount of absurdity and nonsense that abounds in society can only be diagnosed, in the gentlest of terms, as over-seriousness of epidemic proportions. Frank has researched and evaluated the importance of nurturing your sense of humour in order to balance the well-being of people everywhere, especially against the high degrees of stress, both emotional and work-associated challenges that attack everyone today. He came to the conclusion that people of all persuasions have completely lost the knack of being able to step aside and have a good and free laugh at themselves. Therefore, the time has come for you to learn to laugh at yourself and live longer! Frank knows the effects of harrowing trauma, being attacked, mauled and carried away by a man-eating tiger and, curing himself of spreading melanoma cancer of the neck/shoulder, both lungs, liver and bowel cancer. He had been diagnosed by orthodox medicine as stage IV and given six months to live. He tuned to find an alternative cure. He has now been four years free of cancer. Frank devised a technique whereby, even you, can benefit and learn to laugh at yourself. You have nothing to lose, except your overpowering seriousness. Frank spent three years delving into the properties of laughing at yourself and he soon realised that there is more to laughing than showing a set of teeth. Laughing at yourself allows you the complete freedom to see stress and serious-ness in their proper light, as a threat to your long-lasting happiness. This is your opportunity to take a real look at yourself by using Franks technique to step on the path towards learning the Art of Happiness. You either want to be free from the pangs of stress and seriousness, or you do not! Your choice!
DigiCat Publishing presents to you this special edition of "An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value" by James Sully. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The man Lucille Ball called the brains of I Love Lucy gives us an inside view of television history as it was being made. Jess Oppenheimer's famous sitcom was the most popular and influential television phenomenon in the history of the medium. Forty-five years after its debut, it remains a favourite the world over.