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Jack Henry Markowitz, born and raised in Brooklyn, New York, grew up in a magical time when Coney Island was still thought of as the entertainment capital of the world a time when the Brooklyn Dodgers still played at Ebbets Field and millions of people came to visit the fabled beaches and boardwalk, Steeplechase Park, Parachute Jump, Cyclone Roller Coaster and Nathan's Famous. In his novella Stuff Happens author Jack Henry Markowitz combines elements of fiction and non fiction in a new form he calls "Friction" - a combination of the fictitious with the real. In The Practice and Other Stories he writes short stories with satiric wit and Jewish humor about working class New York characters he had observed during his growing-up years. Greatly influenced by the movies, he often turns a satiric camera eye on the details of every day life. Bubbie and Zadie Save the Day Markowitz retells a Romanian folk tale that his mother often told to him and his siblings as a rather unusual bed time story. In Please Ask, Do Tell The Collected Poems the author presents a collection of his favorite poems that were written over a span of 40 years. With the publication of Last Call For New Poems the author presents some of his most recent works. The author resides in Philadelphia, Pennsylvania where he continues to work and write. Additional information about the author and his work can be found at: www.jhmcommunications.com and at his Smashwords.com blog at http://jckmrkwtz.blogspot.com.
Groundbreaking anthology of poetry on substance abuse and recovery.
An anthology edited by acclaimed poets Kaveh Akbar and Paige Lewis. In 1997, Sarabande published Last Call, a poetry anthology which became a formative text on the lived experiences of addiction. Now, more than twenty-five years later, editors Kaveh Akbar and Pagie Lewis offer a contemporary follow-up. Another Last Call: Poems on Addiction & Deliverance showcases work from poets like Joy Harjo, Afaa M. Weaver, Diane Seuss, Layli Long Soldier, Sharon Olds, Jericho Brown, Ada Limón, and Ocean Vuong, as well as many new and powerful voices. Contributors: Samuel Ace, Chase Berggrun, Sherwin Bitsui, Sophie Cabot Black, Jericho Brown, Anthony Ceballos, Marianne Chan, Jos Charles, Brendan Constantine, Cynthia Cruz, Steven Espada Dawson, Megan Denton Ray, Martín Espada, Megan Fernandes, Sarah Gorham, Joy Harjo, Mary Karr, Sophie Klahr, Michael Klein, Dana Levin, Ada Limón, Zach Linge, Layli Long Soldier, Sharon Olds, Airea Dee Matthews, Joshua Mehigan, Tomás Q. Morín, Erin Noehrem, Joy Priest, Dana Roeser, sam sax, Diane Seuss, Natalie Shapero, Katie Jean Shinkle, Jeffrey Skinner, Bernardo Wade, Afaa M. Weaver, The Cyborg Jillian Weise, Phillip B. Williams, Ocean Vuong
Few poets of Western America fill the “organic intellectual” rôle better than David Lee. His poetry is the real deal when it comes to recording hilariously insightful (and linguistically accurate) observations of rural culture—and America at large—while using a host of astute literary allusions and techniques. Imagine Robert Frost simultaneously channeling Will Rogers and Ezra Pound. Imagine Chaucer with a twang. Last Call is bloody brilliant and wickedly witty. As Sam Hamill says, “If we were a civilized nation, we would declare David Lee a national treasure.”
The instant #1 New York Times, Wall Street Journal, and USA Today bestseller The breakout poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman Formerly titled The Hill We Climb and Other Poems, the luminous poetry collection by #1 New York Times bestselling author and presidential inaugural poet Amanda Gorman captures a shipwrecked moment in time and transforms it into a lyric of hope and healing. In Call Us What We Carry, Gorman explores history, language, identity, and erasure through an imaginative and intimate collage. Harnessing the collective grief of a global pandemic, this beautifully designed volume features poems in many inventive styles and structures and shines a light on a moment of reckoning. Call Us What We Carry reveals that Gorman has become our messenger from the past, our voice for the future.
