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Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Rich in the emotional depth and historical detail for which Candice Proctor (aka C. S. Harris) is renowned, The Last Knight is a haunting tale of sacrifice, passion, and redemption played out against the last days of Henry II.Brittany, 1189: Nothing is more important to Attica d'Alérion than honor and her duty to her family. For the sake of her house she has agreed to a dynastic marriage with the sulky 13-year-old heir to a powerful nobleman, and when she learns of a treacherous plot against the King that could threaten the life of her beloved brother, Stephen, she risks everything in a desperate ride to warn him.The dangers of the road force Attica to join forces with Damion de Jarnac, a black knight with the burning ambitions of a disgraced younger son-and a deadly secret of his own. Surrounded by shifting alliances and betrayals, the two are increasingly forced to rely on only each other. And as the world around them crumbles into war, they find it more and more difficult to resist the hopeless passion that flares between them. But they cannot escape the day when conflicting loyalties and the tragedies of their time will force each to make an impossible choice between love and honor." . . . rings with clinks of armor, political intrigues, galloping horses and near-death escapes . . . Proctor, a consummate storyteller, adeptly captures the splendor, romance, and brutality of medieval Europe."-Publishers Weekly"[a] superb tale of passion and redemption as one man's quest for glory becomes an unexpected crusade to save his soul . . ." -from the original Random House editionFrom Publishers Weekly: The year is 1189, and amid the swirling intrigues against ailing King Henry Plantagenet appear two spirited young people, each intent on a personal mission. Damion de Jarnac is a fearless rogue knight bound to his code of honor and by loyalty to his king. Attica d'Alerion, betrothed to a 13-year-old boy to cement a political alliance, honors family loyalty. Thus, when she learns a plot against the king may endanger her beloved brother, Stephen, she dons the disguise of a young boy and rides to warn him. Damion rescues Attica from a brigand ambush and agrees to escort her to her destination when he hears of the plot against Henry. He quickly realizes he is escorting a fearless young lady instead of a lordling, and a tumultuous romance develops between these strong-willed individuals. The book rings with clinks of armor, political intrigues, galloping chases and near-death escapes. As plot and tension escalate, Damion unhappily comes to see that Attica's brother is a traitor to the king, and he fears the decision he must make will forever banish Attica from his life. Proctor, a consummate storyteller, adeptly captures the splendor, romance and brutality of medieval Europe. Copyright 2000 Cahners Business Information, Inc.
The Last Knight The Story of Don Bernardo Gutierrez de Lara Uribe (1774-1841), a Texas Hero (By Jose Antonio Lopez) Once there was a magical land called Tejas. Here is where our Spanish-Mexican ancestors settled to raise families, build their homes, and ranching communities. They were a rare breed of men and women; a hearty stock, strong of both mind and body. They tamed what historian Jerry Thompson calls the Wild and Vivid Land of South Texas. In so doing, they invented the ranching and cowboy phenomena. However, all was not well. Spain ruled Tejas with oppressive and unjust laws. In response for direction to rid America of European colonial rule, several great American-born leaders answered the call to duty during those turbulent times of the late 1700s and early 1800s. Among these were George Washington, Simon Bolivar, and Bernardo Gutierrez de Lara Uribe. While most people may have heard of the first two, few are familiar with Don Bernardo. The Last Knight is the story of this great Texas hero. To begin with, Don Bernardos life has the drama, action, and intrigue of a Hollywood movie, but it is a true story. He was born in Revilla (now Guerrero), on the southern bank of the Rio Grande back when the Rio was just another South Texas river. (The shape of Texas was very different than it is today.) As a young man, Don Bernardo decided to get involved in bringing social change in his community and throughout Texas and Mexico. It was in this restless period of early Texas history that Don Bernardo volunteered to help Father Miguel Hidalgo in his struggle to gain Mexicos independence from Spain. That is why September 16th is today celebrated in Texas. Don Bernardo was appointed a Lt Colonel in the Republican Army. After a trip to the U.S. to seek help and volunteers, he began his revolution in Nacogdoches. That the struggle began here in the Louisiana border was very significant in a historical sense. Nacogdoches and Los Adaes represented the eastern boundary of New Spain. As a matter of fact, Los Adaes is the first capital of Texas. On April 17, 1813, he wrote Texas first Declaration of Independence and its first constitution. He won a series of battles. He became the first President-Protector (governor) of the Independent State of Texas. However, his hope of victory over the Spanish forces vanished quickly, when he was relieved of command and forced to move to Natchitoches, Louisiana in exile. When Mexico gained its independence from Spain in 1821, Don Bernardo was asked to return to his homeland. He did so in 1824. Upon arriving, he became the governor of the new state of Tamaulipas. He also was appointed to several military posts, including Commandant General of Tamaulipas and Commandant General of the Eastern Interior States (Texas, Coahuila, Tamaulipas, and Nuevo Leon.) He died in 1841 after an illustrious career as a rancher, military leader, Indian fighter, gifted communicator, skilled diplomat, governor of two states (Texas and Tamaulipas), and commandant general of four states. He was a man who possessed rare leadership qualities. We owe our gratitude to this great hero who shared in the first vision of a free and independent Texas.
