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Two hundred years after a failed attack on the Lustrous, Phosphophyllite is reassembled and tries again to get Kongō to pray for the Lunarians. This attempt seems likely to succeed, and the Lunarians prepare to depart to nothingness, while the gemstones on the moon prepare to be left behind. Meanwhile, Euclase is awakened by the commotion between Phos and Kongō…
TWO HEADS ARE BETTER THAN ONE Now that Phosphophyllite’s head has been taken to the moon, there’s only one way to revive the defeated gem–with a risky head transplant. For better or worse, Lapis Lazuli’s head is available, but more than half of Phos’s original body has been lost. Assuming the transplant even works, will the resulting gem still be Phosphophyllite?
Hoshino and Negishi fell in love at first sight and their love has grown ever since. They've learned to trust each other, be friends, and show affection, but now, with graduation approaching, they may have to learn the hardest lesson of all--how to say goodbye.
Mob and the others have made their way deep into Claw's hideout, only to be captured. Unexpectedly, they find that someone without any power at all (but plenty of chutzpah), Reigen, has followed them into this dangerous situation. Mob would prefer to run, but must to fight to protect his friends. Under all this stress, Mob finally explodes...in front of his master! From the creator of One-Punch Man!
“Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” – Cincinnati Enquirer The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, and the Pushcart Prize, Ursula K. Le Guin is renowned for her spare, elegant prose, rich characterization, and diverse worlds. "The Ones Who Walk Away from Omelas" is a short story originally published in the collection The Wind's Twelve Quarters.
"The public lands of the western United States comprise some 450 million acres of grassland, steppe land, canyons, forests, and mountains. It's an American commons, and it is under assault as never before. Journalist Christopher Ketcham has been documenting the confluence of commercial exploitation and governmental misconduct in this region for over a decade. His revelatory book takes the reader on a journey across these last wild places, to see how capitalism is killing our great commons. Ketcham begins in Utah, revealing the environmental destruction caused by unregulated public lands livestock grazing, and exposing rampant malfeasance in the federal land management agencies, who have been compromised by the profit-driven livestock and energy interests they are supposed to regulate. He then turns to the broad effects of those corrupt politics on wildlife. He tracks the Department of Interior's failure to implement and enforce the Endangered Species Act--including its stark betrayal of protections for the grizzly bear and the sage grouse--and investigates the destructive behavior of U.S. Wildlife Services in their shocking mass slaughter of animals that threaten the livestock industry. Along the way, Ketcham talks with ecologists, biologists, botanists, former government employees, whistleblowers, grassroots environmentalists and other citizens who are fighting to protect the public domain for future generations. This Land is a colorful muckraking journey--part Edward Abbey, part Upton Sinclair--exposing the rot in American politics that is rapidly leading to the sell-out of our national heritage"--
A terrible Red King wars with an awful Queen, and together they battle into being a rigid, wrong world... and this book has everything you need to run it. (And any other place in your first, second, third, fourth or fifth edition game that might require intrigue, hidden gardens, inside-out-rooms, scheming monarchs, puzzles or beasts, liquid floors, labyrinths, growing, shrinking, duelling, broken time, Mome Raths, blasphemy, croquet, explanations for where players who missed sessions were, or the rotting arcades and parlors of a palace that was once the size of a nation.)
This eBook edition of "Ode to a Nightingale" has been formatted to the highest digital standards and adjusted for readability on all devices. "Ode to a Nightingale" is either the garden of the Spaniards Inn, Hampstead, London, or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats House, also in Hampstead. According to Brown, a nightingale had built its nest near his home in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. "Ode to a Nightingale" is a personal poem that describes Keats's journey into the state of Negative Capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and explores the themes of nature, transience and mortality, the latter being particularly personal to Keats. The nightingale described within the poem experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.
SHE WOULD DARE ANYTHING TO SAVE THE WORLD FROM HIS RULE. EVEN HIS BED. He ascended from the darkness years ago-Azrael the Eternal, Azrael the Undying, Azrael Who Is Death-bringing with him the black rains, the fires, the souring of the sky, and the Eaters. Now he rules in the walled city of Haven with his favored Children and his dead court, while all that is left of the living struggles to survive in the ruins of a world that used to be their own. But even as extinction looms, humanity will never surrender to their monstrous conqueror. For Lan, this brutal life has been the only one she's ever known, but she still believes it can change. If the war can never truly end until the Eaters are ended, she will go to Haven, to Azrael himself, and demand he end them. To her surprise, she does not immediately die the hero's death she expected. Instead, Azrael offers her a chance to convince him, and all she has to do is submit herself to the chill embrace of the lord of the Land of the Beautiful Dead. From the author of The Scholomance and The Last Hour of Gann comes a new vision of erotic horror! This book contains explicit sex and gore and is intended for mature readers only.
Norman Douglas, one of the 20th century's great travellers in Italy, was for most of his life inextricably, passionately, connected to the Bay of Naples. This breathtaking sweep of sea and coastline - dominated by Vesuvius and with Pozzuoli and Sorrento standing sentinel - was Douglas' first experience of Italy. It was here, on the island of Capri, that he died, some 55 years after first buying a villa in Naples. "Siren Land", Douglas' first travel book, is a homage to a part of the world that captivated him more than any other. Weaving the myths of the Sirens into the landscape and history of the region, Douglas writes with knowledge and an irrepressible exuberance of the past and the present, of legends and archaeology, folklore and daily life, patron saints, local ghosts, wine and the wind. As the summer draws to a close, Douglas' prose becomes suffused with a melancholy tinged with excitement at what still remains to be discovered: 'relics of Roman rule, of old Hellas, or medieval romance...These are the delights of Siren Land'. 'What makes "Siren Land" exceptional is the quality of the telling. Weaving scholarship, impressions, fact and fantasy into an intricate fabric as enchantingly entertaining and full of human interest as the best of fairy tales or ancient myths. One of the most memorable books of its genre' - Mark Holloway, in his introduction to "Siren Land".