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The entire contents of a small Geometric period (900-700 B.C.) cemetery of twenty graves, found just south of the Tholos in the Athenian Agora, are catalogued in this book. Three additional graves, a well, and selection of isolated finds provide the author with a mass of Geometric and proto-Attic pottery from which to develop important typological observations about Attic ceramics at this formative period.
This volume reports on Athenian pottery found in the Athenian Agora up to 1960 that can be dated from about the middle of the 8th century B.C., when the appearance of a painter of sufficient personal distinction to enliven the whole craft marks a real break from the earlier Geometric style, through the third quarter of the 7th century B.C. when Protoattic gives way to black-figure and black wares. A sampling of contemporary imported ware is included. The material is treated first by shape and then, more extensively, by painting styles. Some 650 characteristic pieces are selected for cataloguing. The introduction discusses the development of the various shapes and styles, characterizing the special techniques and innovations of the period. The topographical features of the Agora that are indicated by the places of discovery of deposits of late Geometric and Protoattic pottery are summarized under wells, houses, workshops, sanctuaries, cemeteries, and roads.
Employing a wide variety of sources, this book discusses innovations in food processing and preservation from the Palaeolithic period through the late Roman Empire. All through the ages, there has been the need to acquire and maintain a consistent food supply leading to the invention of tools and new technologies to process certain plant and animal foods into different and more usable forms. This handbook presents the results of the most recent investigations, identifies controversies, and points to areas needing further work. It is the first book to focus specifically on ancient food technology, and to discuss the integral role it played in the political, economic, and social fabric of ancient society. Fully documented and lavishly illustrated with numerous photographs and drawings, it will appeal to students and scholars of both the arts and the sciences.
This book has its origin in a conference held at the British School at Athens in 2011 which aimed to explore the range of new archaeological information now available for the seventh century in Greek lands.
The Italian spoken in most of Tuscany is characterized by a number of peculiar pronunciations which for over half a century Romance scholars have explained by a theory of linguistic substratum influence. This theory postulates that present-day Tuscan pronunciation is a survival of the 'foreign accent' with which the ancient Etruscans must have spoken Latin when Rome first began to extend its power and language over the rest of Italy. Professor Izzo has undertaken a new and thorough investigation of modern Tuscan pronunciation, disproving this hypothesis and providing a definitive conclusion to the debate. He delineates clearly the errors in reasoning of those who trace the Tuscan pronunciation to an Etruscan influence, and presents his conclusions objectively. This study will interest Romance linguists, especially historians of the Italian language; but it will also interest historical linguists in general, for by disproving one of the most plausible and best-documented cases of alleged substratum influence, it casts doubt on many other cases where such influence has been claimed with little evidence.
The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities--and Athenian polytheism itself--remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives--political and economic, as well as spiritual--that prompted them to introduce new gods.
In 1928, and again in 1937, parts of a large-scale bronze horse and nearly complete jockey were recovered from the sea off Cape Artemision in Greece, where they had gone down in a shipwreck. These original Hellenistic sculptures, known together as the "Horse and Jockey Group from Artemision," are among the very few surviving bronze sculptures from antiquity. Seán Hemingway has been allowed by the National Museum in Athens to investigate the horse and jockey statuary group as no one ever has before, and in this book, combining archaeological and art historical methods of investigation, he provides the first in-depth study of this rare and beautiful monument. New technical analyses of the statues by Helen Andreopoulou-Mangou form an appendix to the volume. Hemingway begins with an introduction to Hellenistic bronze statuary and what we know about this extraordinary class of ancient sculpture. He then recounts with riveting detail the discovery and painstaking restoration of the statue group, describing the technique of its creation and carefully reviewing scholarly knowledge and speculation about it. He also provides a valuable compendium of what is known about ancient Greek horse racing, the most prestigious and splendid of all Greek sports. After a full consideration of all the available evidence, he speculates further about the work’s original meaning and function. His study provides a glimpse of the excellence achieved by Hellenistic bronze sculptors, and it will become the definitive resource on this unique sculpture from ancient Greece.