Bruce Wayne wakes up in Arkham Asylum. Young. Sane. And...he was never Batman. So begins this sprawling tale of the Dark Knight as he embarks on a quest through a devastated DC landscape featuring a massive cast of familiar faces from the DC Universe. As he tries to piece together the mystery of his past, he must unravel the cause of this terrible future and track down the unspeakable force that destroyed the world as he knew itÉ From the powerhouse creative team of writer Scott Snyder and artist Greg Capullo, the team that reinvented Batman from the emotional depths of ÒCourt of OwlsÓ to the bombastic power of DARK NIGHTS: METAL, DC Black Label is proud to present the bimonthly, three-issue miniseries BATMAN: LAST KNIGHT ON EARTH, published at DCÕs standard comic trim size. par This could be the last Batman story ever toldÉ
his three marriages included two romantic love-matches --
Eisner continues his series of adaptations of classic tales with this charming and delightfully humourous rendition of Cervantes Don Quixote. The famous knight was quite a gentleman, man of honour and idealist, his selflessness and gallantry made him a legend. A touching story given a new edge by the beautiful full colour illustration and unique interpretation by the master story teller Will Eisner.
There may not be a more fascinating a historical period than the late fourteenth century in Europe. The Hundred Years' War ravaged the continent, yet gallantry, chivalry, and literary brilliance flourished in the courts of England and elsewhere. It was a world in transition, soon to be replaced by the Renaissance and the Age of Exploration -- and John of Gaunt was its central figure. In today's terms, John of Gaunt was a multibillionaire with a brand name equal to Rockefeller. He fought in the Hundred Years' War, sponsored Chaucer and proto-Protestant religious thinkers, and survived the dramatic Peasants' Revolt, during which his sumptuous London residence was burned to the ground. As head of the Lancastrian branch of the Plantagenet family, Gaunt was the unknowing father of the War of the Roses; after his death, his son usurped the crown from his nephew, Richard II. Gaunt's adventures represent the culture and mores of the Middle Ages as those of few others do, and his death is portrayed in The Last Knight as the end of that enthralling period.
Last Knight's Almanac celebrates life, love, and adventure, in the years following the death of King Arthur. But it also serves as a backdrop on which I can draw literary portraits of many of man's favorite things such as nature, astronomy, emotion, poetry, travel, history, fantasy, art, and so on. Arthurian legend is the main thread of the story and is also one of my favorite things, so this is important, too. What really happened inth Dark Ages? And yes, it's true, but only if you wish to believe it, that I unearthed these Chronicles from an iron box that was buried 1400 years ago under the Abbey of Glastonbury.
Sir Edward Woodville was the medieval knight par excellence - except that his life coincided with the beginning of the Renaissance. With this vivid and long-awaited biography, Christopher Wilkins demonstrates how Sir Edward carved out an important role for himself in the 15th century, marrying the old-fashioned values of a chivalric age with the modernising trends that were dramatically re-shaping Europe. Far from an anachronism, The Last Knight Errant reveals how this quintessentially medieval figure, riding from battle to battle across Europe, was also profoundly engaged in the events that built the post-medieval states of England, Spain and France. The Last Knight Errant is the first full biography of this pivotal figure in English history for over a century and reveals him to have been a true hero whose significance in the politics of the period is often overlooked. Drawing on original research throughout Europe, Christopher Wilkins draws out Sir Edward Woodville's fascinating life and unusual character in the context of his remarkable family, who have been traditionally cast as among the most unpopular in English history. Sir Edward's eldest sister, Elizabeth, was married to King Edward IV and his brother was guardian to the Prince of Wales but disaster struck when Richard of York executed his coup in 1483. Edward escaped with ships, money and men to Brittany where he became the first of Henry Tudor's new supporters, providing much needed credibility to that cause. He fought at Bosworth but once Henry was crowned and married to his niece, Edward sailed off to fight the Moors before returning to England in time to command the cavalry during the invasion by the pretender to the throne, Lambert Simnel. Never far from the centre of the action, ultimately Edward was killed at the Battle of St Aubin in 1488 where he was leading a freelance expedition to fight the French, contrary to King Henry's own wishes. The Last Knight Errant restores Sir Edward Woodville to his rightful place at the heart of power in 15th-century England and represents him as a true hero whose reputation suffered at the hands of that genius of propaganda, Richard III.
One by one, the monstrous Scourge Knights of the Apocalypse march across the earth, leaving death and despair as they go, and RathraqÕs sword canÕt stop their grim advance. Neither can CoganÕs magic. Maybe nothing can. This volume also includes a collection of RUMBLE short stories by the best artists in the business! Collects RUMBLE #11-17