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Cartier and Lew's interesting and informative book explores contemporary issues in travel and tourism and human geography, and the complex cultural, political, and economic activities at stake in touristed landscapes as a result of globalization.
Like the Song of Songs, Terry Tempest Williams's Desert Quartet submerges its reader in a highly erotic landscape. And both use that landscape-a garden in the Song and a desert in Desert Quartet-to create eros in the text. Yet while the Song of Songs uses metaphor to transform the body of the beloved into a garden of delights, Desert Quartet uses personification to transform the desert landscape into a passionate lover. In the Song of Songs, the body becomes the landscape where seduction takes place; in Desert Quartet, the landscape becomes the body which seduces. Both works also invite allegorical readings; however, the one represents pre-modern allegory and the other (post)modern allegory. Finally, both texts mirror the landscape they describe. The reader must wander through the texts in the same way the texts wander through the settings' natural terrain. Neither has a "coherent" linear plot nor argues a monolithic point. Perhaps this meandering discourse is, as some feminist critics would argue, indicative of women's ways of seeing and speaking, ways that often make men uncomfortable.
Within the so-called seduction community, the ability to meet and attract women is understood as a skill which heterosexual men can cultivate through practical training and personal development. Though it has been an object of media speculation – and frequent sensationalism – for over a decade, this cultural formation remains poorly understood. In the first book-length study of the industry, Rachel O’Neill takes us into the world of seduction seminars, training events, instructional guidebooks and video tutorials. Pushing past established understandings of ‘pickup artists’ as pathetic, pathological or perverse, she examines what makes seduction so compelling for those drawn to participate in this sphere. Seduction vividly portrays how the twin rationalities of neoliberalism and postfeminism are reorganising contemporary intimate life, as labour-intensive and profit-orientated modes of sociality consume other forms of being and relating. It is essential reading for students and scholars of gender, sexuality, sociology and cultural studies, as well as anyone who wants to understand the seduction industry’s overarching logics and internal workings.
The Seductions of Pilgrimage focuses on the varied discursive, imaginative, and practical mechanisms of seduction that draw individual pilgrims to a pilgrimage site; the objects, places, and paradigms that pilgrims leave behind as they embark on their hyper-meaningful travel experience, and the often unforeseen elements that lead pilgrims off their desired course. Presenting the first comprehensive study of the role of seduction on individual pilgrims in the study of pilgrimage and tourism, it will appeal to scholars of anthropology, cultural geography, tourism, heritage, and religious studies.
The seductiveness of touristed landscapes is simultaneously local and global, as travelled places are formed and reworked by the activities of diverse, mobile people, in their desires to experience situated, sensuous qualities of difference. Cartier and Lew's interesting and informative book explores contemporary issues in travel and tourism and human geography, and the complex cultural, political, and economic activities at stake in touristed landscapes as a result of globalization. This book assesses travel and tourism as simultaneously cultural and economic processes, through ideas about place seduction and the formation of landscapes. Throughout, examples are given from urban and environmental touristed landscapes, from major world cities to tropical islands, and chapter contributions include: an analysis of the representational character of landscape and the built environment historic constructions of place seduction the importance of class, racial, and gender dimensions of place how mobility and the seduction of place orient identity formation the environmental impacts of tourism economies. Broad in scope, this book is ideal for social scientists and humanists who are interested in contemporary debates about place studies, mobility, and the located realities of globalization.
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
In Landscapes of Power Dana E. Powell examines the rise and fall of the controversial Desert Rock Power Plant initiative in New Mexico to trace the political conflicts surrounding native sovereignty and contemporary energy development on Navajo (Diné) Nation land. Powell's historical and ethnographic account shows how the coal-fired power plant project's defeat provided the basis for redefining the legacies of colonialism, mineral extraction, and environmentalism. Examining the labor of activists, artists, politicians, elders, technicians, and others, Powell emphasizes the generative potential of Navajo resistance to articulate a vision of autonomy in the face of twenty-first-century colonial conditions. Ultimately, Powell situates local Navajo struggles over energy technology and infrastructure within broader sociocultural life, debates over global climate change, and tribal, federal, and global politics of extraction.
As the butch doyenne of the Parisian Salons, Gertrude Stein captures the heart of Picasso in that context and gives insights on how Picasso worked as an artist and why Cubism came about in the way that it did. Also, this portrait of Picasso contains pretty clear description of Cubism and reveals a lot about relationship between Picasso and Stein without revealing a lot of actual events in either of their lives. Gertrude Stein (1874-1946) was an American novelist, poet, playwright and art collector, best known for Three Lives, The Making of Americans and Tender Buttons. Stein moved to Paris in 1903, and made France her home for the remainder of her life. Picasso and Cubism were an important influence on Stein's writing. Her works are compared to James Joyce's Ulysses and to Marcel Proust's In Search of Lost Time.
Explains the ways in which the media uses sex and violence to manipulate human behavior, citing specific examples from Playboy, Vogue, and Cosmopolitan magazines
The magnificent landscapes of southern New Zealand, captured beautifully by artist (outdoor photographer and professional designer) Christopher Thompson. Exquisitely designed by the author and featuring a foreword by renowned photographer and environmentalist Craig Potton, the book features over 100 large artistic landscape moments, along with personal anecdotes about the images, captured mostly during his wanderings in the wild places of New Zealand."There is nothing brash, ironic or even contemporary about Christopher's images. When viewing them for the first or hundredth time you are seduced by a well-practiced, well-honed and nuanced art in which everything is considered and beautiful.He's a photographer of exquisite coloured surfaces that don't shout loudly at first glance but rather gently invite you into their harmonious and powerful world" Craig Potton. (Photographer, Environmentalist, Publisher, Businessman and Member of the New Zealand Order of Merit - MNZM)