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Land So Fair opens in 1737 on a Hudson Valley farm, where the family's land, "sought, bought, cleared, planted, harvested, bequeathed, fought over, challenged, confiscated, and laced with bones and blood," is threatened anew each generation. Three strong-minded Dutch-American women, related to each other by marriage, deal with the privations of life in a wilderness community, the deaths of beloved family members, threats to their land by outside usurpers, and a dawning realization that slavery, once considered "necessary," is leading inexorably to tragedy. Troubles within the Dutch church, combined with violent uprisings by slaves, make life a test of endurance, physically, emotionally, and morally. As the struggle for independence from England versus loyalty to the Crown heats up, war erupts, and daily life takes on an ever-more desperate character. A fierce local "civil war" intensifies the looting, plundering, massacre, battles, and treason of the Revolution. In the end, the futility of war is clear when the English commander in chief acknowledges to George Washington in 1783 that the conflict should have ended with the American victory at Trenton seven years before, in 1776. "Fabend's evocative prose recreates a vivid New World. A poignant and gripping story, richly researched."
Hofvendahl's travels at 16 seem right out of Woody Guthrie. When he jumped ahip in 1938, he headed east through Canada, south to New Orleans via New York, and across to San Francisco. He rode the rails often, and here he tells of catching freights on the fly, of panaoramas viewed from side-door pullmans or from open gondolas snaking down California peaks. There were also times without shelter, food, or water...A rare and exhilarating true-life tale. Booklist
Motivated by potentially turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "Master Builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964-65 World' s Fair was a Sixties flashpoint in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime. In an epic narrative, the New York Times bestseller Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the Fair. It fetched Disney's empire from California and Michelangelo's La Pieta from Europe; and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outerspace colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed); and lured Ken Kesey and the Merry Pranksters. Meanwhile, the Fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock-and-roll right there in Queens. And as Southern civil rights efforts turned deadly, and violent protests also occurred in and around the Fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict. World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964-65 Fair was truly exceptional.
"This volume seeks to portray the beauty of the American countryside. It does not encompass the might of our cities nor the dynamic energy of our industries. That is a theme for a book in itself. Above all, it is not a state-by-state encyclopedia of sceneic wonders. Its objective is to destill the essence of rural America. The work of more than eighty etchers and photographers has been selected to give an unforgettable impression of this bright land. Their eloquent pictures speak for themselves, without the need of an interlocutor."--Editor's note.
While reporting the events of the St. Louis World's Fair for her local newspaper in 1906, Laura Ingalls Wilder teams up with Alice Roosevelt to stop the inhuman Anthropological Games.
It is 1649. As the English soldiers trample the Irish homesteads, leaving behind them a trail of barbarity and destruction, a few brave men set out to seek a 'fair land' over the brow of the hill. Among them is Dominick MacMahon, whose wife has been killed in the bloody massacre of Drogheda, and whose son and daughter, and a wounded priest, Father Sebastian, accompany him. But as he journeys in search of peace and freedom he is relentlessly pursued by Coote, the Cromwellian ruler of Connaught . . .
According to many authorities the impact of humanity on the earth is already overshooting the earth’s capacity to supply humanity’s needs. This is an unsustainable position. This book does not focus on the problem but on the solution, by showing what it is like to live within a fair earth share ecological footprint. The authors describe numerical methods used to calculate this, concentrating on low or no cost behaviour change, rather than on potentially expensive technological innovation. They show what people need to do now in regions where their current lifestyle means they are living beyond their ecological means, such as in Europe, North America and Australasia. The calculations focus on outcomes rather than on detailed discussion of the methods used. The main objective is to show that living with a reduced ecological footprint is both possible and not so very different from the way most people currently live in the west. The book clearly demonstrates that change in behaviour now will avoid some very challenging problems in the future. The emphasis is on workable, practical and sustainable solutions based on quantified research, rather than on generalities about overall problems facing humanity.
“Brilliant . . . Here is the conflict of real ideas; of real personalities; here is a work of intellectual imagination and great charity. The Poorhouse Fair is a work of art.”—The New York Times Book Review The hero of John Updike’s first novel, published when the author was twenty-six, is ninety-four-year-old John Hook, a dying man who yet refuses to be dominated. His world is a poorhouse—a county home for the aged and infirm—overseen by Stephen Conner, a righteous young man who considers it his duty to know what is best for others. The action of the novel unfolds over a single summer’s day, the day of the poorhouse’s annual fair, a day of escalating tensions between Conner and the rebellious Hook. Its climax is a contest between progress and tradition, benevolence and pride, reason and faith. Praise for The Poorhouse Fair “A first novel of rare precision and real merit . . . a rich poorhouse indeed.”—Newsweek “Turning on a narrow plot of ground, it achieves the rarity of bounded, native truth, and comes forth as microcosm.”—Commonweal