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Presenting the research into the landscape history of the Bourn Valley, west of Cambridge, this book is published as the first volume in a series of mid-length monographs on unusual subjects within local and regional history. It is illustrated throughout with maps and photos.
The cultural landscapes of Central European cities reflect over half a century of socialism and are marked by the Marxists' vision of a utopian landscape. Architecture, urban planning and the visual arts were considered to be powerful means of expressing the 'people's power'. However, since the velvet revolutions of 1989, this urban scenery has been radically transformed by new forces and trends, infused by the free market, democracy and liberalization. This has led to 'landscape cleansing' and 'recycling', as these former communist nations used new architectural, functional and social forms to transform their urbanscapes, their meanings and uses. Comparing case studies from different post-socialist cities, this book examines the culturally conditional variations between local powers and structures despite the similarities in the general processes and systems. It considers the contemporary cultural landscapes of these post-socialist cities as a dynamic fusion of the old communist forms and new free-market meanings, features and democratic practices, of global influences and local icons. The book assesses whether these urbanscapes clearly reflect the social, cultural and political conditions and aspirations of these transitional countries and so a critical analysis of them provides important insights.
This edited volume brings together a collection of works that comprehensively address both the myriad geomorphological landscapes of the Maltese Islands and how their evolution has been shaped over various time-scales by different sets of processes. Additionally, the work highlights how the small geographical setting of the Maltese Islands helped to closely connect these landscapes with Maltese society and as a result, they have evolved from stand-alone examples of geomorphology to important backdrops of Maltese cultural identity. Most of the contributing authors are academics – both local and foreign – with a research focus on the geomorphology of the Maltese Islands. However, the editors have also (and purposefully) chosen other contributors from governmental institutions and research agencies, who complement the geomorphological research with their proactive work in selected case studies on Maltese landscapes.
The Anglo-Saxon period was crucial to the development of the English landscape, but is rarely studied. The essays here provide radical new interpretations of its development. Traditional opinion has perceived the Anglo-Saxons as creating an entirely new landscape from scratch in the fifth and sixth centuries AD, cutting down woodland, and bringing with them the practice of open field agriculture, and establishing villages. Whilst recent scholarship has proved this simplistic picture wanting, it has also raised many questions about the nature of landscape development at the time, the changing nature of systems of land management, and strategies for settlement. The papers here seek to shed new light on these complex issues. Taking a variety of different approaches, and with topics ranging from the impact of coppicing to medieval field systems, from the representation of the landscape in manuscripts to cereal production and the type of bread the population preferred, they offer striking new approaches to the central issues of landscape change across the seven centuries of Anglo-Saxon England, a period surely foundational to the rural landscape of today. NICHOLAS J. HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester; MARTIN J. RYAN lectures in Medieval History at the University of Manchester. Contributors: Nicholas J. Higham, Christopher Grocock, Stephen Rippon, Stuart Brookes, Carenza Lewis, Susan Oosthuizen, Tom Williamson, Catherine Karkov, David Hill, Debby Banham, Richard Hoggett, Peter Murphy.
The origins of England's regional cultures are here shown to be strongly influenced by the natural environment and geographical features. The Anglo-Saxon period was crucial in the development of England's character: its language, and much of its landscape and culture, were forged in the period between the fifth and the eleventh centuries. Historians and archaeologists have long been fascinated by its regional variations, by the way in which different parts of the country displayed marked differences in social structures, settlement patterns, and field systems. In this controversial and wide-ranging study, the author argues that such differences were largely a consequence of environmental factors: of the influence of climate, soils and hydrology, and of the patterns of contact and communication engendered by natural topography. He also suggests that such environmental influences have been neglected over recent decades by generations of scholars who are embedded in an urban culture and largely divorced from the natural world; and that an appreciation of the fundamental role of physical geography in shaping human affairs can throw much new light on a number of important debates about early medieval society. The book will be essential reading for all those interestedin the character of the Anglo-Saxon and Scandinavian settlements, in early medieval social and territorial organization, and in the origins of the England's medieval landscapes. Tom Williamson is Professor of LandscapeHistory, University of East Anglia; he has written widely on landscape archaeology, agricultural history, and the history of landscape design.
