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Brilliant linguist, charming professor, and renowned writer Tom Murray had a way with words. He used them to seduce. And he used them to get away with murder. Erudite Kansas City professor Tom Murray seduced, then married his starry-eyed student Carmin Ross. But when Carmin attempted to leave their violent marriage, Tom stabbed her in the throat thirteen times, but left behind no evidence. Convinced he'd committed a perfect crime, Tom didn't even solicit a lawyer. But he hadn't counted on relentless small town deputy sheriff Doug Wood, who refused to be underestimated. What happened next would result in one of the most unforgettable, shocking, and unexpected trials in Kansas state history.
Rhetoric and the Responsibility to and for Language: Speaking of Evil relocates the “problem of evil”— the question of why God would allow for the existence of evil—and surveys it as a rhetorical problem. It raises this question: if we speak evil, how shall we speak of evil? When we communicate, we are naming, and evil as the corruption of language plays a central role in that naming. Evil freezes our words, convinces us we have the sole right to their definitions, and generally stifles the dynamic gift of language. By looking at how people in different eras and situations have named evil, this book suggests how we can better take responsibility for our words and why we owe a responsibility to language as our ethical stance toward evil.
Bestselling author and former FBI agent Gary Aldrich has teamed up with former White House speechwriter Mark Davis to pen the political thriller of the year. When the career-derailing opposition researcher known as "Dr. Death" is found dead on the floor of the Nixon Library, with his lips sewn shut and the message "Speak No Evil" written next to his body, it's up to FBI Special Agent Mike McGuire and journalist Anne Carlson to find his killer.
Winner of the Gold Nautilus Award for Fiction | A Lambda Literary Award Finalist | A Barbara Gittings Literature Award Finalist |One of Bustle’s and Paste’s Most Anticipated Fiction Books of the Year “Speak No Evil is the rarest of novels: the one you start out just to read, then end up sinking so deeply into it, seeing yourself so clearly in it, that the novel starts reading you.” — Marlon James, Booker Award-winning author of A Brief History of Seven Killings In the tradition of Junot Diaz’s The Brief Wondrous Life of Oscar Wao and Chimamanda Ngozi Adichie’s Americanah, Speak No Evil explores what it means to be different in a fundamentally conformist society and how that difference plays out in our inner and outer struggles. It is a novel about the power of words and self-identification, about who gets to speak and who has the power to speak for other people. As heart-wrenching and timely as his breakout debut, Beasts of No Nation, Uzodinma Iweala’s second novel cuts to the core of our humanity and leaves us reeling in its wake. On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him. When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed.
“The evil that men do” has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.
"What we call "Being" infects us and speaks through us - it treats us as a host to a linguistic and experiential parasite. Ontology - the study of Being - has primarily dealt with human questions regarding Being at the expense of the non-human, inhuman, and posthuman. Language Parasites works against this tendency by offering a "phorontology": a theory of Being inspired by "phoronts," which are tiny organisms that engage in parasitic migration (lice, mites, ticks, fleas, etc.). What is the Being of a parasite and how can that complicated non-human ontology influence human definitions of Being? Gradually, the anthropocentric distinction of subject and object fades away in favor of the emergence of a strange new philosophical entity called the transject, a being that is thrown far afield from the more normative notions of the subject that can be found in Hegel, Kant, Lacan, or even Foucault, Nietzsche, and Deleuze. A 'pataphysical excursion into the intricate world of philosophical ontology, Language Parasites presents the initial discoveries of a much larger project that seeks to redefine the boundaries of Being. This book is the result of a parasitic infection of continental philosophy in which the various parasites of German and French philosophy all meet at one locale for one express purpose: to eat together, feed together, and think together."--Back cover.
The controversial journalistic analysis of the mentality that fostered the Holocaust, from the author of The Origins of Totalitarianism Sparking a flurry of heated debate, Hannah Arendt’s authoritative and stunning report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This revised edition includes material that came to light after the trial, as well as Arendt’s postscript directly addressing the controversy that arose over her account. A major journalistic triumph by an intellectual of singular influence, Eichmann in Jerusalem is as shocking as it is informative—an unflinching look at one of the most unsettling (and unsettled) issues of the twentieth century.
The Satan of Paradise Lost has fascinated generations of readers. This book attempts to explain how and why Milton's Satan is so seductive. It reasserts the importance of Satan against those who would minimize the poem's sympathy for the devil and thereby make Milton orthodox. Neil Forsyth argues that William Blake got it right when he called Milton a true poet because he was "of the Devils party" even though he set out "to justify the ways of God to men." In seeking to learn why Satan is so alluring, Forsyth ranges over diverse topics--from the origins of evil and the relevance of witchcraft to the status of the poetic narrator, the epic tradition, the nature of love between the sexes, and seventeenth-century astronomy. He considers each of these as Milton introduces them: as Satanic subjects. Satan emerges as the main challenge to Christian belief. It is Satan who questions and wonders and denounces. He is the great doubter who gives voice to many of the arguments that Christianity has provoked from within and without. And by rooting his Satanic reading of Paradise Lost in Biblical and other sources, Forsyth retrieves not only an attractive and heroic Satan but a Milton whose heretical energies are embodied in a Satanic character with a life of his own.
With the media bringing us constant tales of terrorism and violence, questions regarding the nature of evil are highly topical. Luke Russell explores the philosophical thinking and psychological evidence behind evil, alongside portrayals of fictional villains, considering why people are evil, and how it goes beyond the normal realms of what is bad.
The most forceful philosophical objections to belief in God arise from the existence of evil. Bad things happen in the world and it is not clear how this is compatible with the existence of an all-powerful and perfectly loving being. Unsurprisingly then, philosophers have formulated powerful arguments for atheism based on the existence of apparently unjustified suffering. These arguments give expression to what we call the problem of evil. This volume is an engaging introduction to the philosophical problem of evil. Daniel Speak provides a clear overview of the main lines of reasoning in this debate and argues for the defensibility of theistic belief in the face of evil. He fleshes out the distinction between theodicy and defense and guides the reader through the logical, evidential, and hiddenness versions of the problem. In an accessible and beautifully written account, Speak describes the central issues surrounding the problem of evil in a way that clarifies both the complex reasoning and specialised terminology of the topic. The Problem of Evil is an ideal introduction to contemporary debates over one of the most gripping perennial questions. Read either on its own or alongside the primary materials it deftly covers, students and scholars will find this volume a terrific resource for understanding the challenges to religious belief raised by evil.