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“In real movies. When you’re dead you’re dead.” McNulty looked at his producer. “You don’t make real movies Larry.” Larry Unger looked offended. “More real than all that sci-fi bullshit.” McNulty shook his head. “I’ve seen dead. And it’s nothing like the movies.” Waltham, Massachusetts Vince McNulty is still working as technical advisor for Titanic Productions in Boston but he is also struggling to reconnect with his estranged sister and her daughter. While filming on a courthouse set in Waltham, MA, a gunman forces his way in and opens fire, killing several of the cast and crew. Did the gunman mistake the set for the real courthouse down the road? Or was it just a message to the real judge? When the production is shut down, Larry Unger realizes that secondary footage and the cameraman are missing and Vince McNulty must walk a fine line between helping the police and protecting the movie. As Larry Unger said, “Can you imagine how much shit they’d have been in if they’d lost the Zapruder film? Well, we’ve just lost the Zapruder film.” Praise for the books by Colin Campbell: “Very real. And very good.” —Lee Child “There’s nothing soft about Campbell’s writing. If you enjoy your crime fiction hard-boiled, the Jim Grant series is a must read.” —Bruce Robert Coffin, author of the Detective Byron series “A cop with a sharp eye, keen mind, and a lion’s heart.” —Reed Farrel Coleman “Campbell writes smart, rollercoaster tales with unstoppable forward momentum and thrilling authenticity.” —Nick Petrie “Grim and gritty and packed with action.” —Kirkus Review “The pages fly like the bullets, fistfights and one-liners that make this one of my favourite books of the year. Top stuff!” —Matt Hilton “An excellent story well told. A mixture of The Choirboys meets Harry Bosch.” —Michael Jecks “Sets up immediately and maintains a breakneck pace throughout. Its smart structure and unrelenting suspense will please Lee Child fans.” —Library Journal Review “This is police procedural close-up and personal. A strong debut with enough gritty realism to make your eyes water, and a few savage laughs along the way.” —Reginald Hill
Fresh out of graduate school, CIA psychologist, Trace Curran works his dream job providing trauma-based psychotherapy and researching the threat level of Antifa-based organizations. While domestic terror escalates, Trace’s world is rocked, when an agent on his caseload commits a murder-suicide. Then, the death of his father and the split with his fiancé, leave him dealing with a breakdown. On leave from CIA duties, Trace returns home to bartend at the family’s tavern. The daily duties serve as a reminder of just how much life has unraveled, and he barely keeps the will to go on. The start of a new relationship sheds some light into his existence but the continued escalation of Antifa-related domestic terror keeps Trace connected to the CIA. When he’s called back to debrief, his supervisor’s questions leave him suspicious. It becomes clear that the terrorism is not what it appears and that someone could be manipulating events, to not only blame Antifa, but to profit from a reeling market. When Trace realizes his fears are justified, the terror turns towards him. Now, he must face his fears and save everything that is important to him—including himself.
DigiCat Publishing presents to you this special edition of "The Mystery of the Spiteful Letters" by Enid Blyton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
“Brilliant . . . Larry Brown has slapped his own fresh tattoo on the big right arm of Southern Lit.” —The Washington Post Book World Now a major motion picture starring Nicolas Cage, directed by David Gordon Green. Joe Ransom is a hard-drinking ex-con pushing fifty who just won’t slow down--not in his pickup, not with a gun, and certainly not with women. Gary Jones estimates his own age to be about fifteen. Born luckless, he is the son of a hopeless, homeless wandering family, and he’s desperate for a way out. When their paths cross, Joe offers him a chance just as his own chances have dwindled to almost nothing. Together they follow a twisting map to redemption--or ruin.
The same week William Jefferson Clinton was sworn in as head of our national family, I became a father. And so begins one columnist's journey through the Clinton presidency. For humorist and political commentator Michael Graham, the trip is a hilarious tour de farce of America at its most ridiculous, and its most real. In the tradition of H. L. Menken (after whom his son is named) and P. J. O'Rourke, Michael Graham lets fly his lampoons on deserving targets across the American landscape. From Al Gore on the left ("the ideology of Ralph Nader, the ethics of Richard Nixon") to Strom Thurmond on the right (campaign slogan: "Getting Out of Bed for More Than 94% of a Century!"), Graham casts his merrily cynical eye and sees all. Graham begins this collection of contemporary humor with an overview of the Clinton years and how they have changed him as a citizen, a father, and a writer ("What other president could turn the phrase 'face time' into an instant punchline?") He proceeds to take us on a joyous ride through the peaks and valleys of the pants-free presidency. It's all here: Filegate, Travelgate, the Buddhist Temple and, of c
The Fast Red Road--A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion--of aliens, ghosts, telekinesis, and water-pistol violence--where television offers redemption, and "the Indian always gets it up the ass." Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe--a group of radicals to which Cline belonged. Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west--a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road--A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past--the texture of the road--can and must be changed.