Considering the minor settlements of England's Danelaw--villages known as thorps or throps--this history demonstrates how place-name evidence can be used to understand early cultures. By integrating linguistic and archaeological approaches, it establishes a compelling connection between the creation of these place-names and the fundamental changes taking place in the English landscape between AD 850 and 1250. The integral role of thorps in revolutionizing agricultural practice at that time is thoroughly analyzed.
This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world
While we all live our lives in designed landscapes of various types, only on occasion do we consider what these landscapes mean to us and how they have acquired that significance. Can a landscape architect or garden designer really imbue new settings with meaning, or does meaning evolve over time, created by those who perceive and use these landscapes? What role does the selection and arrangement of plants and hard materials play in this process and just where does the passage of time enter into the equation? These questions collectively provide the core material for Meaning in Landscape Architecture and Gardens, a compendium of four landmark essays written over a period of twenty years by leading scholars in the field of landscape architecture. New commentaries by the authors accompany each of the essays and reflect on the thinking behind them as well as the evolution of the author’s thoughts since their original publication. Although the central theme of these writings is landscape architecture broadly taken, the principal subject of several essays and commentaries is the garden, a subject historically plentiful in allusions and metaphors. As a whole Meaning in Landscape Architecture and Gardens offers the general reader as well as the professional a rich source of ideas about the designed landscape and the ways by which we perceive, consider, react, and dwell within them – and what they mean to us. The essays have been perennial favorites in landscape courses since their original publication in Landscape Journal. Bringing them together – bolstered by the new commentaries – creates a book valuable to all those creating gardens and landscapes, as well as those teaching and studying these subjects.
The village of Faxton in Northamptonshire was only finally deserted in the second half of the 20th century. Shortly afterwards, between 1966 and 1968, its medieval crofts were investigated under the direction of archaeologist Lawrence Butler. At the time this was one of the most ambitious excavations of a deserted medieval settlement to have been conducted and, although the results were only published as interim reports and summaries, Butler’s observations at Faxton were to have significant influence on the growing academic and popular literature about village origins and desertion and the nature of medieval peasant crofts and buildings. In contrast to regions with abundant building stone, Faxton revealed archaeological evidence of a long tradition of earthen architecture in which so-called ‘mud-walling’ was successfully combined with other structural materials. The ‘rescue’ excavations at Faxton were originally promoted by the Deserted Medieval Village Research Group and funded by the Ministry of Public Buildings and Works after the extensive earthworks at the site came under threat from agriculture. Three areas were excavated covering seven crofts. In 1966 Croft 29 at the south-east corner of the village green revealed a single croft in detail with its barns, yards and corn driers; in 1967 four crofts were examined together in the north-west corner of the village in an area badly damaged by recent ploughing and, finally, an area immediately east of the church was opened up in 1968. In all, some 4000m2 were investigated in 140 days over three seasons. The post-excavation process for Faxton was beset by delay. Of the 12 chapters presented in this monograph, only two were substantially complete at the time of the director’s death in 2014. The others have had to be pieced together from interim summaries, partial manuscripts, sound recordings, handwritten notes and on-site records. Building on this evidence, a new team of scholars have re-considered the findings in order to set the excavations at Faxton into the wider context of modern research. Their texts reflect on the settlement’s disputed pre-Conquest origins, probable later re-planning and expansion, the reasons behind the decline and abandonment of the village, the extraordinary story behind the destruction of its church, the development of the open fields and the enclosure process, as well as new evidence about Faxton’s buildings and the finds discovered there. Once lauded, then forgotten, the excavations at Faxton now make a new contribution to our knowledge of medieval life and landscape in the East Midlands.