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This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
Representing an extraordinary lifetime of scholarship, Renaissance Thought and Its Sources offers a systematic account of major themes in Renaissance philosophy, science, and literature. Here, in some of Paul Oskar Kristeller's most comprehensive and ambitious writings, is an exploration of the distinctive trends and concepts of the Renaissance, grounded in detailed historical investigation.
Late Antiquity witnessed a dramatic recalibration in the economy of power, and nowhere was this more pronounced than in the realm of religion. The transformations that occurred in this pivotal era moved the ancient world into the Middle Ages and forever changed the way that religion was practiced. The twenty eight studies in this volume explore this shift using evidence ranging from Latin poetic texts, to Syriac letter collections, to the iconography of Roman churches and Merowingian mortuary goods. They range in chronology from the late third through the early seventh centuries AD and apply varied theories and approaches. All converge around the notion that religion is fundamentally a discourse of power and that power in Late Antiquity was especially charged with the force of religion. The articles are divided into eight sections which examine the power of religion in literature, theurgical power over the divine, emperors and the deployment of religious power, limitations on the power of the ecclesiastical hierarchy, the use of the cross as a symbol of power, Rome and its transformation as a center of power, the power of religion in the barbarian west, and religious power in the communities of the east. This kaleidoscope of perspectives creates a richly illuminating volume that add a new social and political dimension to current debates about religion in Late Antiquity.
This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry.
When barbarians invaded the Roman Empire in the years around 400 AD, Christian monks hid their cloisters. Conrad Leyser shows that monks in the early medieval West were, in fact, pioneers in the creation of a new language of moral authority.
A fully documented history of Ireland and the Irish from the fifth to the ninth centuries.
Scholar, ecclesiastic, teacher and poet of the eighth century, Alcuin can be seen as a true hidden saint of the Church, of the same stature and significance as his predecessor Bede. His love of God and his grasp of Christian theology were rendered original in their creative impact by his gifts as a teacher and poet. In his hands, the very traditional theology that he inherited, and to which he felt bound, took new wings. In that respect, he must rank as one of the most notable and influential of Anglo-Saxon Christians, uniting English and continental Christianity in a unique manner, which left a lasting legacy within the Catholic Church of Western Europe. This book is intended for the general reader as well as for those studying, teaching or researching this period of early medieval history and theology in schools and universities.
Throughout Antiquity and the Middle Ages, literature was read with the ear as much as with the eye: silent reading was the exception; audible reading, the norm. This highly original book shows that Boethius's Consolation of Philosophy - one of the most widely-read texts in Western history - aims to affect the listener through the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are arranged in patterns that have a therapeutic and liturgical purpose: as a bodily mediation of the text's consolation, these rhythmic patterns enable the listener to discern the eternal in the motion of time. The Consolation of Boethius as Poetic Liturgy vividly explores how in this acoustic encounter with the text philosophy becomes a lived reality, and reading a kind of prayer.
The mythic foundations of the world's greatest archaeological mystery.