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From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
"Here is the first Kant-biography in English since Paulsen’s and Cassirer’s only full-scale study of Kant’s philosophy. On a very deep level, all of Cassirer’s philosophy was based on Kant’s, and accordingly this book is Cassirer’s explicit coming to terms with his own historical origins. It sensitively integrates interesting facts about Kant’s life with an appreciation and critique of his works. Its value is enhanced by Stephen K�rner’s Introduction, which places Cassirer’s Kant-interpretation in its historical and contemporary context.”--Lewis White Beck "The first English translation (well done by James Haden) of a 60-year-old classic intellectual biography. Those readers who know Kant only through the first Critique will find their understanding of that work deepened and illuminated by a long explication of the pre-critical writings, but perhaps the most distinctive contribution is Cassirer’s argument that the later Critiques, and especially the Critique of Judgment, must be understood not as merely applying the principles of the first to other areas but as subsuming the latter into a larger and more comprehensive framework.”--Frederick J. Crown, The Key Reporter "Kant’s Life and Thought is that rare achievement: a lucid and highly readable account of the life and work of one of the world’s profoundest thinkers. Now for the first time available in an admirable English translation, the book introduces the reader to two of the finest minds in the history of philosophy.”--Ashley Montagu
Immanuel Kant is among the most pivotal thinkers in the history of philosophy. His transcendental idealism claims to overcome the skepticism of David Hume, resolve the impasse between empiricism and rationalism, and establish the reality of human freedom and moral agency. A thorough understanding of Kant is indispensable to any philosopher today. The significance of Kant's thought is matched by its complexity. His revolutionary ideas are systematically interconnected and he presents them using a forbidding technical vocabulary. A careful investigation of the key concepts that structure Kant's work is essential to the comprehension of his philosophical project. This book provides an accessible introduction to Kant by explaining each of the key concepts of his philosophy. The book is organized into three parts, which correspond to the main areas of Kant's transcendental idealism: Theoretical Philosophy; Practical Philosophy; and, Aesthetics, Teleology, and Religion. Each chapter presents an overview of a particular topic, while the whole provides a clear and comprehensive account of Kant's philosophical system.
This is the first book in English devoted entirely to Kantâe(tm)s Opus Postumum and its place in the Kantian oeuvre. Over the last few decades, the importance of this text for our understanding of Kantâe(tm)s philosophy has emerged with increasing clarity. Although Kant began it in order to solve a relatively minor problem within his philosophy, his reflections soon forced him to readdress virtually all the key problems of his critical philosophy: the objective validity of the categories, the dynamical theory of matter, the natures of space and time, the refutation of idealism, the theory of the self and its agency, the question of living organisms, the doctrine of the practical postulates and the idea of God, the unity of theoretical and practical reason, and the idea of transcendental philosophy itself. In the end Kant was convinced that these problems, some of which had preoccupied him throughout his career, could finally be brought to a coherent and adequate solution and integrated into a single philosophical conception. As Eckart Förster shows in his penetrating study, Kantâe(tm)s conviction deserves not only our intellectual respect but also our undivided philosophical attention. Förster provides detailed analyses of the key problems of Kantâe(tm)s Opus Postumum and also relates them to Kantâe(tm)s major published writings. In this way he provides unique insights into the extraordinary continuity and inner dynamics of Kantâe(tm)s transcendental philosophy as it progresses toward its final synthesis.