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Putting each work in its literary and historical context,Landmarks in Continental European Literaturediscusses thirty-two key works of European literature, from Dante to Brecht. Part of the three-book series,Landmarks in European Literature, which presents the major authors of European literature and their works, from ancient times until the 20th century, this volume is designed for general readers and students, looking for additional guidance in their reading or wishing to understand the context in which these fascinating works were written. Helping and encouraging readers to explore and enjoy the European literary heritage, theLandmarks in European Literatureseries includeLandmarks in Continental European Literature,Landmarks in Classical Literature, andLandmarks in English Literature, all of which will prove valuable at any library supporting literary studies.
Providing the context of time and place as well as discussing the translations,Landmarks in Classical Literaturesurveys the most influential authors of ancient Greece and Rome. Part of the three-book series,Landmarks in European Literature, which presents the major authors of European literature and their works, from ancient times until the 20th century, this volume is designed for general readers and students, looking for additional guidance in their reading or wishing to understand the context in which these fascinating works were written. Helping and encouraging readers to explore and enjoy the European literary heritage, theLandmarks in European Literatureseries includeLandmarks in Continental European Literature,Landmarks in Classical Literature, andLandmarks in English Literature, all of which will prove valuable at any library supporting literary studies.
Covering major British and Irish authors from Chaucer down to the modern period,Landmarks in English Literatureexplains how the three main genres of literature - fiction, poetry, and drama - actually work. Part of the three-book series,Landmarks inEuropean Literature, which presents the major authors of European literature and their works, from ancient times until the 20th century, this volume is designed for general readers and students, looking for additional guidance in their reading or wishing to understand the context in which these fascinating works were written. Helping and encouraging readers to explore and enjoy the European literary heritage, theLandmarks in European Literatureseries includeLandmarks in Continental European Literature,Landmarks in Classical Literature, andLandmarks inEnglish Literature, all of which will prove valuable at any library supporting literary studies.
This book introduces thirty-two key works of European literature in translation to ordinary readers.
In recent years postnational theory has become a primary tool for the analysis of European integration. Though interpretations of the concept vary, there is a wide consensus about postnationalism as a way to forge a European identity beyond a particular national history. In line with the German historical context in which this key concept was formulated in the first place, postnationalism is considered to be an adaptation of Kantian cosmopolitanism to the conditions of the modern world. This collection of essays is the first to systematically and comparatively explore the links between postnationalism and cosmopolitanism within the context of the “New Europe”. Contributors: Susana Araújo, Sibylle Baumbach, Helena Buescu, John Crosetti, Maria DiBattista, César Domínguez, Soren Frank, Birgit Mara Kaiser, Dorothy Odartey-Wellington, Maria Esteves Pereira, Karen-Margrethe Simonsen, Aysegul Turan.
Turning to a region of South Italy associated with Greater Greece and the geographies of Homer's Odyssey, Marco Benoît Carbone delivers a historical and ethnographic treatment of how places defined in public imagination and media by their associated histories become sites of memory and identity, as their landscape and mythologies turn into insignia of a romanticised antiquity. For the ancient Greeks, Homer had set the marine monsters of the Odyssey in the Strait between Calabria and Sicily. Since then, this passage has been glowing with the aura of its mythological landmarks. Travellers and tourists have played Odysseus by re-enacting his journey. Scholars and explorers have explained the myths as metaphors of whirlpools and marine fauna. The iconic Strait and village of Scilla have turned into place-myths and playgrounds, defined by the region's heritage. Carbone observes the enduring impact of Hellas on the real Strait today. The continuous rekindling of cultural and visual traditions of place in the arts, media, travel, and tourism have intersected with philhellenic historiographies, shaping local policies, public histories, views of development, and forms of Hellenicist identitarianism. Elements of society have celebrated the landscape of the Odyssey, appropriated Homer as their imagined heirs, and purported themselves as the original Europeans–pandering to outdated ideological appropriations of 'classical' antiquity and exclusionary, West-centric views of the Mediterranean.