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It has been argued that the history of landscape and of gardens has been marginalized from the mainstream of art history and visual studies because of a lack of engagement with the theories, methods and concepts of these disciplines. This book explores possible ways out of this impasse in such a way that landscape studies would become pivotal through its theoretical advances, since landscape studies would challenge the underlying assumptions of traditional phenomenological theory. Thus the history and theory of twentieth-century landscape might not only once again share concepts and methods with contemporary art and design history, but might in turn influence them. A complementary sequel to Relating Architecture to Landscape, this volume of essays explores further areas of interest and discussion in the landscape/architecture debate and offers contributions from a team of well-known researchers, teachers and writers. The choice of topics is wide-ranging and features case studies of modern and contemporary schemes from the USA, Far East and Australasia.
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Refers in particular to Graham Greene and Malcolm Lowry.
Introduction - Landscape as Perspective. Chapter 1 - The Pommemorative Anatomy of a Colonial Park. Chapter 2 - A New Monument in a New Land. Chapter 3 - Carlo Scarpa: Built Memories. Chapter 4 - The Rational Point of View: Viollet-le-Duc and the Camera Lucida. Chapter 5 - Cezanne's Party. Chapter 6 - Subject to Circumstance, The Landscape of the French Lighthouse System. Chapter 7 - The Body in the Garden. Chapter 8 - Self, Scene and Action: The Final Chapter of Yuan Ye. Chapter 9 - The House of Light and Entropy: Inhabiting the American Desert. Chapter 10 - Landscape to Inscape: Topography as Ecclesiological Vision. Chapter 11 - Fluid Precision: Giacomo Della Porta and the Acqua Vergine fountains of Rome. Chapter 12 - New Projects for the City of Munster. Chapter 13 - The Villa d'Este Storyboard. Chapter 14 - The Splendid Effects of Architecture, and its Power to Affect the Mind.
Reading art from a semiotic perspective, this book offers a new interpretation of the development of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. It will appeal to those interested in visual art, Chinese studies, critical theory, semiotics, and other relevant fields, and will allow the reader to learn how to put theory into the practice of studying art, how to give new life to an important theory, and how to acquire a new point of view in appreciating and enjoying art with a certain critical theory.
This second edition of the award-winning original text brings together in one volume the current thinking and conceptualizations on dissociation and the dissociative disorders. Comprised of ten parts, starting with historical and conceptual issues, and ending with considerations for the present and future, internationally renowned authors in the trauma and dissociation fields explore different facets of dissociation in pathological and non-clinical guises. This book is designed to be the most comprehensive reference book in the dissociation field and aims to provide a scholarly foundation for understanding dissociation, dissociative disorders, current issues and perspectives within the field, theoretical formulations, and empirical findings. Chapters have been thoroughly updated to include recent developments in the field, including: the complex nature of conceptualization, etiology, and neurobiology; the various manifestations of dissociation in clinical and non-clinical forms; and different perspectives on how dissociation should be understood. This book is essential for clinicians, researchers, theoreticians, students of clinical psychology psychiatry, and psychotherapy, and those with an interest or curiosity in dissociation in the various ways it can be conceived and studied.
Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.