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"A collection of six plays by Nobel Prize winner Peter Handke, spanning the early years of the Austrian playwright's career. The first full-length play The Ride Across Lake Constance, is one of Handke's best-known works. It deals directly with one of Handke's favorite themes: the realities of theater itself, independent of the offstage world, and the way language (dialogue) and objects (props) operate in the skewed world of the stage. Therein it anticipates They Are Dying Out, the second full-length play in this volume. In some ways more conventional than many of Handke's plays, They Are Dying Out presents one of his most fascinating protagonists, Quitt, a businessman who first induces a group of colleagues to set up a monopoly and then torpedoes the scheme. The four short plays that round out the book--Prophecy, Calling for Help, Quodlibet, and My Foot My Tutor--were written before The Ride Across Lake Constance and show Handke moving from the experimental mode of his early work toward the richness and complexity that have marked him as the most important dramatist since Becket."--Publisher description.
Marie Chaix loves her father Albert, who was one of the first French citizens to join the Fascist party in 1936 and became a collaborator with the Germans, but must come to terms with his catastrophic political career.
Lake Constance, located along the Swiss-German Border is a large and deep lake of of 183 sq-mi. area (11.3 cubic mi of water!) with well established boundary conditions. Because Lake Constance has been the subject of scientific study for more than a century, it is one of the best studied lakes worldwide. This volume documents, integrates and interprets a large body of new hydrodynamic, chemical, paleolimnological and microbiological data with data on plankton and fish ecology. The data were mostly collected between 1979 and 1997 as part of an interdisciplinary research program funded by the German Research Council (DFG). The twenty-six contributions to this volume highlight the advantage of interdisciplinary approaches to problems which in the past were commonly considered to be essentially biological in nature.
Jews among Christians explores a corpus of illuminated Hebrew manuscripts of the Lake Constance region produced in the first decades of the fourteenth century. The author Sarit Shalev-Eyni, Professor at the Hebrew University of Jerusalem, provides a detailed and insightful study of the content, design, and iconography of the illustrations and decorations of a group of Ashkenahzi codices, thereby uncovering a surprising interface between Jews and Christians in the urban workshops of the time. Here, Christian artists would include midrashic components required by their Jewish instructor while drawing on the iconographic traditions of their Christian education, and artists of both religions were able to represent their own theological attitudes as well as profane tendencies and parody - in short, the various aspects of late medieval culture.A close comparison with the well-known Gradual of St. Katharinenthal, now in Zurich, and manuscripts such as the Schocken Bible, formerly in Jerusalem, and the Tripartite Mahzor -- originally bound as two volumes, but now split between Budapest, London and Oxford -- places the corpus firmly in the Lake Constance region and all but confirms the instructor to be one Hayyim, the scribe. The author's discussion of Hayyim's life and work and her historical overview of the relations between Jews and Christians in the final chapters of the book deepens our understanding of the religious and cultural dialogue between the two faiths not only in the production of this group of manuscripts but in the course of every-day life in the Middle Ages.
The title refers to the legend of a horseman who rode over the frozen Lake Constance in a snowstorm and dropped dead with fright on the other side on discovering what he had done. In the play a group of characters, known only by the names of the actors who perform the parts, talk and play games together, skating over the thin ice that separates them from unspoken danger.
The vast majority of the world's lakes are small in size and short lived in geological terms. Only 253 of the thousands of lakes on this planet have surface areas larger than 500 square kilometers. At first sight, this statistic would seem to indicate that large lakes are relatively unimportant on a global scale; in fact, however, large lakes contain the bulk of the liquid surface freshwater of the earth. Just Lake Baikal and the Laurentian Great Lakes alone contain more than 38% of the world's total liquid freshwater. Thus, the large lakes of the world accentuate an important feature of the earth's freshwater reserves-its extremely irregular distribution. The energy crisis of the 1970s and 1980s made us aware of the fact that we live on a spaceship with finite, that is, exhaustible resources. On the other hand, the energy crisis led to an overemphasis on all the issues concerning energy supply and all the problems connected with producing new energy. The energy crisis also led us to ignore strong evidence suggesting that water of appropriate quality to be used as a resouce will be used up more quickly than energy will. Although in principle water is a "renewable resource," the world's water reserves are diminishing in two fashions, the effects of which are multiplicative: enhanced consumption and accelerated degradation of quality.
From the bestselling author of House of Shadows and The Phantom Tree comes a spellbinding tale of jealousy, greed, plotting and revenge—part history, part mystery—for fans of Kate Morton, Susanna Kearsley and Barbara Erskine London, 1765 Lady Isabella Gerard, a respectable member of Georgian society, orders her maid to take her new golden gown and destroy it, its shimmering beauty tainted by the actions of her brutal husband the night before. Three months later, Lord Gerard stands at the shoreline of the lake, looking down at a woman wearing the golden gown. As the body slowly rolls over to reveal her face, it’s clear this was not his intended victim… 250 Years Later… When a gown she stole from a historic home as a child is mysteriously returned to Fenella Brightwell, it begins to possess her in exactly the same way that it did as a girl. Soon the fragile new life Fen has created for herself away from her abusive ex-husband is threatened at its foundations by the gown’s power over her until she can't tell what is real and what is imaginary. As Fen uncovers more about the gown and Isabella’s story, she begins to see the parallels with her own life. When each piece of history is revealed, the gown—and its past—seems to possess her more and more, culminating in a dramatic revelation set to destroy her sanity.
'The fragmented stories and haunted photographs in Paul Scraton and Eymelt Sehmer's In the Pines feel like field recordings from the shadow forest of their imaginations, transcribed into the pages of an old Explorer's Journal. I felt like I had gone into the forest, rucksack packed with Binoculars, Compass, Penknife, Whistle, Magnifying glass, Notebook, Pencil... and this haunting, collodion-eerie book..' – Jeff Youngl, author of Ghost Town In the Pines is author Paul Scraton's story of an unnamed narrator's lifelong relationship with the forest and the mysteries it contains, told through fragmented stories that capture the blurred details and sharp focus of memory.. Accompanied by eerie images created using a 170-year-old technique of collodion wet plate photography by Eymelt Sehmer, In the Pines is a powerfully evocative collaboration between image and text