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When people hear the name "Clooney," they automatically think of George Clooney, one of Hollywood's biggest stars. But it was his aunt Rosemary who first catapulted the name into bright lights with a string of hit songs in the 1950s and a starring role alongside Bing Crosby in the immortal "White Christmas." Drawing on interviews with family members, managers, promoters, and the jazz musicians who worked with her, as well as contemporary newspaper articles and reviews, Late Life Jazz tells the unsung story of one of America's finest singers, Rosemary Clooney. Ken Crossland and Malcolm Macfarlane trace Rosemary's life from her hardscrabble beginnings in Maysville Kentucky, through her first performances singing with the Barney Rapp Band in Cincinnati, through her rise to pop stardom in the early 1950s when she topped the Hit Parade with songs such as "Come On-a My House," "Tenderly," and "Half As Much." By the time the 1960s arrived, however, personal turmoil, fueled by depression and an addiction to prescription medication, almost destroyed Clooney's career-and her life. She underwent years of therapy and recuperation before she was able to perform again in the early 1970s. Few expected her to be anything more than a baroness of nostalgia, but Rosemary had other ideas. Rejuvenated by a series of concerts alongside her friend and mentor, Bing Crosby, she found a new medium in the midst of America's finest jazz musicians, building a second career and with it a reputation as one of the finest interpreters of the Great American Songbook. Vividly written and painstakingly researched, Late Life Jazz explores the rise, fall, and final triumph of Clooney the First, Aunt Rosemary, jazz singer par excellence.
A foreword by Chubby Jackson, a discography, and an index round out this captivating volume."--BOOK JACKET.
As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,
Duke Ellington, one of the most influential figures in American music, comes alive in this comprehensive biography with engaging activities. Ellington was an accomplished and influential jazz pianist, composer, band leader, and cultural diplomat. Activities include creating a ragtime rhythm, making a washtub bass, writing song lyrics, thinking like an arranger, and learning to dance the Lindy Hop. It explores Ellington's life and career along with many topics related to African American history, including the Harlem Renaissance. Kids will learn about the musical evolution of jazz that coincided with Ellington's long life from ragtime through the big band era on up to the 1970s. Kids learn how music technology has changed over the years from piano rolls to record albums through CDs, television, and portable music devices. The extensive resources include a time line, glossary, list of Ellington's greatest recordings, related books, Web sites, and DVDs for further study.
"Many jazz lives are marginal, as jazz guitarist Peter Leitch attests in his honest memoir. [This is] the story of a life lived in search of excellence in music and art, but also a life lived battling depression, alienation, and narcotics addiction. [This book] refers to life outside of conventional 9 to 5 society and Leitch vividly relates what it was like trying to make a living playing in jazz clubs, nightclubs, and studios. He tells of growing up in an English-speaking family in Montreal's working class and predominantly French-speaking East End refinery district, discovering jazz on CBC radio and learning to play it outside of the academy. His first gigs were in Montreal druing the 1960s, moving to Toronto in the late 1970s, and then to New York in 1982, which comprises the largest section of the book, chronicling the inner workings of the jazz "business"."--Page 4 of cover.
First time in paperback and e-book! The jazz musician-composer-arranger Mary Lou Williams spent her sixty-year career working in—and stretching beyond—a dizzying range of musical styles. Her integration of classical music into her works helped expand jazz's compositional language. Her generosity made her a valued friend and mentor to the likes of Thelonious Monk, Charlie Parker, and Dizzy Gillespie. Her late-in-life flowering of faith saw her embrace a spiritual jazz oriented toward advancing the civil rights struggle and helping wounded souls. Tammy L. Kernodle details Williams's life in music against the backdrop of controversies over women's place in jazz and bitter arguments over the music's evolution. Williams repeatedly asserted her artistic and personal independence to carve out a place despite widespread bafflement that a woman exhibited such genius. Embracing Williams's contradictions and complexities, Kernodle also explores a personal life troubled by lukewarm professional acceptance, loneliness, relentless poverty, bad business deals, and difficult marriages. In-depth and epic in scope, Soul on Soul restores a pioneering African American woman to her rightful place in jazz history.
Celebrate Pride every day with the teen advocate, trailblazer, and reality show star Jazz Jennings—one of Time Magazine's "25 Most Influential Teens" of the year. In this groundbreaking memoir, she inspires people to accept the differences in others while they embrace their own truths through sharing her very public transgender journey. "Jazz is one of the transgender community's most important activists." —Cosmopolitan "A role model for teens everywhere." —Seventeen At the age of five, Jazz Jennings’s transition to life as a girl put her in the public spotlight after she shared her story on national television. She’s since become one of the most recognizable and prominent advocates for transgender teens, through her TV show, interviews, and social media. Jazz’s openness has led to bullying and mistreatment from those who don’t understand her choices. She’s fought for the right to use the girls’ bathroom and to play on a girls’ soccer team, paving the way for others. And in this book, Jazz faces an even greater struggle—dealing with the physical and social stresses of being a teen. But being on the front lines of trans activism doesn't stop Jazz from experiencing the joys of growing up, from day camp to first dates. Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. This remarkable memoir is a testament to the power of accepting yourself, learning to live an authentic life, and helping everyone to embrace their own truths.
This contemporary classic gets a limited edition makeover with movie art and a new preface from Donald Miller. In print for nearly a decade, Blue Like Jazz has earned a coveted spot on readers' shelves and in their hearts. Many have said that Donald Miller expressed exactly what they were feeling but couldn't find the words to say themselves. In this landmark book that changed what people expected from Christian writers, that changed what people needed for their spiritual journeys, Donald Miller takes readers through a real life striving to understand relationship with God. Heartwarming and hilarious, poignant and unexpected, Blue Like Jazz has become a contemporary classic. For anyone wondering if the Christian faith is still relevant in a postmodern culture, thirsting for a genuine encounter with a God who is real, or yearning for a renewed sense of passion in life . . . Blue Like Jazz is a fresh and original perspective on life, love, and redemption.
In this beautiful book, Pulitzer Prize—winning musician and composer Wynton Marsalis draws upon lessons he’s learned from a lifetime in jazz–lessons that can help us all move to higher ground. With wit and candor he demystifies the music that is the birthright of every American and demonstrates how a real understanding of the central idea of jazz–the unique balance between self-expression and sacrifice for the common good exemplified on the bandstand–can enrich every aspect of our lives, from the bedroom to the boardroom, from the schoolroom to City Hall. Along the way, Marsalis helps us understand the life-changing message of the blues, reveals secrets about playing–and listening–and passes on wisdom he has gleaned from working with three generations of great musicians. Illuminating and inspiring, Moving to Higher Ground is a master class on jazz and life, conducted by a brilliant American artist.
This collection begins with two premises: that our understanding of the nature and forms of creativity in later life remains limited and that dialogue between specialists in gerontology, the arts and humanities can produce the crucial new insights that are so obviously needed. Representing the outcome of ongoing dialogue across the disciplinary divide, the contributions of this volume reflect anew on what we share and how we differ; creating new narratives so as to build an understanding of late-life creativity that goes far beyond the narrow confines of the pervasively received idea of ‘late style’. Creativity in Later Life encompasses a range of personal reflections and discussions of the boundaries of creativity, including: Canonical artistic achievements to community art projects Narratives of carers for those living with dementia Analyses of creative theory Through these insightful chapters, the authors consequently offer an understanding of creativity in later life as varied, socialised and - above all - located in the cultural and economic circumstances of the here and now. This title will appeal to academics, practitioners and students in the various gerontological, arts and humanities fields; and to anyone with an interest in the nature of creativity in later life and the forms it takes.