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Las Rimas y Leyendas de Gustavo Adolfo Bécquer son reconocidos por su belleza y expresión; este libro los incluye a todos según el autor los escribió. Un poeta y autor de talentos supremos, Bécquer es un ícono de la poesía española de la Era Romántica, y sus obras son ampliamente enseñadas en las escuelas de español. A pesar de que mostró tal talento a una edad temprana, su edad adulta en Madrid fue de pobreza y dificultad. A pesar de haber trabajado varias veces, no pudo durar mucho tiempo en un trabajo convencional: el verdadero amor de Bécquer era la poesía y el lenguaje. Gran parte del mejor trabajo de Gustavo Bécquer fue publicado con la ayuda de su hermano Valentino, algunos eran satíricos, mientras que otros escritos eran artísticos. La tragedia ocurrió cuando Valentino, él mismo un pintor fino, cayó gravemente enfermo y murió de tuberculosis. Este evento afectó gravemente a Gustavo; abatido, murió solo dos meses después en la pobreza más extrema de Madrid.
Poemas de Gustavo Adolfo Bécquer. Se incluye un cuaderno-guía del profesorado
Spain's great 19th-century lyric poet is best known for these two works: Rhymes, a suite of 66 melancholy poems, and the 6 tales of Legends, romantic portrayals of everyday events.
Gustavo Adolfo Becquer was one of Spain's most important poets of the 19th century, and the instigator of a new Spanish version of Romanticism, influenced by German models such as Heine. Born in Seville in 1836, the son of an artist of Flemish origin, he lived only 34 years, but in that time created a hugely influential body of verse (his Rimas, or Rhymes) as well as several short fictions (the Leyendas, or Legends). His other works include a remarkable series of letters, or epistolary fictions, published as Desde mi celda (From My Cell). Orphaned at the age of five, Becquer was raised by an elderly, and childless, uncle. A talented artist himself - as was also his brother, Valeriano - he became a pupil at a local studio in Seville, but gave this up in favour of a literary career, heading for Madrid at the age of eighteen, full of hope. He obtained a minor post in the civil-service, thanks to his uncle's influence, but was not cut out for such a routine job and was dismissed. For some time thereafter he was a typical Bohemian artist, living on very little while trying to write, and scratching a small income from the translation of foreign novels, and from part-time journalism. Towards the end of his life he obtained another government post, as a censor, but when he died, it was in considerable poverty, suffering from pneumonia and liver problems. His work was only published posthumously, thanks to the efforts of his friends.