Lost In Sight transports the reader to a landscape and world where she weaves what's lost with what never was to manifest in reality.
The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.
Beer goggles, whiskey staggers, and a martini for a muse create an old-fashioned cocktail of toughness in this saloon-centered book of verse. When it’s time to wind down at the end of the day, the comfort of a neighborhood dive can’t be beat. But when a poet starts downing drinks, the scribbled marks on his bar napkin result in a raw and rough-hewn look at man’s most heartfelt emotions. And with alcohol-driven acuity, this book helps every whistle-wetter, day-drinker, and bartender find new enjoyment in the hardships and happiness of mundane existence. From hilarious haiku to self-loathing limericks, soul-searcher and award-winning writer Randall McNair’s carefully honed craft shines in this drunkenly introspective measure of human consciousness. Covering a wide range of themes that confront the absurdities of life head-on, this collection showcases his willingness to drink the dregs and come back for more. If you’ve ever thought of poets as staid or incomprehensible, the burn of McNair’s high-proof stanzas will transform your viewpoint and take you on an unforgettable journey. Last Call is the third volume in the Bar Poems series of vividly chaotic verse. If you like honest humor, dark insights, and rhyming under the influence, then you’ll love Randall McNair’s top-shelf shot of poetry. Buy Last Call and stagger home to wisdom today!
Wanjohi wa Makokha's Nest of Stones is the second book of poems, since the publication of Sitawa Namwalie's Cut off my Tongue (Storymoja: 2009), devoted in principal to the moment of the 2007-2008 Kenyan Crisis. The crisis is locally known as the Post-Election Violence (PEV). The book collects over sixty pieces of his recent verse chosen on the basis of artistic merit and social relevance. The poems focus sharply on the tumultuous period between the General Elections of 2007 and August 4th Referendum of 2010. Some of the poems relate to events drawn out of earlier moments in Kenyan history but are invoked as contexts of the recent discord. Wa Makokha's interesting narratives are written in the form of lyrical folk verse. The verses are poignant vignettes, out of experiences of different communities and regions of Kenya, serving as repositories of the memory of a tumultuous moment in the life of a nation. Nest of Stones derives its themes from the commonwealth of Kenyan experiences across ethnic and political divides. This idea of the interrelatedness of the peoples inhabiting the Kenyan space; is in a way, a veritable interrogation of the 'imagined community' leitmotif most often recoursed to when analyzing the tensions of co-existence in the postcolonial world. The heart of these amazing poems lies in Kenya but their philosophy of life is universal.
We are where we’ve been and what we’ve read, aren’t we? Where else do we get the experience we need to evocatively live? At once a memoir, a reading journal, and a novel, Fragments of a Mortal Mind is a daring, contemporary commonplace book. Donald Anderson, critically acclaimed author of Gathering Noise from My Life and Below Freezing, shows us how the disparate elements of our lives collect to construct our deepest selves and help us to make sense of it all. Anderson layers his personal experiences and reflections with those of others who have wrestled with inner and outer social, cultural, and political memories that are not as accurate as history might suggest but that each of us believe nonetheless. He challenges the reader’s sense of memory and fact, downplaying the latter in explaining how each of us crafts our own personal histories. As Anderson weaves his voice among numerous other voices and ideas that rest upon other ideas, we are faced with larger issues of human existence: war, memory, trauma, mortality, religion, fear, joy, ugliness, and occasional beauty. What we have here is a meditation on living in America. We are shown how the world we consume becomes us as we metabolize it. How we, as humans, through our own fragments of memories, influences, and experiences become our true selves. By charting fragments of thoughts over a lifetime, Anderson exposes a way of thinking and perceiving the world that is refreshingly intuitive and desperately needed. Fragments of a Mortal Mind is a powerful masterpiece that closely resembles our lived experiences and is a vivid reflection of our time.