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Part crusader, part comedian, Jim Murray was a once-in-a-generation literary talent who just happened to ply his trade on newsprint, right near the box scores and race results. During his lifetime, Murray rose through the ranks of journalism, from hard-bitten 1940s crime reporter, to national Hollywood correspondent, to the top sports columnist in the United States. In Last King of the Sports Page: The Life and Career of Jim Murray, Ted Geltner chronicles Jim Murray’s experiences with twentieth-century American sports, culture, and journalism. At the peak of his influence, Murray was published in more than 200 newspapers. From 1961 to 1998, Murray penned more than 10,000 columns from his home base at the Los Angeles Times. His offbeat humor and unique insight made his column a must-read for millions of sports fans. He was named Sportswriter of the Year an astounding fourteen times, and his legacy was cemented when he became one of only four writers to receive the prestigious Pulitzer Prize for coverage of sports. Geltner now gives readers a first look at Murray’s personal archives and dozens of fresh interviews with sports and journalism personalities, including Arnold Palmer, Mario Andretti, Kareem Abdul-Jabbar, Yogi Berra, Frank Deford, Rick Reilly, Dan Jenkins, Roy Firestone, and many more. Throughout his life, Murray chronicled seminal events and figures in American culture and history, and this biography details his encounters with major figures such as William Randolph Hearst, Henry Luce, Marilyn Monroe, Marlon Brando, John Wayne, Mickey Mantle, Muhammad Ali, and Tiger Woods. Charming and affecting moments in Murray’s career illustrate the sportswriter’s knack for being in on the big story. Richard Nixon, running for vice president on the Eisenhower ticket in 1952, revealed to Murray the contents of the “Checkers” speech so it could make the Time magazine press deadline. Media mogul Henry Luce handpicked Murray to lead a team that would develop Sports Illustrated for Time/Life in 1953, and when terrorists stormed the Olympic village at the 1972 Munich games, Murray was one of the first journalists to report from the scene. The words of sports journalist Roy Firestone emphasize the influence and importance of Jim Murray on journalism today: “I’ll say without question, I think Jim Murray was every bit as important of a sports writer—forget sport writer—every bit as important a writer to newspapers, as Mark Twain was to literature.” Readers will be entertained and awed by the stories, interviews, and papers of Jim Murray in Last King of the Sports Page.
Patrick S. Washburn and Chris Lamb tell the full story of the past, the present, and to a degree, the future of American sports journalism. Sports Journalism chronicles how and why technology, religion, social movements, immigration, racism, sexism, social media, athletes, and sportswriters and broadcasters changed sports as well as how sports are covered and how news about sports are presented and disseminated. One of the influential factors in sports coverage is the upswing in the number of women sports reporters in the last forty years. Sports Journalism also examines the ethics of sports journalism, how sports coverage frequently has differed from that of non-sports news, and how the internet has spawned a set of new ethical issues.
LA Sports brings together sixteen essays covering various aspects of the development and changing nature of sport in one of America’s most fascinating and famous cities. The writers cover a range of topics, including the history of car racing and ice skating, the development of sport venues, the power of the Mexican fan base in American soccer leagues, the intersecting life stories of Jackie and Mack Robinson, the importance of the Showtime Lakers, the origins of Muscle Beach and surfing, sport in Hollywood films, and more.
Gridiron football is the king of sports – it's the biggest game in the strongest and richest country in the world. In The King of Sports, Easterbrook tells the full story of how football became so deeply ingrained in American culture. Both good and bad, he examines its impact on American society. The King of Sports explores these and many other topics: * The real harm done by concussions (it's not to NFL players). * The real way in which college football players are exploited (it's not by not being paid). * The way football helps American colleges (it's not bowl revenue) and American cities (it's not Super Bowl wins). * What happens to players who are used up and thrown away (it's not pretty). * The hidden scandal of the NFL (it's worse than you think). Using his year-long exclusive insider access to the Virginia Tech football program, where Frank Beamer has compiled the most victories of any active NFL or major-college head coach while also graduating players, Easterbrook shows how one big university "does football right." Then he reports on what's wrong with football at the youth, high school, college and professional levels. Easterbrook holds up examples of coaches and programs who put the athletes first and still win; he presents solutions to these issues and many more, showing a clear path forward for the sport as a whole.
