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A captivating exploration of beach resort culture—from its roots in fashionable society to its undervalued role in today’s world economy—as the travel industry approaches a climate reckoning With its promise of escape from the strains of everyday life, the beach has a hold on the popular imagination as the ultimate paradise. In The Last Resort, Sarah Stodola dives into the psyche of the beachgoer and gets to the heart of what drives humans to seek out the sand. At the same time, she grapples with the darker realities of resort culture: strangleholds on local economies, reckless construction, erosion of beaches, weighty carbon footprints, and the inevitable overdevelopment and decline that comes with a soaring demand for popular shorelines. The Last Resort weaves Stodola’s firsthand travel notes with her exacting journalism in an enthralling report on the past, present, and future of coastal travel. She takes us from Monte Carlo, where the pursuit of pleasure first became part of the beach resort experience, to a village in Fiji that was changed irrevocably by the opening of a single resort; from the overdevelopment that stripped Acapulco of its reputation for exclusivity to Miami Beach, where extreme measures are underway to prevent the barrier island from vanishing into the ocean. In the twenty-first century, beach travel has become central to our globalized world—its culture, economy, and interconnectedness. But with sea levels likely to rise at least 1.5 to 3 feet by the end of this century, beaches will become increasingly difficult to preserve, and many will disappear altogether. What will our last resort be when water begins to fill the lobbies?
In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.
The Caribbean has the fortune—and the misfortune̬to be everyone's idea of a tropical paradise. Its sun, sand and scenery attract millions of visitors each year and make it a profitable destination for the world's fastest growing industry. Tourism is increasingly touted as its only hope of creating jobs and wealth—literally, the island's last resort. Last Resorts examines the real impact of tourism on the people and landscape of the Caribbean. It explores the structure of ownership of the industry and shows that the benefits it brings to the region do not live up to its claims. New developments in ecotourism, sex tourism, and the burgeoning cruise industry are not changing this pattern of short-term exploitation of the region's resources. The book shows how Caribbean societies are corrupted by tourism and its culture turned into floorshow parody. This new edition has been extensively revised and updated. It gives voice to people inside the tourism industry, its critics, and tourists themselves, and offers vital insights into a phenomenon that is central to the globalized world of today.
One of PopSugar’s Best New Books of 2022! They have a second chance at love, but there are some rough seas ahead in the new contemporary romance from the acclaimed author of Love, Lists, and Fancy Ships. Commitment-phobe Nina Lejeune lives by two rules: 1. Always have fun. 2. Don’t rely on anyone but yourself. The first rule is easy; the second, she's only broken once. Ten years after fleeing home, Nina is the chief stewardess on the super yacht Serendipity, single by choice, and perfectly content with how life has turned out. But Nina’s ex-coworker and old flame, Irish chef Ollie Dunne, isn’t so happy with the status quo. One year after leaving yachting, he's returned as the Serendipity’s chef with an ultimatum: if Nina continues to deny she's in love with him by the end of this charter season, he'll go back to Ireland for good. Nina and Ollie's shared secret from their past threatens to shipwreck not only their relationship, but the entire boat. But as their connection grows amidst chaotic guests and crew drama, could there be smooth sailing in their future?
Named a Top 10 Book of the Year by Slate Named a Best Book of 2022 by The New Yorker Named a Best Book of 2022 by Vulture A New York Times Editors’ Choice Shortlisted for the Bollinger Everyman Wodehouse Prize for Comic Fiction In his blazing debut novel, Andrew Lipstein blurs the lines of fact and fiction with a thrilling story of fame, fortune, and impossible choices. Caleb Horowitz is twenty-seven, and his wildest dreams are about to come true. His manuscript has caught the attention of the agent, who offers him money, acclaim, and a taste of the literary life. He can’t wait for his book to be shopped to every editor in New York, except one: Avi Deitsch, an old college rival and the novel’s “inspiration.” When Avi gets his hands on it, he sees nothing but theft—and opportunity. Caleb is forced to make a Faustian bargain, one that tests his theories of success, ambition, and the limits of art. Last Resort is the razor-edged account of a young man’s reckless journey into authenticity. As Caleb fights to right his mistakes and reclaim his name, he must burn every bridge, confront his deepest desires, and finally see his work from the perspectives of characters he’d imagined were his own.
