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From the history of the trade blanket to contemporary collectible blankets to designs of the major trade blanket manufacturers such as Pendleton Woolen Mills, Racine Woolen Mills, and Buell Manufacturing Company, Language of the Robe presents the bright colors and intricately woven patterns hallmark to American Indian trade blankets.
Christ's robe has a strange effect on the pagan soldier who wins it in a dice game after the Crucifixion.
More than 350 full-color and black-and-white photographs highlight this comprehensive guide to the art of Indian trade blankets, tracing the history of this beautiful Native American craft, offering helpful tips on caring for vintage blankets, and providing a helpful catalog of the various makers of trade blankets. 20,000 first printing.
The sorceress Lady Lamorna has her heart set on a very expensive new robe, and she will stop at nothing--including kidnapping and black magic--to get the money to pay for it.
In 1883, 12-year old Canowicakte boarded a train on the Rosebud Indian Reservation, beginning a journey his friends said would end at the edge of the world. Raised as a traditional Lakota, he found Carlisle Indian School, with its well-documented horrors, was the end of the world as he knew it. Renamed Chauncey Yellow Robe, he flourished at Carlisle, developed a lifelong friendship with founder Richard Pratt, and went on to work at Indian boarding schools for most of his professional life. Despite his acceptance of Indian assimilation, he was adamant that Indians should maintain their identity and was an outspoken critic of their demeaning portrayal in popular Wild West shows. He was the star and technical director of The Silent Enemy (1930), one of the first accurate depictions of Indians on film. His life embodied a cultural conflict that still persists in American society.
What do Hammurabi, Solomon, and Oliver Wendell Holmes, Jr. have in common? They all presided as judges, relying on a precise understanding of the law to mete out justice. Today’s judges, too, have a significant opportunity to intelligently resolve disputes and artfully change lives, but they also face many other daily challenges. Unfortunately, there is no real handbook for a practicing judge—or there wasn’t, until now. Written by Judge James P. Gray, Wearing the Robe explores the day-to-day realities of being a judge, from faithfully applying the law in court to sharing knowledge outside the courthouse. The author addresses a range of important topics, examining how judges can obtain and refine their skills, preside effectively over judicial calendars, healthfully manage the restrictions placed on their private lives, and more. Throughout, personal insights and practical tips add to the firm foundation of knowledge.
This is the first U.S. publication of an extraordinary collection of native American art, unknown to contemporary American audiences. For centuries, ornamental robes made of buffalo hide were painted by artists of the various Indian nations. Brought back to the French kings in the eighteenth century, the robes represented here are now housed in the Musee de l'Homme in Paris, and together they make a stunning tribute to a bygone art form. These robes, spectacularly executed and perfectly conserved, offer an incomparable pictographic representation of early native American life. As George P. Horse Capture observes in his essay on the craft and history of buffalo hide painting, we see the largely symbolic, complex geometric patterns painted by women contrasted with the more realistic, narrative scenes painted by men, depicting battles and dances. Both kinds of design played an important role in native American society as messages for tribe members, as well as for their visitors, and both share a powerful visual appeal. With introductory and historical essays by three leading experts on native American art, a preface by W. Richard West, Jr., the director of the National Museum of the American Indian, and over a hundred photographs of the hides, this splendid volume is sure to be a treasure in any collection.