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The unauthorized story of the enigmatic man who created a world-class organization in his own image and then lost control of it. 24 pages of photographs.
Tells the remarkable tale of Edwin Land's one-of-a-kind invention-from Polaroid's first instant camera to hit the market in 1948, to its meteoric rise in popularity and adoption by artists such as Ansel Adams, Andy Warhol, and Chuck Close, to the company's dramatic decline into bankruptcy in the late '90s and its unlikely resurrection in the digital age.
This major business biography of Polaroid and its founder and inventor Edwin Land, covers how the company grew from the initial Polavision prototypes during World War II, to the 1980s landmark patent infringement trial against Kodak that nearly brought the company to its knees.
From its inception in 1947, the Polaroid system inspired artists to experiment - to dazzling effect - with the cameras' unique technologies. Edwin Land, the inventor of the first Polaroid instant camera, remarked on his discovery, "Photography will never be the same." And he was right. This fascinating journey through the Polaroid era documents the evolution of instant photography. Hundreds of color images celebrate the myriad ways Polaroid photographs were used and ingeniously manipulated by Chuck Close, Walker Evans, David Hockney, Robert Mapplethorpe, Lucas Samaras, William Wegman, and others. In addition, the book features essays addressing the unique technology of instant photography and the marketing genius of the Polaroid Corporation. Interviews with artists reveal how Polaroids affected and, in many instances, forever changed the way artists captured the world around them. AUTHOR: Mary-Kay Lombino is the Emily Hargroves Fisher '57 and Richard B. Fisher Curator at the Frances Lehman Loeb Art Center at Vassar College in Poughkeepsie, New York. She has curated several exhibitions including Off the Shelf: New Forms in Contemporary Artists' Books and Utopian Mirage: Social Metaphors in Contemporary Photography. ILLUSTRATIONS: 230 photos
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. The Polaroid Book, a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favorite among artists for its quirky look and instantly gratifying, one-of-kind images. ? over 400 works from the Polaroid Collection ? essay by Polaroid's Barbara Hitchcock illuminating the beginnings and history of the collection ? technical reference section featuring the various types of Polaroid cameras
How we beat Eastman Kodak and its little yellow boxes in the marketplace despite a clunky product and an irrelevant corporate name. Paul Giambarba was Polaroid's first art director and creator of corporate image development and product identity.
Fall of an Icon: Polaroid after Edwin H. Land provides a unique insider's view of the once great company. It chronicles Land's philosophies, his successes, and the situations after his era ended.
In a world where nearly everyone has a cellphone camera capable of zapping countless instant photos, it can be a challenge to remember just how special and transformative Polaroid photography was in its day. And yet, there’s still something magical for those of us who recall waiting for a Polaroid picture to develop. Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
Edwin Land and Polaroid, the company he created in the 1930s, have spawned many bold scientific innovations over the years. Most of them led quickly to unique commercial products. Best known for revolutionary instant photography systems, Land and Polaroid also achieved miracles in light-polarizing technology that is embedded in many of today's consumer products. During World War II, Polaroid manufactured and created a large array of products for the U.S. military; later, Land's top-secret cold war initiatives led to crucial intelligence breakthroughs. Polaroid features images of signature innovations, scientists, and photographers who pioneered the use of Polaroid film.