Thrilling, heartbreaking, and, at times, absurdly funny, The Last Resort is a remarkable true story about one family in a country under siege and a testament to the love, perseverance, and resilience of the human spirit. Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s parents were caught in the cross fire, everything changed. Lyn and Ros, the owners of Drifters–a famous game farm and backpacker lodge in the eastern mountains that was one of the most popular budget resorts in the country–found their home and resort under siege, their friends and neighbors expelled, and their lives in danger. But instead of leaving, as their son pleads with them to do, they haul out a shotgun and decide to stay. On returning to the country of his birth, Rogers finds his once orderly and progressive home transformed into something resembling a Marx Brothers romp crossed with Heart of Darkness: pot has supplanted maize in the fields; hookers have replaced college kids as guests; and soldiers, spies, and teenage diamond dealers guzzle beer at the bar. And yet, in spite of it all, Rogers’s parents–with the help of friends, farmworkers, lodge guests, and residents–among them black political dissidents and white refugee farmers–continue to hold on. But can they survive to the end? In the midst of a nation stuck between its stubborn past and an impatient future, Rogers soon begins to see his parents in a new light: unbowed, with passions and purpose renewed, even heroic. And, in the process, he learns that the "big story" he had relentlessly pursued his entire adult life as a roving journalist and travel writer was actually happening in his own backyard. Evoking elements of The Tender Bar and Absurdistan, The Last Resort is an inspiring, coming-of-age tale about home, love, hope, responsibility, and redemption. An edgy, roller-coaster adventure, it is also a deeply moving story about how to survive a corrupt Third World dictatorship with a little innovation, humor, bribery, and brothel management.
Edgar Award Winner: True stories of miscarriages of justice, legal battles, and landmark reversals, by the creator of Perry Mason. In 1945, Erle Stanley Gardner, noted attorney and author of the popular Perry Mason mysteries, was contacted by an overwhelmed California public defender who believed his doomed client was innocent. William Marvin Lindley had been convicted of the rape and murder of a young girl along the banks of the Yuba River, and was awaiting execution at San Quentin. After reviewing the case, Gardner agreed to help—it seemed the fate of the “Red-Headed Killer” hinged on the testimony of a colorblind witness. Gardner’s intervention sparked the Court of Last Resort. The Innocence Project of its day, this ambitious and ultimately successful undertaking was devoted to investigating, reviewing, and reversing wrongful convictions owing to poor legal representation, prosecutorial abuses, biased police activity, bench corruption, unreliable witnesses, and careless forensic-evidence testimony. The crimes: rape, murder, kidnapping, and manslaughter. The prisoners: underprivileged and vulnerable men wrongly convicted and condemned to life sentences or death row with only one hope—the devotion of Erle Stanley Gardner and the Court of Last Resort. Featuring Gardner’s most damning cases of injustice from across the country, The Court of Last Resort won the Edgar Award for Best Fact Crime. Originating as a monthly column in Argosy magazine, it was produced as a dramatized court TV show for NBC.
From the author of Lucky, A REESE’S BOOK CLUB PICK! NAMED ONE OF 2019’S BEST BEACH READS BY Oprah Magazine • New York Post • PopSugar • The Globe and Mail FEATURED IN Us Weekly • Parade • Hollywood Reporter • Chatelaine “Marissa Stapley’s writing is a gift.”—Pam Jenoff, New York Times bestselling author Miles Markell is missing, and everyone is a suspect. To the guests at The Harmony Resort, Doctors Miles and Grace Markell appear to be a perfect power couple. They run a couples’ therapy retreat in a luxurious resort in the Mayan Riviera where they help spouses deal with their marriage struggles. Johanna and Ben’s relationship looks great on the surface, but in reality, they don’t know each other at all. Shell and Colin fight constantly—Colin is a workaholic, and Shell always comes second—but what has really torn them apart is too devastating to talk about. When both couples begin Harmony’s intensive therapy program, it becomes clear that Harmony is not all that it seems—and neither are Miles and Grace. What are they hiding, and what price will these couples pay for finding out their secrets? As a deadly tropical storm descends on the coast, trapping the hosts and the guests on the resort, secrets are revealed, loyalties are tested and not one single person—or their marriage—will remain unchanged by what follows. A gripping exploration of relationships and trust, The Last Resort is a propulsive read about all the big truths we hide, even from ourselves.
Last Resorts: Emergency Assistance and Special Needs Programs in Public Welfare studies the implementation of emergencies and special needs programs in the United States welfare system. The book examines the balance that is reached between individualized and standardized treatment to meet emergencies and special needs, two simultaneously occurring countertrends in public welfare. The monograph discusses such topics as the balance between standardization and individualization in public welfare in the American context; the impact of standardization on basic welfare programs; relationship between emergency and special needs assistance and general welfare policies; and achieving adequate coverage of special needs and emergencies. Public administrators, social workers, lawyers, and policymakers will find the book interesting.