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Bernard B Fall was 40 years old when he was killed by a booby trap in northern South Vietnam on February 21, 1967. By the time of his death he had already authored seven books on Vietnam. This book, first published shortly after Dr Fall's death, is a tribute to his life's work. It contains the only known autobiographical account of his life, several previously unpublished articles, notes for 'Street Without Joy Revisited', and transcripts of Dr Fall's tape recordings, including his last recorded words.
""An important contribution to the literature on the war."" Gary R. Hess, Emeritus Distinguished Research Professor, Bowling Green State University. Author, --"Vietnam: Explaining America's Lost War." In his Reflections on the Vietnam War: A Fifty-Year Journey, Warren E. Hunt chronicles his long struggle to come to grips with the meaning of the Vietnam War and how it affected him before, during and after his tour in Vietnam with the U.S. First Infantry Division. Using a stylistic mix of personal anecdote, historical reflection and essay, the author weaves his experience of the war into a broad context encompassing the course of his life. Starting out as a naive and patriotic teenager drafted at age 19, he traces his path through military training, his impressions of Vietnam and its people, the absurdity of daily basecamp life, and the crucible of enemy fire. Returning to a nation torn apart by the war, he soon realizes that, even though he is no longer in the army, he cannot escape the war''s insane grasp. Catastrophic events in Vietnam and on the home front, along with the dawning awareness of suicides among his fellow veterans, prompt him to seek answers to the questions that haunt his daily life: Why did America go to war in Vietnam? How could we lose? Why did so many people have to suffer in vain? His quest leads him to the unveiling of the Vietnam Veterans Memorial in Washington, D.C., where painful memories and powerful emotions merge to initiate a healing process for the author, his fellow veterans and the country at large.
"The careful reconstruction of the September 1, 1857 battle at Maricopa Wells, combined with the thorough and well-written summary of available information on patterns of regional conflict, makes this book a valuable contribution to the ethnohistory of the middle Gila and Lower Colorado River area." --American Anthropologist "Rarely do the skills of historians and anthropologists mesh so admirably." --Western Historical Quarterly "Kroeber and Fontana are meticulous professionals. Their study of this neglected slice of Southwestern history deserves applause." --Evan S. Connell, Los Angeles Times Book Review "A rich feast for the curious and theorist alike." --Pacific Historical Review "Kroeber and Fontana describe a little-known event, provide an effective analysis of the cultures of Indian groups in southwestern Arizona, and attempt to understand the broader causes of warfare. The result is an interesting and provocative study." --Journal of American History
On 5 and 6 May 1864, the Union and Confederate armies met near an unfinished railroad in central Virginia, with Lee outmanned and outgunned, hoping to force Grant to fight in the woods. The name of the battle--Wilderness--suggests the horror of combat at close quarters and an inability to see the whole field of engagement, even from a distance. Indeed, the battle is remembered for its brutality and ultimate futility for Lee: even with 26,000 casualties on both sides, the Wilderness only briefly stemmed Grant's advance. Stephen Cushman lives fifty miles south of this battlefield. A poet and professor of American literature, he wrote Bloody Promenade to confront the fractured legacy of a battle that haunts him through its very proximity to his everyday life. Cushman's personal narrative is not another history of the battle. "If this book is a history of anything," he writes, "it's the history of verbal and visual images of a single, particularly awful moment in the American Civil War." Reflecting on that moment can begin in the present, with the latest film or reenactment, but it leads Cushman back to materials from the past. Writing in an informal, first-person style, he traces his own fascination with the conflict to a single book, a pictorial history he read as a boy. His abiding interest and poetic sensibility yield a fresh perspective on the war's continuing grip on Americans--how it pervades our lives through films and songs; novels such as The Red Badge of Courage, The Killer Angels, and Cold Mountain; Whitman's poetry and Winslow Homer's painting; or the pull of the abstract idea of the triumph of freedom. With maps and a brief discussion of the Battle of the Wilderness for those not familiar with the landscape and actors, Bloody Promenade provides a personal tour of one of the most savage engagements of the Civil War, then offers a lively discussion of its aftermath.
This is a rich collection of personal histories from a wide variety of cultural backgrounds which takes readers inside the internment of Japanese-Americans during World War II.
In this work Alan Forrest brings together some of the recent research on the Revolutionary army that has been undertaken on both sides of the Atlantic by younger historians, many of whom look to the influential work of Braudel for a model. Forrest places the armies of the Revolution in a broader social and political context by presenting the effects of war and militarization on French society and government in the Revolutionary period. Revolutionary idealists thought of the French soldier as a willing volunteer sacrificing himself for the principles of the Revolution; Forrest examines the convergence of these ideals with the ordinary, and often dreadful, experience of protracted warfare that the soldier endured.
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post