“After two years of drifting I finally knew there was only one place that could offer me a shot at peace, and that was my hometown. The city was my crossroads, the crooked man with the slanted grin, my temptation, and I wanted to beat it. I wanted to win. . . .” Two years after leaving Oakland, Maceo Redfield returns to the city, where NBA All-Star Cornelius “Cotton” Knox has become tangled up in the murder of a local call girl. What could easily become a story for the tabloids turns personal when Maceo realizes that his estranged friend Holly Ford has also been linked to the crime. Maceo’s guilt at disappearing, coupled with a heartfelt plea for help from his Aunt Cissy, becomes a potent combination for a man seeking redemption. Taking it upon himself to clear his friend, Maceo stays one step ahead of the police as he traverses the dark corners of the San Francisco Bay Area. And in his quest for the truth, Maceo teams with a sultry con artist named Sonny Boston, “an eight-cylinder chick with bodies in her past.” While navigating the shifting alliances of a territory war, Maceo must also fight off an unseen enemy, a ruthless man with connections to Oakland, who came to town with two things in mind: destroying Holly and eliminating anybody who gets in his way.
Taking a thematic approach, this new companion provides an interdisciplinary, cross-cultural, and international study of American literary journalism. From the work of Frederick Douglass and Walt Whitman to that of Joan Didion and Dorothy Parker, literary journalism is a genre that both reveals and shapes American history and identity. This volume not only calls attention to literary journalism as a distinctive genre but also provides a critical foundation for future scholarship. It brings together cutting-edge research from literary journalism scholars, examining historical perspectives; themes, venues, and genres across time; theoretical approaches and disciplinary intersections; and new directions for scholarly inquiry. Provoking reconsideration and inquiry, while providing new historical interpretations, this companion recognizes, interacts with, and honors the tradition and legacies of American literary journalism scholarship. Engaging the work of disciplines such as sociology, anthropology, African American studies, gender studies, visual studies, media studies, and American studies, in addition to journalism and literary studies, this book is perfect for students and scholars of those disciplines.
This landmark work explores the vibrant world of football from the 1920s through the 1950s, a period in which the game became deeply embedded in American life. Though millions experienced the thrills of college and professional football firsthand during these years, many more encountered the game through their daily newspapers or the weekly Saturday Evening Post, on radio broadcasts, and in the newsreels and feature films shown at their local movie theaters. Asking what football meant to these millions who followed it either casually or passionately, Michael Oriard reconstructs a media-created world of football and explores its deep entanglements with a modernizing American society. Football, claims Oriard, served as an agent of "Americanization" for immigrant groups but resisted attempts at true integration and racial equality, while anxieties over the domestication and affluence of middle-class American life helped pave the way for the sport's rise in popularity during the Cold War. Underlying these threads is the story of how the print and broadcast media, in ways specific to each medium, were powerful forces in constructing the football culture we know today.
"Just before high noon on May 30th, 1964, the Indy 500 stopped for the first time in history. Seven cars had crashed in a fiery accident, killing two drivers, and threatening the very future of the 500. In this tight, fast-paced narrative, Art Garner expertly reconstructs the events, circumstances, and fatal decisions leading up to the sport's blackest day. Recalling a bygone era when drivers lived hard, raced hard, and at times died hard, Black Noon takes readers back to the last race won by a front-engined roadster, to before the switch from gasoline to methanol, to tell one of the great untold stories in sports. Informed by his extensive interviews including six of the seven surviving drivers, Garner brings to life the greatest names in racing - A.J. Foyt, Dan Gurney, Parnelli Jones, Bobby Unser, and Johnny Rutherford - focusing on Eddie Sachs and Dave MacDonald, the two very different drivers whose lives accelerated toward the same catastrophic end that day. Publishing for the 50th anniversary of this iconic event, Black Noon remembers the race that changed everything and the men that heralded the Golden Age of Indy car racing"--
The first full-length biography of one of the most unlikely figures in twentieth-century American literature, a writer who emerged from a dirt-poor South Georgia tenant farm and went on to create a singularly unique voice of fiction.
When Billie Jean King trounced Bobby Riggs in tennis's "Battle of the Sexes" in 1973, she placed sports squarely at the center of a national debate about gender equity. In this winning combination of biography and history, Susan Ware argues that King's challenge to sexism, the supportive climate of second-wave feminism, and the legislative clout of Title IX sparked a women's sports revolution in the 1970s that fundamentally reshaped American society. While King did not single-handedly cause the revolution in women's sports, she quickly became one of its most enduring symbols, as did Title IX, a federal law that was initially passed in 1972 to attack sex discrimination in educational institutions but had its greatest impact by opening opportunities for women in sports. King's place in tennis history is secure, and now, with Game, Set, Match, she can take her rightful place as a key player in the history of feminism as well. By linking the stories of King and Title IX, Ware explains why women's sports took off in the 1970s and demonstrates how giving women a sporting chance has permanently changed American life on and off the playing field.